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The Big Bad Blues Tour: Billy F. Gibbons Featuring Matt Sorum and Austin Hanks.
Opener is Benton Blount
$34.50 in advance, $39.50 day of show on Sale Tuesday Aug. 14 2018 www.liveatthebluestone.com or www.Eventbrite.com
Ticket purchase includes free album download. Instructions for download will be emailed to all ticket buyers approximately 2 weeks after ticket purchase. Questions about album download can be directed to: help@musicredemptions.com
Price $275.00 Per Package (Limited amount)
(1) General Admission Ticket
– Meet & Greet with Billy Gibbons
– Photo Opportunity with Billy Gibbons
– A Copy of “Big Bad Blues” CD
– Billy Gibbons Tote Bag – exclusive to VIP Packages
– Billy Gibbons Guitar Pick Set
– Commemorative Meet & Greet Laminate
Billy F. Gibbons Premium VIP Package
Selling Price $150.00 Per Package (Limited amount)
(1) General Admission Ticket
– A Copy of “Big Bad Blues” CD
– Billy Gibbons Tote Bag – exclusive to VIP Packages
– Billy Gibbons Guitar Pick Set
– Commemorative Meet & Greet Laminate
Billy Gibbons had plenty of help getting the blues for his upcoming second solo album, The Big Bad Blues; both from his assortment of musical collaborators and, on the track “Missin’ Yo’ Kissin’,” from Gilligan Stillwater, the woman he affectionately (and legally) calls Miz Gibbons.
“That was a gift,” the ZZ Top mainstay tells Billboard about the track, whose lyric video premieres exclusively below. “We had gotten maybe five (songs) recorded, and my lovely sweetheart Gilligan was scribbling away on the couch. I was, ‘Omigod, she’s reading the Chanel catalog. Hide the credit card!’ Then she took a break and the engineers kinda glanced over the scribbling and said, ‘Hey man, this looks pretty good. This could be nice and bluesy if we put something to it,’ which we did.
“Of course, I was like, ‘Why does that say ‘Missin’ Yo’ Kissin’?’ I hope she’s writing it about ME!'”
Midland LIVE at The Bluestone on Saturday, November 17, 2018!
*Opening Artist: Desure
*Doors for the show will open at 7PM
*Tickets are $20 in advance and $25 day of show
Ticket On-Sale July 13th, 2018 at 10AM!
With all the chest-thumping going on in Nashville today, where bluster and swagger have replaced heart and soul, you half expect some of country music’s male stars to be sporting bruises. Which is what makes Midland, a trio of friends based in Dripping Springs, Texas, so undeniably refreshing. Made up of singer Mark Wystrach, lead guitarist Jess Carson and bass player Cameron Duddy, Midland is the embodiment of Seventies California country, all smooth Eagles harmonies and heart-on-your-sleeve lyrics. Their songs are intoxicating, sung with the twang of George Strait.
And it’s impossible to resist.
Now, after endearing themselves to fans with the hit radio single “Drinkin’ Problem” and a self-titled EP, Midland unveil their full-length debut, On the Rocks (Big Machine Records).
A collection of 13 tracks all written or co-written by Midland – the guys took their name from a Dwight Yoakam song – On the Rocks excels at setting a mood, transporting the listener to another place and time. It’s an album made for wide-open skies, endless deserts and wondering where the road is going to take you next.
“Drinkin’ Problem,” written with Shane McAnally and Josh Osborne, who produced the album with Dann Huff, reclaims the drinking song for classic country music, making it less about an endless party and more about self-medicating. “They call it a problem, I call it a solution / just sitting here with all my grand illusions,” sings Wystrach, evoking the best booze ballads of both Gary Stewart and Merle Haggard, two of the trio’s chief influences.
“Make a Little,” a rollicking ditty, is more optimistic, soaring with the brotherly harmonies of Wystrach, Duddy and Carson and a timely message: “There’s just not enough love in the world.” The rapid-fire lyrics embody the clever wordplay that is unique to country music – “we should make a little, generate a little / maybe even make the world a better place a little” – and also nod to Alabama, another country band that helped spark a revolution in the genre.
Midland hearken back to a time when an artist’s personal style – colorful suits, tailored denim and well-worn hats – dovetailed with the music. And they tip their hats to other groundbreaking artists throughout On the Rocks.
The kick-back and get-high ode “Altitude Adjustment” name-checks John Denver, the majestic “Nothin’ New Under the Neon” sounds like vintage Eddie Rabbit, and the glorious “At Least You Cried” channels Dwight Yoakam. By album’s end, the band 2 returns to the Eagles, recalling their famous intro to “Seven Bridges Road,” with the closing “Somewhere on the Wind.”
“On the Rocks is a confluence of our musical tastes and our reverence for classic country,” says Duddy, whose wife, photographer Harper Smith, shoots all of the group’s stylish photos.
