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 The OFFICAL BLUESTONE TICKET BOX OFFICE

Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock.  THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best  concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets

https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852

 

Jun
7
Fri
The Young Guns of Country Tour
Jun 7 @ 4:13 pm

Young Guns of Country Tour

The Bluestone is proud to present The Young Guns of Country Tour on August, 22nd, 2013. Hear three great country acts for just $5 on The Bluestone stage! The Young Guns of Country Tour features Old Southern Moonshine Revival, Ross Coppley, and Zach Lockwood.

TICKET AVAILABILITY

General Admission

  • $5 Advance
  • $7 Day of Show
  • Standing room only

This event is open to all ages

Thursday, 08/22 | Doors at 7:00 P.M.

 

BUY TICKETS

 

WCOL Country Jam 2014
Jun 7 @ 4:14 pm

CJ_web

COUNTRY JAM 2014:This summer’s Country Jam, the largest country concert in central Ohio, will be a TWO DAY event held at Legend Valley Concert Venue and Campground on June 13th-14th, and will feature: Hank WIlliams Jr, Dierks Bentley, Randy Houser, Josh Thompson, Jerrod Niemann, Chris Young, Jon Pardi, Frankie Ballard, Brothers Osborne, Chris Stapleton, Lindsay Ell, and Austin Webb! Camping is included with purchase of a two-day ticket!

Tickets and more information available HERE!

Interested in being a vendor at Country Jam? Click HERE.

 

May
5
Fri
*SOLD OUT* Drake White and The Big Fire @ The Bluestone
May 5 @ 7:00 pm

Drake White and The Big Fire will be performing live at The Bluestone on Friday, May 5th, 2017

Featured Artist: Drake White

Opening Artist: Dave Kennedy

Opening Artist: Channing Wilson

Doors for the show will open at 7pm

PURCHASE HERE–This Show is SOLD OUT

Drake White Tickets on sale Friday, December 16th at 10am

DrakeWhitePhoto


VIP OPPORTUNITY AVAILABLE

VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of the stage!
  • Includes first bucket of Miller or Coors Light
  • VIP Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  • VIP Server
  • Private Bar Access
  • May have an obstructed view
  • *All VIP tables located in the loft area

*All Sales are final

Every reaction begins with a catalyst, some initial event that sets things on their inexorable course. For Drake White, it goes back to something raw and elemental in his debut album Spark.

“I learned how to play guitar and keep people’s attention around a fire,” explains the Hokes Bluff, Alabama native. “A spark can start a fire that can keep you alive and sustain you. So this is the beginning for me. This is the first strike of the flint.”

The spirit of Spark comes from those simple, early days spent enjoying the outdoors among friends in the warm glow of a fire. And though he’s now a city dweller with all the complications and distractions that entails, White still seeks the freedom and deeper connections he felt when the chorus of nature and the strums of his guitar blended into one harmonious song — the kind of contentment he sings about in the swirling majesty of his single “Livin’ the Dream.” Drake White

“We grew up free. We grew up on 4-wheelers, riding through the backwoods,” he says. “We grew up hunting and fishing and being out in the Appalachian Mountains. People don’t understand how beautiful north Alabama is until you see it in person.”

Drake White

Save for “Livin’ the Dream,” White wrote or co-wrote the remaining 11 tracks on Spark, working with red-hot producers Ross Copperman and Jeremy Stover through the process. He also brought in his own band for a handful of tracks to capture the energy of his live shows.

The first sound on Spark — before the pulse-quickening “Heartbeat” kicks into gear — is the voice of White’s late grandfather speaking from the pulpit. Several of these ghostly transmissions from the past appear on Spark, all extolling the virtues of love, brotherhood and nature. It’s a touch of the surreal that nods at White’s fondness for Pink Floyd’s psychedelic masterpiece The Wall, but also a deeply personal gesture that matches his vision perfectly.

“I went through about five or six sermons of my grandfather and picked out certain little snippets,” he says. “I just think they kind of fit. They’re weird and people are asking what they are. And that was my point: to get people talking about it.”

