Tickets- Official Box Office

Tickets to your hometown music venue. The OFFICAL BLUESTONE TICKET BOX OFFICE for Columbus Ohio Concerts.

Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to R&B and hip hop.  THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best music and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets.

https://www.eventbrite.com/o/the-bluestone-7491519101

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 Tickets to The Bluestone

Click here to subscribe to our text messages.From country music concerts and rock and roll, to corporate events, weddings and private parties, we’re a destination venue for your special event tickets. With cathedral ceilings, soulful acoustics you can only hear in a 115-year old church, and a staff who truly cares about delivering an amazing experience, The Bluestone is one Columbus event venue you simply shouldn t miss.
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www.liveatthebluestone.com

 

Dec
9
Thu
Steel Panther Live December 9, 2021 @ The Bluestone
Dec 9 @ 7:00 pm – 10:45 pm

Steel Panther Live December 9th, 2021 7 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B59EDEA422F

Steel Panther is headed to Columbus, OH to The Bluestone December 9, 2021.

Tickets on sale Friday, October 29 at 10 AM!

  • Website: http://www.steelpantherrocks.com/
  • Facebook: http://www.facebook.com/steelpanther
  • Twitter: http://www.twitter.com/Steel_Panther
  • Instagram: http://www.instagram.com/SteelPanther
  • YouTube: http://www.youtube.com/user/SteelPantherVEVO

About Steel Panther

For the uninitiated, Steel Panther was formed in 2000. Hailing from Los Angeles, the epicenter for rock n’ roll in all its debauchery and glamour, Steel Panther has established themselves as the world’s premier party band, melding hard rock virtuosity with parody and criminally good looks. Steel Panther is a global phenomenon with four full-length albums, touring across the world, platinum-level You Tube status and high-profile television appearances such as Jimmy Kimmel Live, Larry King Now, and FOX NFL Sunday.

Rolling Stone avowed, “There’s a reason Steel Panther have transcended their origins as a cover band playing the Sunset Strip,” while Metal Sucks declared, Steel Panther’s concept is genius…their songwriting is…preposterously snappy –and relatable.

Dec
17
Fri
Muscadine Bloodline December 17, 2021 @ The Bluestone
Dec 17 @ 7:00 pm – 11:45 pm

Muscadine Bloodline

December 17, 2021

Doors 7 PM

Tickets $12

The Bluestone

Muscadine Bloodline December 17, 2021

ABOUT MUSCADINE BLOODLINE Proudly independent and unapologetically Southern, country duo Muscadine Bloodline find their true voice on a new album, Dispatch to 16thAve. Charlie Muncaster and Gary Stanton grew up in Mobile, Alabama, but didn’t cross paths until they each started to pursue their musical dreams. In 2012, they forged a friendship when Stanton opened a show for Muncaster’s band at Soul Kitchen in Mobile. Since naming themselves Muscadine Bloodline in 2015, they have sold out shows across the South, opened concerts for hundreds of artists, and earned a standing ovation at their Grand Ole Opry debut in 2018. Their Southern roots carry over to their band name as well: Muscadine grapes grow in the South while Bloodline represents their heritage.Muscadine Bloodline Links: Website: https://muscadinebloodline.com/Instagram: https://www.instagram.com/muscadinebline/Twitter: https://twitter.com/MuscadineBLineFacebook: https://www.facebook.com/muscadinebloodlineYouTube: https://www.youtube.com/channel/UCFL3A6es7fNvRi56qbJuQsQ

This ticket is a revocable license and may be taken up and admission refused upon refunding the purchase price appearing hereon and is grounds for seizure and cancellation without compensation. Holder of this ticket (“Holder”) voluntarily assumes all risks and danger incidental to the game or event for which this ticket is issued whether occurring prior to, during, or after same, including, but not limited to, contracting, and/or spreading the COVID-19 virus, and agrees that the organization, venue, presenter, agents, participants, or players are not responsible or liable for any injuries, sickness, or death resulting from such causes. Holder acknowledges that the COVID-19 pandemic remains a threat to individual and public health, COVID-19 is a highly contagious disease transmitted through human contact and respiratory droplets (including through the air and via common surfaces) and it is possible that Holder may contract COVID-19 while at the game or event for which this ticket is issued. Holder agrees by use of this ticket not to transmit or aid in transmitting any description, account, picture, or reproduction of the game or event to which this ticket is issued. Breach of the foregoing will automatically terminate this license. Holder agrees that the license comprised by this ticket may be removed and Holder may be ejected from the game or event for which this ticket is issued in the event that Holder violates any law, ordinance, or venue regulation. Holder grants permission to the organization sponsoring the game or event for which this ticket is issued to utilize Holder’s image or likeness in connection with any video or other transmission or reproduction of the event to which this ticket relates.