“This record is truly a nod to the time period we are influenced by,” says Carson, a Pacific Northwest native, “and is an effort to bring that sound and that pageantry back to the forefront.”
“We write with a very visual storytelling approach. We paint that big picture and go to that place,” says Wystrach. “Where is this story going? Let’s paint it.”
“Electric Rodeo,” with its plaintive piano, sweeping strings and high-in-the-saddle chorus, is a prime example of the “picture” the band talks about creating. And “Check Cashin’ Country,” a solo composition by Carson, stands as the band’s true-life road diary: the tale of a country-rock band trying to find time to sleep as they hustle from gig to gig, barely making enough money to put gas in the tank. It’s the country equivalent of Seger’s “On the Road.”
Midland first came together at Duddy’s wedding in Jackson Hole, Wyoming, where the three members ended up jamming onstage at the rehearsal dinner.
“It was this serendipitous chain of events, and it was the best week ever,” says Wystrach, who, despite his hippie persona, was actually raised on an Arizona cattle ranch. “By the end, we knew the three of us had amazing chemistry.”
“Midland isn’t manufactured,” says Duddy, born in California. “We are three real friends who stumbled upon making music together.”
Whether they intended it or not, Midland are filling a void in country, with songs that run the gamut from lush Urban Cowboy anthems to loose campfire sing-alongs. Putting their own spin on a classic sound, they’re making something old relevant again.
“We are a band,” says Carson, declaratively. “That’s a big part of the spirit of what we do, that group experience and camaraderie.”
Says Wystrach, “We’ve poured our hearts and souls into writing and making these songs and are extremely proud of what we’ve been able to create.”
With On the Rocks, Midland have captured a sound decades in the making that is just right for today.
Whiskey Myers will be performing LIVE at The Bluestone on Saturday, December 1st, 2018!
*Opening Artist: Bishop Gunn
*Doors will Open at 7PM
*Tickets are $15 in advance and $20 day of show
Tickets On-Sale Friday, June 22nd at 10am
PURCHASE HERE
It would be an understatement to say that a lot has happened since Whiskey Myers was last in the recording studio. Over two whirlwind years, the gritty Texas band hit #1 on the iTunes Country Chart with their breakout third album ‘Early Morning Shakes,’ earned raves everywhere from Rolling Stone to USA Today, and toured the US and UK relentlessly, slaying massive festival crowds and sharing stages with Lynyrd Skynyrd, Hank Williams Jr., Jamey Johnson, and more along the way. You’d be forgiven, then, for expecting things to work a little differently this time around when the band reunited with acclaimed producer Dave Cobb for their stellar new album, ‘Mud.’ But as it turns out, success doesn’t change a Southern gentleman, and they don’t come any more Southern than Whiskey Myers.
Fueled by larger-than-life performances honed tight from countless nights on the road, ‘Mud’ finds the band scaling new heights of songwriting and musicianship, with searing guitars, soulful vocals, and indelible hooks. While their approach to the music and humble, hard-working attitudes may not have altered, there have been developments in the Whiskey Myers world, most notably with the arrival of new faces. For the recording sessions, the band’s five founding members—Cody Cannon on lead vocals and guitar, Cody Tate and John Jeffers on guitars, Gary Brown on bass, and Jeff Hogg on drums—fleshed out their sound with the addition of fiddler/keyboard player Jon Knudson and percussionist Tony Kent, who are both now full-time members. “They bring a great energy, and I think it’s really helped our sound and makes the band more versatile,” explains Cannon. “There’s less room onstage now, but sometimes a family grows.”
Prime Social Group presents: Snails – The Shell 2.0 Tour Columbus with Svdden Death & Hekler
Snails is bringing his new show ‘The Shell 2.0’ to Columbus, OH! A holographic bass music experience powered by groundbreaking production
Doors open at 8pm
This show is Ages 18+
Purchase Tickets
Winter Week Out Festival
THE WERKS (TWO NIGHTS)
February 1st and February 2nd
Doors open at 6:30pm each night
PURCHASE HERE
WINTER WERK OUT MUSIC AND ARTS FESTIVAL 2019
The Winter Werk Out returns to the beautiful Bluestone in Columbus February 1st & 2nd. feat. THE WERKS (TWO NIGHTS)EMANCIPATOREOTO (ft. Michael Travis & Jason Hann of String Cheese Incident)TROPIDELICZACH DEPUTYCONSIDER THE SOURCELITZ (Daft Punk tribute)MOM & DAD (ft. members of Dopapod)ANY COLOUR (Pink Floyd tribute)BULLS ON PARADE (Rage Against the Machine tribute)PRONTOHGHOST GARDENS X2SHATTERmany more TBA www.thewerksmusic.com
Morgan Evans live at The Bluestone on Saturday, December 14th, 2019
Doors for the show will open at 7pm
Opening Artist: Madison Kozak
Tickets for the show are just $15 in advance and $20 day of show
Tickets go on-sale Friday, June 21st at 10am
PURCHASE HERE
NEW TOUR DATES ANNOUNCED AS “DAY DRUNK” BUZZES INTO COUNTRY RADIO’S TOP 25
ON THE ROAD ALL SUMMER WITH RASCAL FLATTS; ADDITIONAL FESTIVALS ON TAP FOLLOWING BONNAROO, CMA FEST PERFORMANCES
Warner Music Nashville rising star MORGAN EVANS has announced the North American leg of his WORLD TOUR 2019, with more than a dozen dates set in the U.S. and Canada. Further expanding his international fan base, the Australia native will crisscross the globe with 26 shows in 8 countries on tap, including previously announced European and Australian dates. The career-milestone performances mark Evans’ biggest shows to-date in his home country, already selling out one of two Sydney shows, as well as Perth, Adelaide and Toowoomba.