White has his own message of finding some harmony amid the demands of modern life, one that goes down easy in the uplifting, Zac Brown Band-assisted Southern rock anthem “Back to Free” and the cautionary-but soulful “I Need Real.” It’s a simple message of not letting oneself be swallowed up by technology and seeking out honest, genuine connections with others.

“When I’m at home, my wife and I keep our phones in the bedroom,” says White. “We listen to records. We hardly turn the TV on, unless it’s time for Game of Thrones. Before social networking was a smartphone app, we did it around a fire. That goes way back.”

With his gospel-derived, passionate delivery, White seems to have inherited his grandfather’s ability to touch crowds with a sermon — his divine vocal improvisations at the end of the honky-tonk flavored “Story” will undoubtedly get butts out of seats. White stresses that he isn’t a preacher, but doesn’t see a problem with putting his own methods for surviving the world out there.

“Some of the best songs, like Buffalo Springfield’s “For What It’s Worth” or anything by Bob Marley, have a little bit of preachin’,” he says. “I never want to come across too preachy, but instead I’m saying, ‘Hey man, this is my life, and this is what I do to be happy and I’m figuring it out just like you.’” Drake White

Spark covers an entire spectrum of emotions beyond these statements of character and self-definition. In “Making Me Look Good Again,” White cruises on an R&B-style groove to express his gratitude for his better half, while “Waiting on the Whiskey to Work” finds him embodying a man spun out on love and heartbreak. Then in the tropically-themed “Equator,” he flies south to give his nomadic side a little time to play.

“This record is about balance. It’s me asking, where’s that boy I used to be? Oh yeah, we gotta go get him back,” he says. “We gotta go on a hike or camping or grab my wife and go to some foreign country. I gotta feel alive. I gotta go out there and do that.” Drake White

Long a respected live entertainer with his (appropriately named) band the Big Fire, White’s climb to the limelight hasn’t been a straight or uncomplicated one. Rather than blowing up right away with a big debut single, he’s toiled on the road for years, giving jaw-dropping performances night after night and making believers one show at a time. “There are many different paths.

Jul
27
Thu
*Sold Out* AARON LEWIS 2nd show added July 27th @ The Bluestone
Jul 27 @ 7:00 pm

Aaron Lewis in Columbus, Ohio

*SOLD OUT* Aaron Lewis “Sinner Tour” at The Bluestone 

DUE TO POPULAR DEMAND, WE’VE ADDED A SECOND SHOW!

**NEW MEET AND GREET PACKAGE AVAILABLE NOW**- Does NOT include Admission to the show
PURCHASE HERE

Opening Artist: Travis Marvin

Doors open at 7pm

Tickets are $35

THIS SHOW IS SOLD OUT

PURCHASE HERE

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  •  Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

Grammy nominated and multi-platinum artist, Aaron Lewis is set to release his sophomore solo album later this year on Big Machine Label Group’s DOT Records.

The former Staind front man first made his country debut in 2011 with certified gold single “Country Boy” followed by the release of his first full length solo album, The Road. “Country Boy” featured Charlie Daniels on fiddle and a booming verse from George Jones as well as Chris Young striking a balance between classic and modern country.

Lewis’ introspective, personal and relatable lyrics are proof that country music is about lifestyle and values, not necessarily where you were raised. And as Country Weekly exclaims “…make no mistake, he is a truck-drivin’, gun-totin’ country boy.” Lewis attributes country as something that has always inspired him. Growing up in rural Vermont the singer/songwriter spent summers with his WWII veteran grandfather hunting and fishing. During that time, he developed a love for the land, the woods, and the simple life, which still permeates everything he does.

And there was one specific soundtrack to those times. “I was raised on Country music,” Lewis says. “My grandfather listened to Merle Haggard, Hank Williams, Hank Jr., and all of the greats.”
And those influences are evident on stage in his new songs and in Staind hits he often performs such as “Outside,” “It’s Been Awhile,” and “So Far Away.”