 

 

Jan
24
Mon
Mammoth WVH & Dirty Honey Live January 24, 2022 @ The Bluestone
Jan 24 @ 6:30 pm – 11:45 pm

Mammoth WVH & Dirty Honey Live January 24th, 2022 6:30 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B5B9DE84DB9

WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone January 24th, 2022.

Tickets on sale Friday, November 5th at 10 AM!

About Mammoth WVH

Official Website: www.mammothwvh.com

Official Facebook Page:www.facebook.com/MammothWVH

Official Twitter: www.twitter.com/MammothWVH @MammothWVH

Official Instagram: www.instagram.com/mammothwvh @mammothwvh

Official YouTube Channel:www.youtube.com/MammothWVH

First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.

“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”

His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.

It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”

In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.

Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.

In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”

“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”

About Dirty Honey

Official Website: https://www.dirtyhoney.com/

Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/

Official Twitter:  https://twitter.com/dirtyhoneyband @DirtyHoneyBand

Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband

Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ

Some musicians take a while to build an audience and connect with fans. For the Los Angeles-based quartet Dirty Honey, success came right out of the gate. Released in March 2019, the band’s debut single, “When I’m Gone,” became the first song by an unsigned artist to reach No. 1 on Billboard’s Mainstream Rock chart. Their second single, “Rolling 7s,” went into the Top 5 and was still headed up when COVID changed everything. That same year, Dirty Honey opened for The Who, Guns ’N Roses, Slash, and Alter Bridge and was the “do-not-miss-band” at major rock festivals such as Welcome to Rockville, Rocklahoma, Louder Than Life, Heavy MTL, and Epicenter. On its first U.S. headline tour in January and February 2020, the band sold out every date.
When it came time to record its self-titled full-length debut album, the band—vocalist Marc LaBelle, guitarist John Notto, bassist Justin Smolian, and drummer Corey Coverstone—wasn’t about to mess with what was already working. Teaming up with producer Nick DiDia (Rage Against the Machine, Pearl Jam), who also produced the band’s 2019 self-titled EP, Dirty Honey again captured the lightning-in-a-bottle dynamics and energy of their live sound.
“As a guitarist, I’m always inspired by the everlasting pursuit of the perfect riff,” says Notto. “I also wanted to extend the artistic statement that we had already made. We weren’t looking to sound different, or prove our growth, necessarily. It was more about, ‘Oh, you thought that was good? Hold my beer.'”
“Because of the pandemic,” added drummer Coverstone, “we had a lot more time to write and prepare, which was great. It meant that we were able to workshop the songs a lot more, and I thinkit really made a difference.”
Dirty Honey’s album indeed builds on the band’s output to date, with airtight song writing that plays up their strengths: sexy, bluesy, nasty rock’n’roll, melodic hard rock, and soulful 70s blues-rock. On “The Wire,”LaBelle reaffirms his status as one of contemporary rock’s best vocalists, while “Another Last Time” is a raunchy, timeless ballad about a toxic relationship that you just can’t stop saying goodbye to. “Tied Up” and the album’s lead single “California Dreamin,’’ both feature smoking guitar solos bookended by massive riffs and hooks.
“‘California Dreaming’ was the last song we wrote,” said bassist Justin Smolian. “We finished it about two weeks before we recorded it, so the song was still so new, and we were trying out different things,so every take was a little different. But there was that one where we just captured it, and it was magic.”
Although each band member started playing music as kids—at the age of eight, Notto’s parents even bought him a red-and-white Stratocaster—each one brings eclectic influences to Dirty Honey’s sound. For example, drummer Coverstone has studied with jazz and L.A. session drummers but loves heavy metal; Notto grew up listening to ’70s funk and R&B as well as rock ‘n’ roll,and bassist Smolian has a bachelor of music in classical guitar and loves Tom Petty and The Beach Boys.
LaBelle meanwhile,takes cues from hissongwriting idols (to name a few, Robert Plant, Steven Tyler, Mick Jagger, Chris Robinson, and the late Chris Cornell) when coming up with lyrics. As a result, the songs on the Dirty Honey albumhint at life’s ebbs and flows—shattering heartbreak, romantic connection, intense soul-searching—while giving listeners space to draw their own conclusions.
“Sometimes,if you just let lyrics pass behind your ears, they sound like cool shit is being said,” LaBelle says. “And then once you dive in, you realize, ‘Oh, that’s really thoughtful.’ But it still doesn’t have a meaning that’s easy to pinpoint. There’s an overarching idea that is really cool, but it’s not necessarily on-the-nose.”
Although the Dirty Honey album may sound effortless, its genesis had a bumpy start. The day before the band members were due to fly to Australia to track the album, Los Angeles entered lockdown due to the COVID-19 pandemic, and traveling was off the table. However, Dirty Honey was still eager to work with DiDia, so they devised a Plan B: recording the full-length in a Los Angeles studio with one of DiDia’s long-time engineers, and the producer beamed into the proceedings via the magic of modern technology.
“He was able to listen to what we were laying down in real-time, through this app,” says LaBelle. It was like he was in the room with us. It was surprisingly seamless the way it all went down.”
Having to switch gears delayed the start of recording slightly, although this extra time ended up being a boon. Dirty Honey rented a rehearsal space and demoed the album’s songs in advance, meaning the tracks were in good shape when DiDia came onboard. Notto mixed and recorded these workshopped tracks himself, which helped him rediscover one of Dirty Honey’s biggest strengths: being well-rehearsed while not overpolishing their work.
“I’ve learned just a little bit more about what people might mean when they say, magic—you know, ‘This one has the magic,'” he says. “We would do two and three different demos of a song, so there would be a few versions. On a few occasions, the version that people kept going back to was the sloppiest, if you look at it from a performance standpoint.”
LaBelle agrees. “It’s just about getting the performance right and not thinking about it too much. I never like to be perfect in the studio. None of the stuff that I really liked as a kid was. I don’t really see myself getting away from that too much in the future just because I think you lose the soul if you do it too many times, if it’s too perfect.”
Notto also admits that the creative process isn’t necessarily always all fun and games. But for him and the rest of Dirty Honey, pushing through those tough times and coming out stronger on the other side is worth it. “When you finally come through on those moments, that’s where the real magiccomes in,” he says. “What makes all of our songs fun to play and listen to is we don’t allow ourselves to stop short of getting the best possible results out of each one of them.”