THIS SHOW IS SOLD OUT!
LANCO will be performing live at The Bluestone on Saturday, February 15th, 2020
Doors for the show will open at 7pm
Opening Artist: Tyler Rich
Tickets on-sale Friday, November 1st at 10am
PURCHASE HERE
Country-rock band LANCO — which stands for Lancaster & Company — were formed in 2013 by namesake and frontman Brandon Lancaster. Hailing from Georgia, Tennessee, and Kentucky, the quintet members included drummer Tripp Howell, guitarist Eric Steedly, keyboardist Jared Hampton, and bassist Chandler Baldwin. Crafting feel-good country anthems tinged with classic rock and blues edges, LANCOgot their start after a chance meeting between Lancaster and producer Jay Joyce (Eric Church, Little Big Town) at a Keith Urban concert. Joyce signed LANCO to his publishing company and produced their eponymous debut EP. The band signed with Sony Music Nashville imprint Arista Nashville in late 2015. Their second EP, Extended Play, was released in early 2016. It contained three of the same songs as their debut, exchanging “High” for newer track and lead single “Long Live Tonight,” a pop-infused country song with a Kings of Leonundercurrent. In 2017, their song “Greatest Love Story” was also featured as the theme for the Netflix series The Ranch, and this placement helped break the band, with the single reaching Billboard’s Hot Country Songs Top Ten. Hallelujah Nights, the band’s long-awaited full-length debut, appeared in January 2018. They returned the following year with the single “Rival.”
Mitchell Tenpenny Concert at The Bluestone In Columbus, Ohio
March 5th, 2020
Doors for the show will open at 7pm
Opening Artist: Adam Doleac
Tickets are just $25 in advance and $30 dos
Tickets will go on-sale Friday, December 13th at 10am
PURCHASE HERE
“I wanted to tell a bunch of different stories on this album, but they all had to be authentic and believable to me,” says Mitchell Tenpenny. “What I was feeling at the time, where I was in my head, what’s going on in the world, it all contributed to the end product. The songs that made it were the ones I was sure that I was passionate about getting on there—what I was proud of, what I really wanted to say.”
On the heels of his Platinum-certified No. 1 single, “Drunk Me,” comes Tenpenny’s major label debut album, Telling All My Secrets. Revealing a wide range of influences and a level of assurance and confidence that comes from already having years of songwriting and touring behind him, the record marks the arrival of an artist recently singled out recently singled out as one of Pandora’s Artists to Watch in 2019, MusicRow’s Next Big Thing honorees, and The Tennessean’s Next Nashville Stars for 2019.
Lanco Live in concert
ONLY $25
July 23, 2021
Doors at 7 PM
Country-rock band LANCO — which stands for Lancaster & Company — was formed in 2013 by namesake and frontman Brandon Lancaster. Hailing from Georgia, Tennessee, and Kentucky, the quintet members included drummer Tripp Howell, guitarist Eric Steedly, keyboardist Jared Hampton, and bassist Chandler Baldwin. Crafting feel-good country anthems tinged with classic rock and blues edges, LANCO got their start after a chance meeting between Lancaster and producer Jay Joyce (Eric Church, Little Big Town) Keith Urban concert. Joyce signed LANCO to his publishing company and produced their eponymous debut EP. The band signed with Sony Music Nashville imprint Arista Nashville in late 2015. Their second EP, Extended Play, was released in early 2016. It contained three of the same songs as their debut, exchanging “High” for newer track and lead single “Long Live Tonight,” a pop-infused country song with a Kings of Leon undercurrent. In 2017, their song “Greatest Love Story” was also featured as the theme for the Netflix series The Ranch, and this placement helped break the band, with the single reaching Billboard’s Hot Country Songs Top Ten. Hallelujah Nights, the band’s long-awaited full-length debut, appeared in January 2018. They returned the following year with the single “Rival.”