Jul
28
Fri
*Sold Out* AARON LEWIS July 28th in Columbus @ The Bluestone
Jul 28 @ 7:00 pm
Aaron Lewis in Columbus, Ohio

Aaron Lewis Live at The Bluestone July 28th

Aaron Lewis “Sinner Tour” at The Bluestone 

**NEW MEET AND GREET PACKAGE AVAILABLE ** Does NOT include Admission to the Show
PURCHASE YOUR MEET AND GREET HERE

Opening Artist: Travis Marvin

Doors open at 7pm

Tickets are $35

Tickets on Sale Friday, April 7th at 10am

PURCHASE HERE

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  •  Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

Grammy nominated and multi-platinum artist, Aaron Lewis is set to release his sophomore solo album later this year on Big Machine Label Group’s DOT Records.

The former Staind front man first made his country debut in 2011 with certified gold single “Country Boy” followed by the release of his first full length solo album, The Road. “Country Boy” featured Charlie Daniels on fiddle and a booming verse from George Jones as well as Chris Young striking a balance between classic and modern country.

Lewis’ introspective, personal and relatable lyrics are proof that country music is about lifestyle and values, not necessarily where you were raised. And as Country Weekly exclaims “…make no mistake, he is a truck-drivin’, gun-totin’ country boy.” Lewis attributes country as something that has always inspired him. Growing up in rural Vermont the singer/songwriter spent summers with his WWII veteran grandfather hunting and fishing. During that time, he developed a love for the land, the woods, and the simple life, which still permeates everything he does.

And there was one specific soundtrack to those times. “I was raised on Country music,” Lewis says. “My grandfather listened to Merle Haggard, Hank Williams, Hank Jr., and all of the greats.”
And those influences are evident on stage in his new songs and in Staind hits he often performs such as “Outside,” “It’s Been Awhile,” and “So Far Away.”

Mar
7
Wed
QUINN XCII at The Bluestone @ The Bluestone
Mar 7 @ 7:00 pm – 11:00 pm

QUINN XCII: The Story of Us Part II Tour w/ Special Guest Chelsea Cutler


QUINN_TSOU_Part-II_Columbus-BLUESTONE-WEB**THIS SHOW HAS BEEN MOVED FROM SKULLY’S TO THE BLUESTONe! PREVIOUSlY PURCHASED TICKETS WILL BE HONORED AT THE DOOR.**

AGES: 16+

PURCHASE TICKETS HERE

>>>MUSIC: https://soundcloud.com/quinnxcii

ABOUT THE ARTIST
2017 has been a breakout year for the newcomer Detroit singer/songwriter, Quinn XCII. With his ability to seamlessly blur the lines between pop, electronic, hip-hop, and soul music, he has quickly paved his own lane with his unique sound.

An early mixtape release turned heads, but it was his debut EP Change of Scenery, released in 2015, that put Quinn XCII on the map, connecting with the blogosphere and snaring millions of online streams. His follow-up EP release, Bloom, cemented his ability to meld styles and write about more varied subject matter. Next it was his featured vocals on “Kings of Summer”, a collaboration with longtime friend and producer ayokay (with whom he also exclusively worked with on his first two EPs), that started to bring him to the mainstream. The song became the sleeper summer hit of 2016, reaching #1 on Spotify’s Global Viral Charts, #1 on HypeMachine, accumulating over 65 million plays on Spotify, and getting regular spins at Top 40 radio around the country.

Quinn XCII’s debut album The Story of Us, was released on September 15 via Columbia Records. The album debuted at #6 on iTunes’ Pop Chart and is led by his standout single “Straightjacket,” which was named SoundCloud’s “Song of the Month” and has accumulated more than 23 million streams on Spotify. After selling out his entire 28-city national headline tour this Fall in support of the album, he will kick off 2018 by touring the album throughout Europe and across North America again this Spring.