Feb
2
Wed
Bryce Vine Live February 2, 2022 @ The Bluestone
Feb 2 @ 8:00 pm – 11:45 pm

Prime Social presents

Bryce Vine

February 2, 2022

at The Bluestone
583 East Broad Street
Columbus, Ohio

 

 

Bryce Vine

Bryce Vine

Feb
3
Thu
Randy Houser Live Feb 3rd, 2022 @ The Bluestone
Feb 3 @ 7:00 pm – 11:45 pm

Randy Houser Live Feb 3rd, 2022 7 PM

with Ella Langley

The Bluestone
Columbus, Ohio

https://www.eventbrite.com/e/randy-houser-live-february-3rd-2022-in-columbus-ohio-tickets-197836242527

With an inimitable voice the New York Times describes as “wholly different, thicker and more throbbing, a caldron bubbling over,” Randy Houser racked up five consecutive country radio hits and over five million singles sales after shifting record labels to Stoney Creek Records. He topped the charts with the “How Country Feels,” Runnin’ Outta Moonlight,” ͞”Goodnight Kiss,” (also his first No. 1 as a songwriter), “We Went,” and earned critical acclaim for his powerful delivery of the Top 5 smash and CMA Song of the Year-nominated “Like A Cowboy.”  Houser has spent the majority of 2017 in the studio consumed by his much anticipated new project while also being tapped to perform at major country music festivals. For more information, visit www.RandyHouser.com or follow on  Twitter/Instagram @RandyHouser and www.Facebook.com/RandyHouser.

From a certain angle, Randy Houser‘s career tells the story of country music in the early years of the 21st century. Houserfirst made an impression as a Nashville songwriter in the mid-2000s, scoring a big hit when Trace Adkins recorded his “Honky Tonk Badonkadonk” in 2005, a success the Mississippi native parlayed into a recording contract in 2008. Over the next half-decade, he slowly climbed his way into the Country Top Ten, earning Country Airplay number ones with 2012’s “How Country Feels” and 2013’s “Runnin’ Outta Moonlight,” songs that felt right at home with that era’s amiable bro-country even if they didn’t quite adhere to the party-hearty aesthetic. As he eased into his middle age at the close of the 2010s, he whittled away the shinier aspects of his music, emphasizing the soul and hardcore country at its core — an evolution that crystalized on 2019’s Magnolia

Feb
5
Sat
Maddie & Tae Live February 5th, 2022 @ The Bluestone
Feb 5 @ 7:00 pm – 11:45 pm

Maddie & Tae Live Feb 5th, 2022 7 PM

with Callista Clark & Sacha

The Bluestone
Columbus, Ohio

https://www.eventbrite.com/e/88738983689

Maddie & Tae‘s All Song No Static Tour presented by CMT Next Women of Country is headed to Columbus with special guests Callista Clark & Sacha.

Tickets on sale Friday, October 29 at 10 AM!