GORGON CITY – Olympia Tour
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The Bluestone || Columbus, OH
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Thursday, October 21 || Doors 8PM || 18+
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Support: TBD
Follow Gorgon City:
https://www.instagram.com/gorgoncity
https://twitter.com/gorgoncity
Facebook, Instagram, Twitter: @primesocial
Disco Donnie Presents
FREAKFEST NOVEMBER 26 2021
A MASSIVE 3 ACT MEGA PARTY
featuring:
ZOMBOY
LUCCII
BRONDO
Tickets: After completing your purchase on See Tickets, you will receive an email confirmation with your attached PDF ticket(s). You MUST print and bring your PDF tickets AND VALID PHOTO IDENTIFICATION to be admitted for the event. You may download the See Tickets app and show your ticket on your mobile device for entry in lieu of printing.
Disco Donnie Presents | Ticket Transfer Policy: You may gain entry to the event even if your name is not on your ticket ONLY so long as the barcode is scannable. Disco Donnie Presents is not responsible if ticket(s) cannot be scanned and the order is under a different name than the person presenting the ticket.
Please do not post a photo of your ticket publicly in order to avoid the potential risk of a stolen bar code. Tickets are treated like cash and cannot be replaced if lost or stolen.
Ticket Reminder: To ensure your satisfaction, Disco Donnie Presents cannot guarantee tickets purchased from unauthorized third party resellers (individuals or brokers). DDP recommends that you purchase tickets directly through discodonniepresents.com, Seetickets.us, our authorized partners, and the venue box offices. For questions: contact@discodonniepresents.com
Steel Panther Live December 9th, 2021 7 PM
The Bluestone
Columbus, Ohio
https://www.ticketmaster.com/event/05005B59EDEA422F
Steel Panther is headed to Columbus, OH to The Bluestone December 9, 2021.
Tickets on sale Friday, October 29 at 10 AM!
- Website: http://www.steelpantherrocks.com/
- Facebook: http://www.facebook.com/steelpanther
- Twitter: http://www.twitter.com/Steel_Panther
- Instagram: http://www.instagram.com/SteelPanther
- YouTube: http://www.youtube.com/user/SteelPantherVEVO
About Steel Panther
For the uninitiated, Steel Panther was formed in 2000. Hailing from Los Angeles, the epicenter for rock n’ roll in all its debauchery and glamour, Steel Panther has established themselves as the world’s premier party band, melding hard rock virtuosity with parody and criminally good looks. Steel Panther is a global phenomenon with four full-length albums, touring across the world, platinum-level You Tube status and high-profile television appearances such as Jimmy Kimmel Live, Larry King Now, and FOX NFL Sunday.
Rolling Stone avowed, “There’s a reason Steel Panther have transcended their origins as a cover band playing the Sunset Strip,” while Metal Sucks declared, Steel Panther’s concept is genius…their songwriting is…preposterously snappy –and relatable.
Prime Social Presents
Two Friends Adventureland Tour
|
$22 GA
$44-$55 VIP
Two Friends Backstage Package $199
Two Friends Meet & Greet Package $149
Two Friends VIP Merchandise Package $99
https://www.tixr.com/groups/prime/events/two-friends-30598
Included in this total ticket price is a 5% arts and culture fee on the base ticket as required by the City of Columbus. This fee supports exemplary artists, arts and cultural organizations and programs that educate and engage audiences of all ages throughout greater Columbus. For more information on this click here.
Tickets: After completing your purchase on TIXR, you will receive an email confirmation with your attached PDF ticket(s). You may print your PDF ticket OR download your PDF ticket to your mobile device to be admitted into the event, and you MUST bring A VALID PHOTO IDENTIFICATION as well. The name on the tickets do not have to match the ID so long as the barcode is scannable. PSG is not responsible if ticket(s) cannot be scanned and the order is under a different name than the person presenting the ticket.
All Patrons must present a “Legal ID” for alcohol Purchases. Fake IDs will be confiscated. Presenting a fake ID is a crime and punishable by law.
Downtown Disco Columbus
March 12, 2022 8 PM
at The Bluestone
Columbus, Ohio
Tickets $29.99
Downtown Disco Columbus is exactly what it sounds like: a Saturday Night Fever Disco Bash! One night a year, The Bluestone gets a disco makeover. Dress the part and get ready to groove! This is a multi-generational party that is fueled by disco-era music we all love. Only 800 tickets are available, so get yours soon! Full bar service will be available and operated by the Bluestone and their staff! To learn more www.discolumbus.com.
Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM
The Bluestone
Columbus, Ohio
https://www.ticketmaster.com/event/05005B5B9DE84DB9
WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.
Tickets on sale Friday, November 5th at 10 AM!
About Mammoth WVH
Official Website: www.mammothwvh.com
Official Facebook Page:www.facebook.com/MammothWVH
Official Twitter: www.twitter.com/MammothWVH @MammothWVH
Official Instagram: www.instagram.com/mammothwvh @mammothwvh
Official YouTube Channel:www.youtube.com/MammothWVH
First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.
“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”
His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.
It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”
In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.
Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.