Tickets: After completing your purchase on Eventbrite, you will receive an email confirmation with your attached PDF ticket(s). You MUST print and bring your PDF tickets AND VALID PHOTO IDENTIFICATION to be admitted for the event. The name on the tickets do not have to match the ID so long as the barcode is scannable. PSG is not responsible if ticket(s) cannot be scanned and the order is under a different name than the person presenting the ticket.

Change names on your tickets here.

Transfer/Change your ticket type here.

FAQ: http://primesocial.com/faq/

Feb
24
Sun
MELTED Music Festival LIVE Sunday Feb 24th @ The Bluestone
Feb 24 @ 1:00 pm

Nelsonville Music Festival and Archie Fox Live are extremely excited to announce a brand new live music experience:

MELTED

Sunday, February 24th, 2019

1pm-11pm

Featuring live performances by Ty Segall & WHiTE FENCE, The Black Lips, Kikagaku Moyo / 幾何学模様, Deerhoof, Cherry Glazerr, MA HOLOS, DANA, with visuals by Hongo Gonzo Liquid Light Show, and more artists to be announced!
Earlybird tickets available now!

PURCHASE HERE

You can also purchase tickets in person (cash only) without any service fees at Lost Weekend Records, Used Kids Records, and Spoonful Records.
45081523_514099742395808_4788318141908254720_o

 

The Nelsonville Music Festival and local talent buyer Archie Fox Live just announced MELTED, a one-day music fest held at the Bluestone on Feb. 24, 2019, featuring national acts Ty Segall & White Fence, Black Lips, Kikagaku Moyo, Deerhoof, Cherry Glazerr, Ma Holos, Alive Band to Watch DANA and more, plus visualizations fromHongo Gonzo Liquid Light Show.

$50 tickets are onsale now at meltedmusicfest.com

Mar
18
Fri
Mammoth WVH & Dirty Honey Live March, 18 2022 @ The Bluestone
Mar 18 @ 6:30 pm – 11:45 pm

Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B5B9DE84DB9

WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.

Tickets on sale Friday, November 5th at 10 AM!

About Mammoth WVH

Official Website: www.mammothwvh.com

Official Facebook Page:www.facebook.com/MammothWVH

Official Twitter: www.twitter.com/MammothWVH @MammothWVH

Official Instagram: www.instagram.com/mammothwvh @mammothwvh

Official YouTube Channel:www.youtube.com/MammothWVH

First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.

“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”

His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.

It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”

In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.

Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.

In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”

“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”