  • Website: www.maddieandtae.com
  • Facebook: https://www.facebook.com/maddieandtae
  • Twitter: @MaddieandTae
  • Instagram: @maddieandtae
  • YouTube: https://www.youtube.com/user/MaddieandTae

About Maddie & Tae

Award-winning duo Maddie & Tae are drawing praise for their No. 1 debuting The Way It Feels album release with Rolling Stone saying the new music is “anchored around their stellar vocal pairings and some of the tightest harmonies on Music Row.” Together as longtime friends and music collaborators, Maddie Font and Taylor Kerr co-wrote 14 of the album’s 15 tracks including the Platinum-certified No. 1 country radio hit, “Die From A Broken Heart,” which Esquire calls “their finest moment yet.” The pair also co-wrote two brand new holiday songs to join a collection of classics for their first ever holiday project- We Need Christmas.

Maddie & Tae first broke out in 2013 with their brilliant counter to bro-country, the Platinum-selling smash, “Girl In A Country Song,” which took Country radio by storm, skyrocketing to the top of the charts and quickly going PLATINUM. The duo became only the third female duo in 70 years to top the Country Airplay charts, also earning trophies from the Country Music Academy and Radio Disney Music Awards along with multiple ACM, CMA and CMT Award nominations. Maddie & Tae have received widespread praise from Associated Press, Billboard, Entertainment Weekly, NPR, The Tennessean, The Washington Post, Glamour and others. The celebrated duo has toured with country music’s hottest stars including Carrie Underwood, Dierks Bentley, Brad Paisley and more.

Feb
10
Thu
Ashley McBryde – Feb 10, 2022 @ The Bluestone
Feb 10 @ 7:00 pm – 11:45 pm

ASHLEY MCBRYDE – THIS TOWN TALKS TOUR

with Ashland Craft

February 10th, 2022, 7 PM

The Bluestone 

583 East Broad Street, 

Columbus, Ohio

https://www.eventbrite.com/e/ashley-mcbryde-this-town-talks-tour-tickets-197840505277

…..

Ashley McBryde is a vocalist and songwriter with a touch of rock & roll swagger, a honky tonk heart, and a lyrical voice that puts a modern-day spin on classic country themes. Debuting in 2006 with a self-title album, she worked hard for over a decade before gaining awards for New Female Vocalist and New Artist of the Year during 2019-2020 from the major country academies. McBryde also earned multiple Grammy nominations around her 2018 album Girl Going Nowhere. Her co-written “One Night Standards” became a country Top 40 hit in 2019, serving to introduce her 2020 LP Never Will.

Feb
23
Wed
Two Friends Live February 23, 2022 @ The Bluestone
Feb 23 @ 8:00 pm – 11:45 pm

Prime Social Presents

Two Friends Adventureland Tour

The Bluestone, Columbus, OH
Wed Feb 23, 2022 at 8:00pm EST
Ages 18 & over

|

Doors open at 8:00 PM
Two Friends

Two Friends

$22 GA

$44-$55 VIP

Two Friends Backstage Package $199

Two Friends Meet & Greet Package $149

Two Friends VIP Merchandise Package $99

https://www.tixr.com/groups/prime/events/two-friends-30598

Included in this total ticket price is a 5% arts and culture fee on the base ticket as required by the City of Columbus. This fee supports exemplary artists, arts and cultural organizations and programs that educate and engage audiences of all ages throughout greater Columbus. For more information on this click here.

Tickets: After completing your purchase on TIXR, you will receive an email confirmation with your attached PDF ticket(s). You may print your PDF ticket OR download your PDF ticket to your mobile device to be admitted into the event, and you MUST bring A VALID PHOTO IDENTIFICATION as well. The name on the tickets do not have to match the ID so long as the barcode is scannable. PSG is not responsible if ticket(s) cannot be scanned and the order is under a different name than the person presenting the ticket. 

All Patrons must present a “Legal ID” for alcohol Purchases. Fake IDs will be confiscated. Presenting a fake ID is a crime and punishable by law.

Mar
10
Thu
Subtronics The Fractal Tour 3/10/22 @ The Bluestone
Mar 10 @ 9:00 pm – Mar 11 @ 2:00 am

Disco Donnie Presents and My Best Friends Party

March 10 2022 The Bluestone

Subtronics The Fractal Tour  : w/ Boogie T . Level Up. G-Space  and Smith 3/10/22 Columbus