In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”
“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”
About Dirty Honey
Official Website: https://www.dirtyhoney.com/
Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/
Official Twitter: https://twitter.com/dirtyhoneyband @DirtyHoneyBand
Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband
Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ
Top of the World Tour
LAUREN ALAINA
Presented by maurices
March 25, 2022 7 PM
at The Bluestone
Columbus, Ohio
Tickets $20
Artist Biography
Lauren Alaina | Sitting Pretty on Top of the World
Ten years into her Nashville career, Lauren Alaina is in the upper echelon of country music’s most authentic voices, beloved personalities, and open hearts. She’s earned a reputation as one of the genre’s most compelling storytellers by boldly incorporating her struggles and heartache into her critically acclaimed first two albums. Lauren’s third studio collection, Sitting Pretty on Top of the World, is an artful evolution of immaculately penned, unflinching reflections of the mountains and valleys on her journey.
Sitting Pretty on Top of the World opens with the telltale sound of a needle dropping down on a record, and with that, Lauren sets the tone for some of the most captivating music of her career. Lauren was inspired to lean into the tenets of classic country music for this project and on the albums lead track, “It Was Me,” she offers a timeless country ballad filled with heartsick self-reflection. Lauren’s voice emotionally soars through the aching, introspective lyrics: “It wasn’t you I didn’t love, it was me.”
“The other person isn’t always the bad guy,” Lauren concedes. “On ‘It Was Me,’ I’m taking full ownership of being in the wrong. It was really hard to admit that I was the one at fault and to realize that I didn’t love myself enough to allow someone else to love me.” But the vulnerable “It Was Me,” co-written with Hillary Lindsey, is a song Lauren considers to be one of the best she’s ever written.
Lauren takes pride in the exposed transparency of her songwriting on this project, and though most writing sessions took place via Zoom, Lauren was crafting verses and choruses alongside the likes of award-winning songwriters including Liz Rose, Lori McKenna, Hillary Lindsey, Emily Weisband, David Garcia, Jordan Reynolds, Ben Johnson and Kennedi Lykken. She co-wrote 14 of the album’s 15 songs, much of it inspired from recent life experiences including two impactful break-ups, the loss of her stepfather, and like much of the world, Lauren struggled with despondency as she adapted to life in the pandemic.
The album’s title track “On Top of the World” delves into the dark reality behind polished facades. Writing the song with Jordan Reynolds and Sasha Sloan after the pandemic forced her to stay home for the first time in a decade, Lauren, in a heightened emotional state, revealed how she felt enveloped in loneliness and sadness.
“I’ve been on the road and touring for 10 years and having that taken away so suddenly felt like an abrupt stop to everything I’ve been working for, and that was a really scary thing for me,” she says, “but the whole world stopped for everybody, and I needed to find new ways to connect with people.”
Lauren applies that same honest vulnerability throughout the album from the harrowing ballad “What Do You Think Of?” featuring Danish Pop Star Lukas Graham, to the pensive flow of “I’m Not Sad Anymore,” to the beautiful simplicity of “Good Ole Boy” with its scaled back production that truly allows Lauren’s vocals to shine.
“This whole thing [album] is about loving yourself and being brave and being strong,” Lauren says. “I was faced with all these trials, and I hope people feel themselves in these songs. I think we all live the same stories with different characters. And maybe people realize new beginnings can be good.”
“Getting Good,” a duet with Trisha Yearwood, is the only song Lauren didn’t write on the album. Penned by Weisband, the song is a poignant truth-telling about choosing to be happy. Drawn to the concept, Lauren says, “Life is all about perspective, and you sometimes you have to shift your perspective.”
Lauren punctuates the lovelorn with the playful yet forthright “When the Party’s Over” and with the propulsive yet nostalgic “Run.” She also teamed up with Emily Weisband and the album’s producer Paul DiGiovanni to write the lighthearted, here-for-the-fun, rebound tune, “Getting Over Him,” featuring country star Jon Pardi. Lauren rounds out the album with the beautifully hopeful “Change My Mind,” which she co-wrote with Seth Ennis and Cameron Bedell.
Then with the familiar crackle of a vinyl record nearing its end, the album comes to a close. A journey from start to finish. Lauren explores life in these unique times and Sitting Pretty on Top of the World is the salve and the soundtrack for anyone traversing their own personal quest for hope and new beginnings.
BTSM: Once Upon A Time In Cyberworld Tour
April 13, 2022 8 PM
at The Bluestone
Columbus, Ohio
BLACK TIGER SEX MACHINE –
Facebook: https://www.
Instagram: https://www.