About Dirty Honey

Official Website: https://www.dirtyhoney.com/

Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/

Official Twitter:  https://twitter.com/dirtyhoneyband @DirtyHoneyBand

Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband

Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ

Some musicians take a while to build an audience and connect with fans. For the Los Angeles-based quartet Dirty Honey, success came right out of the gate. Released in March 2019, the band’s debut single, “When I’m Gone,” became the first song by an unsigned artist to reach No. 1 on Billboard’s Mainstream Rock chart. Their second single, “Rolling 7s,” went into the Top 5 and was still headed up when COVID changed everything. That same year, Dirty Honey opened for The Who, Guns ’N Roses, Slash, and Alter Bridge and was the “do-not-miss-band” at major rock festivals such as Welcome to Rockville, Rocklahoma, Louder Than Life, Heavy MTL, and Epicenter. On its first U.S. headline tour in January and February 2020, the band sold out every date.
When it came time to record its self-titled full-length debut album, the band—vocalist Marc LaBelle, guitarist John Notto, bassist Justin Smolian, and drummer Corey Coverstone—wasn’t about to mess with what was already working. Teaming up with producer Nick DiDia (Rage Against the Machine, Pearl Jam), who also produced the band’s 2019 self-titled EP, Dirty Honey again captured the lightning-in-a-bottle dynamics and energy of their live sound.
“As a guitarist, I’m always inspired by the everlasting pursuit of the perfect riff,” says Notto. “I also wanted to extend the artistic statement that we had already made. We weren’t looking to sound different, or prove our growth, necessarily. It was more about, ‘Oh, you thought that was good? Hold my beer.'”
“Because of the pandemic,” added drummer Coverstone, “we had a lot more time to write and prepare, which was great. It meant that we were able to workshop the songs a lot more, and I thinkit really made a difference.”
Dirty Honey’s album indeed builds on the band’s output to date, with airtight song writing that plays up their strengths: sexy, bluesy, nasty rock’n’roll, melodic hard rock, and soulful 70s blues-rock. On “The Wire,”LaBelle reaffirms his status as one of contemporary rock’s best vocalists, while “Another Last Time” is a raunchy, timeless ballad about a toxic relationship that you just can’t stop saying goodbye to. “Tied Up” and the album’s lead single “California Dreamin,’’ both feature smoking guitar solos bookended by massive riffs and hooks.
“‘California Dreaming’ was the last song we wrote,” said bassist Justin Smolian. “We finished it about two weeks before we recorded it, so the song was still so new, and we were trying out different things,so every take was a little different. But there was that one where we just captured it, and it was magic.”
Although each band member started playing music as kids—at the age of eight, Notto’s parents even bought him a red-and-white Stratocaster—each one brings eclectic influences to Dirty Honey’s sound. For example, drummer Coverstone has studied with jazz and L.A. session drummers but loves heavy metal; Notto grew up listening to ’70s funk and R&B as well as rock ‘n’ roll,and bassist Smolian has a bachelor of music in classical guitar and loves Tom Petty and The Beach Boys.
LaBelle meanwhile,takes cues from hissongwriting idols (to name a few, Robert Plant, Steven Tyler, Mick Jagger, Chris Robinson, and the late Chris Cornell) when coming up with lyrics. As a result, the songs on the Dirty Honey albumhint at life’s ebbs and flows—shattering heartbreak, romantic connection, intense soul-searching—while giving listeners space to draw their own conclusions.
“Sometimes,if you just let lyrics pass behind your ears, they sound like cool shit is being said,” LaBelle says. “And then once you dive in, you realize, ‘Oh, that’s really thoughtful.’ But it still doesn’t have a meaning that’s easy to pinpoint. There’s an overarching idea that is really cool, but it’s not necessarily on-the-nose.”
Although the Dirty Honey album may sound effortless, its genesis had a bumpy start. The day before the band members were due to fly to Australia to track the album, Los Angeles entered lockdown due to the COVID-19 pandemic, and traveling was off the table. However, Dirty Honey was still eager to work with DiDia, so they devised a Plan B: recording the full-length in a Los Angeles studio with one of DiDia’s long-time engineers, and the producer beamed into the proceedings via the magic of modern technology.
“He was able to listen to what we were laying down in real-time, through this app,” says LaBelle. It was like he was in the room with us. It was surprisingly seamless the way it all went down.”
Having to switch gears delayed the start of recording slightly, although this extra time ended up being a boon. Dirty Honey rented a rehearsal space and demoed the album’s songs in advance, meaning the tracks were in good shape when DiDia came onboard. Notto mixed and recorded these workshopped tracks himself, which helped him rediscover one of Dirty Honey’s biggest strengths: being well-rehearsed while not overpolishing their work.
“I’ve learned just a little bit more about what people might mean when they say, magic—you know, ‘This one has the magic,'” he says. “We would do two and three different demos of a song, so there would be a few versions. On a few occasions, the version that people kept going back to was the sloppiest, if you look at it from a performance standpoint.”
LaBelle agrees. “It’s just about getting the performance right and not thinking about it too much. I never like to be perfect in the studio. None of the stuff that I really liked as a kid was. I don’t really see myself getting away from that too much in the future just because I think you lose the soul if you do it too many times, if it’s too perfect.”
Notto also admits that the creative process isn’t necessarily always all fun and games. But for him and the rest of Dirty Honey, pushing through those tough times and coming out stronger on the other side is worth it. “When you finally come through on those moments, that’s where the real magiccomes in,” he says. “What makes all of our songs fun to play and listen to is we don’t allow ourselves to stop short of getting the best possible results out of each one of them.”