Tickets 🎟 Here > hive.co/l/subtronics0310

**Tickets go on sale
FRIDAY, OCTOBER 15TH – 10AM LOCAL
SUBTRONICS –
Jesse Kardon, better known as Subtronics, is a 25-year-old Philadelphia born dubstep producer specializing in all things robotic. His work is heavily influenced by the likes of Rusko, Skism, Tomba and Downlink, and the collective efforts of the underground dubstep community. Taking on a core group of followers over SoundCloud in the first few years, he has grown exponentially in the past few months, gaining support from a plethora of bass music legends. Subtronic’s signature bouncy yet mechanical sound design is matched by his incredibly recognizable flow, setting him apart from the vast sea of up and coming producers around the world.
In 2017 Subtronics released several debut EP’s on some of the biggest labels in bass music. After a solid 2018 tour of near all sellouts he was catapulted to the top of the Bass Music stratosphere. He crushed Lost Lands last year and this. After a killer set this year Subtronics came back to amp up your day with his new five-track EP Wooked On Tronics. With the viral success of “GRIZTRONICS” skyrocketing the producer to the forefront of EDM limelight, it’s fair to say fans were ready for more. The EP includes four original tracks as well as one collaboration with OWSLA artist, Moody Good.
If you are a fan of gritty, wonky, amplified riddim this EP will be right up your alley. The stabs and wobbles will get you headbanging to your heart’s content. The powerhouse tracks will break your eardrums if you aren’t careful, so proceed with caution. Wooked On Tronics is an impressive piece of work, proving again that this artist is at the top of his game.
BOOGIE T-
(NEW ORLEANS)
Born and raised in the swamps of Louisiana, playing and writing music since the tender age of eight, Brock Thornton aka Boogie T. has come along way to bring the low end ruckus. Hailing from the South, the cradle of soul, it is easy to hear this influence in his music. Trap, Dubstep, Riddim, whatever you want to call it, for Boogie T. it has always been about entertaining. Whether playing in bands, acting, DJ’ing or producing, his goal is simple: taking risks and pushing boundaries. And these risks are paying off as in a short amount of time, Boogie T.’s name continues to grow in the electronic music scene.
With releases on Artist Intelligence Agency, Supermart Produce, Damaged Sounds, Blakdout Records and more coming, and recent dates across the country and beyond with Aphrodite, Snails, Trollphace, Funtcase, Midnight Tyrannosaurus, Minnesota, G Jones, LOUDPVCK, Skism, pOgman, Riot Ten and many others, Boogie T. is blazing a path from bayou the to the main stage.
LEVEL UP-
LEVEL UP aka Sonya Broner feels most at home behind the decks. Originally a battle DJ studying under the legendary Rob Swift, LEVEL UP dove into music production after discovering dubstep. Continuously crafting her sound is what makes her feel the happiest and is her truest form of self expression. While at the beginning of her journey, she has already gone on to release music on Deadbeats, GRVDNCR, and Buygore, with much more in the pipeline.
A theatre actress in her youth, her storytelling ability is evident through her music: unfathomably heavy wubs and wobbles, and tricky doubles leave the audience energized and ready for more. She has since gone on a national tour with Subtronics, and graced the stages of Lost Lands, Electric Forest, High Caliber, and more. She just crushed her Summoning Headlining Tour stop in Columbus.
G-Space-
Starting off with keyboards as an infant, he taught himself how to improvise on the piano throughout the years. G-Space has created his own distinct sound that grazes multiple genres, such as; world, funk, jazz, trap, glitch, and bass. He tends to play a set that consists mainly of his originals and the rest is filled with close friends’ music and other artists that he looks up to. G-Space has nested his way into quickly becoming one of the most interesting acts in the scene.
Not only does he play on multiple instruments and create amazing electronic music to match it. He has added a unique visual aspect to his performance. It’s called ‘Tricking’ which by definition, is a style “of extreme sport where the “athletes” do cool, fast, beautiful flips and kicks without any wires or trampolines,” (Defined from Urban Dictionary.) While playing the keytar on stage he is able to do a backflip and other insanely physically demanding and talented tricking skills. Having this special type of performance has been getting him recognized by many, as he has played Imagine Festival, Ultra Festival, and has just recently finished his ‘Euro-Trip Tour’ which spanned across several countries in Europe.
SMITH-
Massive Support lineup

 

Mar
11
Fri
Jimmie Allen Down Home Tour March 11, 2022 @ The Bluestone
Mar 11 @ 7:00 pm – 11:45 pm

Jimmie Allen

Down Home Tour

w/ special guest Neon Union

March 11, 2022 at 7 PM

at The Bluestone

Columbus, Ohio

JIMMIE ALLEN

Official Website: https://www.jimmieallenmusic.com/ [jimmieallenmusic.com]

Official Facebook Page: https://www.facebook.com/jimmieallenmusic

Official Twitter: https://twitter.com/jimmieallen/ @JimmieAllen

Official Instagram: https://www.instagram.com/jimmieallen/ @jimmieallen

Official YouTube Channel: https://www.youtube.com/jimmieallen

 

NEON UNION

Official Website: https://www.neonunionmusic.com/ [neonunionmusic.com]

Official Facebook Page: https://www.facebook.com/Neon-Union-Music-108322624961837

Official Twitter: https://twitter.com/neonunionmusic @neonunionmusic

Official Instagram: https://www.instagram.com/neonunionmusic/@neonunionmusic

Artist Biography

For multi-platinum selling, trailblazing Country star and current GRAMMY Award nominee Jimmie Allen, a simple phrase sums up his view on life and music: Never give up.