YT: www.youtube.com/user/
Twitter: https://twitter.com/
Website: https://
KAI WACHI-
https://www.kaiwachimusic.com
https://www.instagram.com/
https://soundcloud.com/
VAMPA –
https://www.instagram.com/
https://soundcloud.com/
https://twitter.com/
HAIRITAGE-
VISUALS BY SIF
18+
Dorothy
ft. Joyous Wolf & Classless Act
April 24, 2022 6 PM
at The Bluestone
Columbus, Ohio
DOROTHY
Gifts From The Holy Ghost
Roc Nation
Dorothy Martin’s life changed forever when she was forced to face death on her tour bus some three years ago. After her guitar technician had taken an overdose, and the light began to lift up and out from his body, Dorothy instinctively began praying for his survival. While he may have temporarily died, the technician was astonishingly, miraculously restored back to life as Dorothy and her crew formed a prayer circle near his body. It was this moment that seemed to bring Dorothy to life too. She was gifted a rebirth with a divine intervention that caused a radical and spiritual awakening in the singer, the result of which can be heard on Gifts From The Holy Ghost, Dorothy’s third studio album as front woman for the pseudonymous, blues-rock band Dorothy.
Gifts From The Holy Ghost is the album she’s always wanted, and has perhaps been destined to make. Born from a sense of divine urgency, it is Dorothy’s most bombastic and gloriously, victorious rock and roll work yet. Each song built on triumph—the unshackling of chains, the slaying of demons with a sword of light—the album is a healing and remedial experience, made to unify listeners and point them towards a life full of purpose. It is Dorothy’s greatest gift yet. “This album had to get made, I felt like I had a mission,” she said.
While the band’s first, irreverently named album ROCKISDEAD, was made on a combination of whiskey and heartbreak—inspiring Rolling Stone to name them one of rock’s most exciting new acts, and Jay-Z to sign them to his label Roc Nation—Gifts was built on recovery, health, and holiness, in a way that reverses the clichéd ‘good girl gone bad narrative’.
With the combined powers of Keith Wallen, Jason Hook, Scott Stevens, Phil X, Trevor Lukather, Joel Hamilton and the legendary ear of Chris Lord Alge, Gifts From The Holy Ghost is made from a musical palette which seems to encompass each of the musician’s influences, as well as many of the essential sounds of rock music’s history—from swampy blues to ‘90s alternative —in a way that makes the case for rock and roll itself. Not only is the genre alive, but it’s more invigorated than ever.
“I think this album is going to speak to a lot of people, it’s meant to be healing, unifying, eye-opening, ear-opening, heart-opening and celebratory,” Dorothy said, adding: “I wanted to make the realest album I could make, and I went in with the question does this make me feel alive? Does it make me feel free? If a song didn’t give me chills or make my heart soar, then it didn’t make the cut.”
Born in Budapest, Hungary, Dorothy has always been an instinctual writer and artist. Throughout her life, she’s been asking the big questions, both in and outside her art: ‘What’s the meaning of life? Why are we here? How are we here?’ When she couldn’t find the answers to those questions, she’d numb out the empty uncertainty with drugs and alcohol. She was eventually admitted to rehab and a new chapter was opened in her spiritual journey. Now, with angels whispering in her ear and the spirit moving her steps, she’s found her answers. “I’m just here to impart inspiring messages to people while having fun and rocking out!”
You can hear Dorothy’s powerful resilience across the album, particularly on “Big Guns”, which finds the singer at her boldest; sauntering over slide guitars as she steps into combat. Anthems like “Rest In Peace” bring a sweeping cinematic scope to the album, whereas “Black Sheep”, a rallying cry for unity, explodes with layered gang vocals: “we are blood, we are family,” Dorothy breaks curses, going toe-to-toe with the blistering guitar riffs.
The album’s lyrics are a perfect balance of specificity and generality, so that the listener can attach their own darknesses and triumphs to the songs, while still getting a sense of Dorothy’s own. “We are all one human family.” she declares.
Does that mean Dorothy has overcome all of her own adversities? “It’s a journey and it’s about progress not perfection,” she responds. “I’ve had a lot of deep revelations about my life, stuff I hadn’t been able to cope with until now. Now I’m learning new tools.” With Gifts From The Holy Ghost, Dorothy identifies her purpose as an artist. She conquers darkness with light, numbness with feeling, disharmony with unity—all while delivering one of this year’s most fun rock & roll records.
Joyous Wolf Bio
A gritty howl opens Joyous Wolf’s upcoming debut LP, Enigma, and it’s the perfect introduction since the band plays rock & roll at its most primal and passionate. Guitarist Blake Allard’s bluesy riffs harken back to the classic hard rock of AC/DC, Cream and Deep Purple while still packing a thoroughly modern wallop, while frontman Nick Reese’s voice seems to come from deep in his gut as he sings about everything from warring kingdoms to a tribute to a fallen friend. Together, with bassist Greg Braccio and drummer Robert Sodaro, Joyous Wolf’s members work together to create some of the most exciting, promising and unwieldy back-to-basics rock to come out of Southern California in recent years.
Whether nimbly navigating the swaggering, powerful groove of their go-to concert opener, “Mountain Man,” or digging into their instruments for a jammy, funky guitar solo “Major Headthrob,” the group has an unpredictable quality – a sort of unique freedom within rock & roll – that makes Enigma compelling. Part of the credit for this goes to producer Val Garay (Santana, Neil Diamond, Reel Big Fish) who came aboard at the last minute to help them achieve the record’s raw sound, which captures how Joyous Wolf sound live. But mostly, the electric feeling that defines Enigma is just something in the band’s DNA.
“When I’m playing rock & roll, it’s the only time where I feel indestructible,” Reese says. “When I heard Elvis sing ‘Heartbreak Hotel’ for the first time, I knew exactly what my heart wanted and what I wanted.”
“I think people are starting to realize the overproduction and fakeness of pop music, which is why rock is coming back,” Allard says. “We love being a rock band.” Joyous Wolf formed in November 2014, but their roots stretch back to sixth grade when Reese first crossed paths with Sodaro by fate – they had to assemble next to each other because their names were alphabetically side-by-side. Reese recalls a middle-school battle of the bands where neither he nor Sodaro was playing, but Reese declared that one day he was going to be “the best singer ever” and that Sodaro would play drums. It would take a few years, but after stints where both musicians duked it out playing in punk and alternative bands (“all of that crap,” Reese adds) they fulfilled Reese’s prophecy. The singer drafted Allard, whom he’d met randomly in the acoustic room at a Guitar Center when the two jammed on CCR’s “Born on the Bayou,” and Sodaro brought in his high-school friend Braccio to play bass.
Before long, the quartet was jamming in Sodaro’s folks’ garage, annoying the neighbors and entertaining the local authorities. “Once on Halloween, we were rehearsing at 11 p.m. writing songs, and we faced Nick’s monitors out the window toward a canyon full of houses,” Allard recalls. “Then we saw this car at the front gate, and it’s the sheriff. He comes into the practice room and goes, ‘Hey guys, I hate to shut you down because it sounds really good, but we got a complaint from across the canyon that it was too loud.’ We still practice but not like that anymore.”
One of the first songs they played together was “Sleep Weep Stomp,” Enigma’s slow-burning, sludgy blues burner. It’s the style of music that Reese feels closest to. “I’m a blues singer, 100 percent,” he says. “That’s my everything.” The singer grew up on blues, jazz, and Fifties rock & roll. “When my dad showed me, Elvis, that was the end of it,” he says. “I needed to hear every artist that inspired Elvis and then the people who inspired them. Suddenly I had a record collection. It all felt natural: B.B. King made me want to scream my pain away. You hear all these people and you want to express all the things you love. I don’t care if people think it’s old or not current. It doesn’t matter to me.” By his own estimation, he didn’t hear anything “current” until he was 13 and borrowed his sister’s Discman only to hear the Strokes’ “Is This It”. Similarly, Allard was raised on classic rock. “My dad taught me my first song ever, ‘Sunshine of Your Love,’ by Cream,” he says. “I always went back to that kind of old blues-rock music. Even if I was into metal or hard rock, I always went back to the classics like B.B. King, Jimi Hendrix, Black Sabbath, and Led Zeppelin.”
These influences shine through on Enigma. “Killing the Messenger” begins with some crushing classic heavy-metal riffs before giving way to a boogieing verse riff where Sodaro and Braccio can bash out their rhythms freely while Reese yowls a tale about two warring kingdoms, and how an evil monarch tricks one of his most popular subjects into delivering a nasty message to the other kingdom only so he would be executed. Reese says the moral Is “life isn’t fair and it isn’t always a happy ending.” The beat-heavy “Mountain Man,” whose lyrics lambaste one of Reese’s former less-than-refined coworkers at a coffee shop, whom the singer says claimed he could “carve a knife out of the tree,” began with a guitar riff that was so forceful that the band couldn’t deny its power. “He had this little riff and we were laughing because it was so stupid-simple,” Reese says. “And it is. It’s our quote-unquote ‘dumbest song,’ but when we used it to open at the Viper Room, the audience response became one of our staple songs.”
The band is also able to channel more somber tones. The acoustic “Remember By” showcases thoughtful performances by both Allard and Reese, who wrote the song in tribute to a friend of his who had taken his own life. It came from a moment of pure inspiration. “I recorded us when we were fooling around, and it was perfect,” Reese says. “I pushed for us to record that song so hard. I said, ‘Please do it exactly like you did it. Please.’ That was me saying goodbye.”After they put out their Daisy EP in late 2015, it took the band about two years total to fine-tune and perfect Enigma. And while songwriting was a big chunk of that (the ominous riff for “Turning Blue” took them six months to perfect), they went through several passes of mixing and mastering it to get it to sound like it does. When Garay finally came aboard, they were able to establish the right mixture of nuance and directness. “It’s so much more animal,” Reese says, using the perfect adjective, to describe the way Enigma turned out. That “animal” sound has earned Joyous Wolf some notable gigs, including performances at L.A.’s famed Whisky a Go-Go, the Viper Room and the Regent Theater, where they recently opened for Eagles of Death Metal. Now they’re ready to move on to even bigger stages. “When we play a show, we go out and we kick ass,” Reese says, sounding confident. “We’re headhunters”. Headhunting on the road will now be even easier, with their upcoming record Enigma, an album that demonstrates what Reese calls Joyous Wolf’s “mojo.” – Kory Grow Rolling Stone Magazine 2017
Classless Act Bio
When they released their debut single “Give It To Me” in the summer of 2021, Classless Act were immediately praised for their ability to sound both fresh and timeless. Loudwire instantly added the song to their “Weekly Wire” Spotify playlist, identifying it as one of the top new releases of the summer. And other iconic outlets, like SPIN Magazine, were early to show support. It was a fitting public introduction to a band who embody what it means to be modern rock stars.