A native of Southern Delaware – the “slower, lower” part of the state, he explains – Allen has carried that mantra with him through good times and bad, whether than meant living in his car or receiving his first ACM nomination for New Male Artist of the Year in 2019, a CMA Awards nomination for New Artist of the Year in 2020, subsequently winning the ACM Award for New Male Artist of the Year – the first Black artist to win that category since its inception, and a win with which he hopes “open[s] some doors for more Black artists to have success in country and more Black artists to feel comfortable enough to do country if that’s what they want to do” – as well as the CMA New Artist of the Year Award in 2021. GRAMMY.com has hailed Allen as one of “5 Black Artists Rewriting Country Music.” His current nomination for Best New Artist at the 64th Annual GRAMMY Awards in 2022 is his first ever GRAMMY nomination; he is also the only Country nominee in an all-genre category.

With the 2018 release of his debut album Mercury Lane – named in tribute to the street he grew up on and the origin of his incredible journey – on BBR Music Group’s Stoney Creek Records, a lifetime of never giving up brought him full circle.

“I didn’t quit, I never will,” he says. “Stuff ain’t easy, and you shouldn’t quit either. There’s a big difference between busting your ass and sitting on it.”

For Allen, musical dreams and a love of true-to-themselves artists like Alan Jackson, Aaron Tippin, Montgomery Gentry, and Jason Aldean brought him all the way to Nashville and beyond, –from traveling around the world to places like Japan, Germany and the UK; to performing a tribute at the Kennedy Center Honors for Garth Brooks, the national anthem at the Indy 500, returning to American Idol as a mentor after being cut from the same competition a decade ago, and other once-in-a-lifetime  moments.

But it was actually a nightmare which turned this promising singer into the artist he is today. After a series of bad breaks Allen was forced to live in his car, too proud to ask for a bail out. For months he worked multiple jobs and finally saved enough for an apartment, but hit then another snag – country music wasn’t ready for him.

“People were just trying to help,” he says now. “But they wanted me to change my sound and told me I had to lose my boots. The turning point came when I stopped listening, and finally let my music be a natural reflection of who I am.”

Since then Allen has been following his own compass, and it’s leading somewhere special. In 2017, he caught his big break and signed a record deal with BBR Music Group/Stoney Creek Records and a team who embraced his individuality.

“I don’t regret the hard times,” he explains about his trials. “I think each thing you do adds a layer, whether it’s a layer of toughness, perseverance, motivation, or just a layer of wisdom. At the end of the day you come back to what you know, and what’s embedded in you.”

What’s embedded in Allen is a powerful, soulful sense of groove – “If my body don’t move in the first four seconds, it ain’t for me,” he says – a love of deep messages and a knack for razor-sharp hooks.

Those driving forces formed the bedrock of Mercury Lane – a cutting-edge mix of country, rock, R&B, and pop, produced by Ash Bowers and Eric Torres, that received critical acclaim, with Rolling Stone raving that it “challenges the narrowly defined model of what constitutes a next big thing in country music” and The New York Times hailing it one of 2018’s strongest, calling it a “conventional country album, filled with songs about the small details.”

With Mercury Lane, Allen made history as the first Black artist to launch a career with two consecutive No. 1 hits on country radio, with “Best Shot” claiming the No. 1 spot for three weeks and his second single “Make Me Want To” hitting the top spot in March 2020.Allen’s hard-earned dreams are finally becoming reality, but he shows no signs of limiting himself.

He followed up the success of Mercury Lane with his July 2020 collaboration project, Bettie James, that has amassed171+ million streams and has further established Allen as Country’s next superstar. The star-studded seven-track project combined his deep love of family and genre-spanning taste in music. Named in honor of Allen’s late grandmother, Bettie Snead, who passed away in 2014 and his late father, James Allen, who passed away in 2019, Allen hand selected artist that touched the life of Allen, his grandmother and father in some way, allowing their legacies to weave seamlessly throughout Bettie James. The wide array of hitmakers include Brad Paisley, Charley Pride, Darius Rucker, Mickey Guyton, Nelly, Noah Cyrus, The Oak Ridge Boys, Rita Wilson, Tauren Wells and Tim McGraw.

“My dad and grandmom were two completely different people, but both played a huge part in my life,” Allen says of the motivation for the project. “Since they died, I have been wanting to leave trails of their legacies throughout my music.”

The result is a musical composition of love, heartbreak, perseverance, hope and faith. Jimmie’s current single “Freedom Was A Highway” pairs Allen with his friend and Country music superstar Paisley for a breezy, windows down track that joins Allen’s distinctively breezy grooves with a Paisley signature guitar solo.

Bettie James received a slew of critical acclaim for not only the music, but the historic nature of various collaborations, and the project’s subsequent place in country music history. NPR calls the project an “announcement of [Allen’s] arrival” and a “huge step for country” while Billboard hails it “a powerful statement from a developing voice.” The EP appeared on several “Best of 2020” lists including Billboard, Rolling Stone and Sounds Like Nashville.

Rolling Stone describes “Why Things Happen” – which brings together three generations of Black country artists in Allen, Darius Rucker and Charley Pride – as “part polemic, part proclamation, and part prayer… opening up space for the artists to bear witness.”

Reflecting on Allen’s wide-ranging musical sensibilities, Music Row notes of the project: “While some artists still in the early sunrise of their careers, with a handful of hits to their credit, would be focused solely on extending their chart successes, it’s clear that Allen’s goals for his music are loftier than mere chart hits and No. 1 parties—he’s striving for music that testifies to his full spectrum of creative abilities.”

Allen, who has an incredible knack for connecting with people of all backgrounds and interests, enjoyed collaborating with other artists so much while making his monumentally successful predecessor that he didn’t want to stop – so instead, in trademark Allen fashion, he kept going. The result: Bettie James Gold Edition. Released June 25, 2021, the 16-track album doubles down on Allen’s expansive love for music across genres, with nine brand new collaborations with Babyface, Breland, Keith Urban, LANCO, Lathan Warlick, Lindsay Ell, Little Big Town, LOCASH, Monica, Neon Union, Pitbull, teamwork. and Vikina.

As Hits Daily Double notes, for Allen, “it’s about being grounded in the genre’s traditions and protecting the roots as much as it’s about creating a future for country music that’s more expansive and inclusive.”

“When it comes to music I love, I don’t really get wrapped up in boundaries or genres. After we finished Bettie James, I was like man, there’s so much music out there that I love, so many artists that I love, and I just wasn’t done making collaborations,” Allen says of the impetus for Bettie James Gold Edition; a sentiment that Billboard echoes, applauding that the album “broadens country’s borders.”

Beyond the music, Allen has also established Bettie James Fest in their honor. Consistently vocal about his deep reverence for his family, hometown, and home state, the inaugural sold out event took place August 7, 2021 in Allen’s hometown of Milton, DE.

Allen is currently featured in The Country Music Hall of Fame® and Museum’s annual American Currents: State of the Music exhibit with his friend and fellow country artist Darius Rucker. The exhibit’s Unbroken Circle illustrates the connection between country music’s past and present by pairing artists with those who have influenced them or share musical perspectives. The exhibit runs through February 2022.

Additionally, he is a member of the 2021 Artists Committee for the 44th Kennedy Center Honors.

Much like his approach to music, Allen’s other creative pursuits know no boundaries.

Allen’s debut picture book, My Voice Is a Trumpet, was published July 13, 2021 with Flamingo Books, an imprint of Penguin Young Readers. Illustrated by veteran illustrator Cathy Ann Johnson, the book is a powerful story about speaking up for what you believe in,

at any age. The book has received a starred review from School Library Journal, who hails that “the rhythm and flow of words perfectly match the art while advising readers to choose love and use their voices in a powerful song.”

“It’s very important to me that kids learn at a young age that they have a voice, and that it is powerful. It is up to us as adults to teach them to use their voice to encourage and show love,” Allen says of his first ever book. “Being a father of two kids, I try to encourage them to be themselves and love everyone around them. I’m hoping this book inspires at least one child and they always remember their voice is a trumpet.”

Allen also serves as Executive Music Producer for Netflix’s series Titletown High, which premiered globally on August 27. His song “Big In A Small Town” is the theme song for the series, which follows a Georgia town where football rules and winning is paramount, a champion high school team tackles rivalries, romance and real life as they work toward the ultimate goal: a state title. Full of high stakes sports action and relatable teenage drama, Titletown High delivers a complex portrait of the most unique football culture in America.

He most recently competed for the coveted mirrorball trophy as a contestant on Dancing With The Stars’ landmark 30thseason on ABC in the fall of 2021, reaching the quarterfinals with his pro partner Emma Slater.

As Allen’s rising star power shows no signs of slowing down, he remains unapologetically himself and proof of what can happen when you never give up.

For more information on Allen, visit www.jimmieallenmusic.com or follow him on Instagram, Twitter and Facebook.