The band – consisting of members Derek Day (Vocals), Dane Pieper (Guitar), Griffin Tucker (Guitar), Franco Gravante (Bass), and Chuck McKissock (Drums) – initially formed in 2018 after connecting and bonding virtually by their love and passion of music. Now in Los Angeles, they’ve united on a mission to be the next great generation-defining act, drawing inspiration from classic rock acts of the 70’s and alt-rock groups from the 90’s. Their music echoes the hallmarks of previous generations – anthemic rhythms, shreddy guitars, soaring vocals – but punches its way into the future with clever arrangements, sharp musicianship, and proficient songwriting.
Already making noise in the industry, the band has been in the studio with world-class producers like Bob Rock, Michael Beinhorn and Joe Chiccarrelli, who have helped craft hits for the likes of The Red Hot Chili Peppers, Metallica, Soundgarden, and The White Stripes. The band recently landed a deal with Better Noise Music, Mediabase and Billboard’s #1 rock label for 2020. Their debut album is expected in 2022, when the band will be hitting the road with Mötley Crüe, Def Leppard, and more, on their Summer Stadium Tour.
Maddie & Tae October 14, 2022 7 PM
with SACHA
The Bluestone
Columbus, Ohio
Tickets purchased before postponed date are still valid.
Maddie & Tae‘s All Song No Static Tour presented by CMT Next Women of Country is headed to Columbus with special guests SACHA.
- Website: www.maddieandtae.com
- Facebook: https://www.facebook.com/maddieandtae
- Twitter: @MaddieandTae
- Instagram: @maddieandtae
- YouTube: https://www.youtube.com/user/MaddieandTae
About Maddie & Tae
Award-winning duo Maddie & Tae are drawing praise for their No. 1 debuting The Way It Feels album release with Rolling Stone saying the new music is “anchored around their stellar vocal pairings and some of the tightest harmonies on Music Row.” Together as longtime friends and music collaborators, Maddie Font and Taylor Kerr co-wrote 14 of the album’s 15 tracks including the Platinum-certified No. 1 country radio hit, “Die From A Broken Heart,” which Esquire calls “their finest moment yet.” The pair also co-wrote two brand new holiday songs to join a collection of classics for their first ever holiday project- We Need Christmas.
Maddie & Tae first broke out in 2013 with their brilliant counter to bro-country, the Platinum-selling smash, “Girl In A Country Song,” which took Country radio by storm, skyrocketing to the top of the charts and quickly going PLATINUM. The duo became only the third female duo in 70 years to top the Country Airplay charts, also earning trophies from the Country Music Academy and Radio Disney Music Awards along with multiple ACM, CMA and CMT Award nominations. Maddie & Tae have received widespread praise from Associated Press, Billboard, Entertainment Weekly, NPR, The Tennessean, The Washington Post, Glamour and others. The celebrated duo has toured with country music’s hottest stars including Carrie Underwood, Dierks Bentley, Brad Paisley and more.
About SACHA
Making a name for herself in the U.S. and Canada since the release of her EP The Best Thing in July 2020, SACHA is one of country music’s fastest rising stars. Becoming an iHeartRadio’s “Future Star” following the success of her latest single “Standards”, SACHA has since been named as a member of CMT’s Next Women Of Country 2021 class and earned her first GOLD single alongside The Reklaws with their viral hit track “What The Truck,” which was the the fastest-ever Canadian country song to go GOLD in the streaming era (under 16 weeks). She recently performed the track alongside The Reklaws to close out the national broadcast of the 2021 Canadian Country Music Awards.
Featured in major television, print and online press including CMT, Music Row Magazine, American Songwriter, Rolling Stone Country, Billboard, The Boot, Hello! Magazine, US Weekly and Bustle, SACHA has also appeared on A-list editorial playlists (U.S. and Canadian) on Spotify, Apple & Amazon Music. Fans can catch her recent music videos on CMT, including “Cheers,” “Standards” and “What The Truck”. SACHA recently premiered her music video for “Pretty Please” in New York City with a takeover of the Paramount Times Square billboards and on CMT. The track can be found on SACHA’s sophomore EP WE DID, which is available everywhere now.