 

Mar
12
Sat
Downtown Disco Columbus March 12, 2022 @ The Bluestone
Mar 12 @ 8:00 pm – Mar 13 @ 12:00 am

Downtown Disco Columbus

March 12, 2022 8 PM

at The Bluestone

Columbus, Ohio

Tickets $29.99

What

Downtown Disco Columbus is exactly what it sounds like: a Saturday Night Fever Disco Bash! One night a year, The Bluestone gets a disco makeover. Dress the part and get ready to groove! This is a multi-generational party that is fueled by disco-era music we all love. Only 800 tickets are available, so get yours soon! Full bar service will be available and operated by the Bluestone and their staff! To learn more www.discolumbus.com.

Mar
25
Fri
Lauren Alaina’s TOP OF THE WORLD TOUR March 25, 2022 @ The Bluestone
Mar 25 @ 7:00 pm – 11:45 pm

Top of the World Tour

LAUREN ALAINA

Presented by maurices

March 25, 2022 7 PM

at The Bluestone

Columbus, Ohio

Tickets $20

Artist Biography

Lauren Alaina | Sitting Pretty on Top of the World

Ten years into her Nashville career, Lauren Alaina is in the upper echelon of country music’s most authentic voices, beloved personalities, and open hearts. She’s earned a reputation as one of the genre’s most compelling storytellers by boldly incorporating her struggles and heartache into her critically acclaimed first two albums. Lauren’s third studio collection, Sitting Pretty on Top of the World, is an artful evolution of immaculately penned, unflinching reflections of the mountains and valleys on her journey.

Sitting Pretty on Top of the World opens with the telltale sound of a needle dropping down on a record, and with that, Lauren sets the tone for some of the most captivating music of her career. Lauren was inspired to lean into the tenets of classic country music for this project and on the albums lead track, “It Was Me,” she offers a timeless country ballad filled with heartsick self-reflection. Lauren’s voice emotionally soars through the aching, introspective lyrics: “It wasn’t you I didn’t love, it was me.”

“The other person isn’t always the bad guy,” Lauren concedes. “On ‘It Was Me,’ I’m taking full ownership of being in the wrong. It was really hard to admit that I was the one at fault and to realize that I didn’t love myself enough to allow someone else to love me.” But the vulnerable “It Was Me,” co-written with Hillary Lindsey, is a song Lauren considers to be one of the best she’s ever written.

Lauren takes pride in the exposed transparency of her songwriting on this project, and though most writing sessions took place via Zoom, Lauren was crafting verses and choruses alongside the likes of award-winning songwriters including Liz Rose, Lori McKenna, Hillary Lindsey, Emily Weisband, David Garcia, Jordan Reynolds, Ben Johnson and Kennedi Lykken. She co-wrote 14 of the album’s 15 songs, much of it inspired from recent life experiences including two impactful break-ups, the loss of her stepfather, and like much of the world, Lauren struggled with despondency as she adapted to life in the pandemic.

The album’s title track “On Top of the World” delves into the dark reality behind polished facades. Writing the song with Jordan Reynolds and Sasha Sloan after the pandemic forced her to stay home for the first time in a decade, Lauren, in a heightened emotional state, revealed how she felt enveloped in loneliness and sadness.

“I’ve been on the road and touring for 10 years and having that taken away so suddenly felt like an abrupt stop to everything I’ve been working for, and that was a really scary thing for me,” she says, “but the whole world stopped for everybody, and I needed to find new ways to connect with people.”

Lauren applies that same honest vulnerability throughout the album from the harrowing ballad “What Do You Think Of?” featuring Danish Pop Star Lukas Graham, to the pensive flow of “I’m Not Sad Anymore,” to the beautiful simplicity of “Good Ole Boy” with its scaled back production that truly allows Lauren’s vocals to shine.

“This whole thing [album] is about loving yourself and being brave and being strong,” Lauren says. “I was faced with all these trials, and I hope people feel themselves in these songs. I think we all live the same stories with different characters. And maybe people realize new beginnings can be good.”

“Getting Good,” a duet with Trisha Yearwood, is the only song Lauren didn’t write on the album. Penned by Weisband, the song is a poignant truth-telling about choosing to be happy. Drawn to the concept, Lauren says, “Life is all about perspective, and you sometimes you have to shift your perspective.”

Lauren punctuates the lovelorn with the playful yet forthright “When the Party’s Over” and with the propulsive yet nostalgic “Run.”  She also teamed up with Emily Weisband and the album’s producer Paul DiGiovanni to write the lighthearted, here-for-the-fun, rebound tune, “Getting Over Him,” featuring country star Jon Pardi. Lauren rounds out the album with the beautifully hopeful “Change My Mind,” which she co-wrote with Seth Ennis and Cameron Bedell.

Then with the familiar crackle of a vinyl record nearing its end, the album comes to a close. A journey from start to finish. Lauren explores life in these unique times and Sitting Pretty on Top of the World is the salve and the soundtrack for anyone traversing their own personal quest for hope and new beginnings.

Apr
1
Fri
Lawrence Live April 1, 2022 @ The Bluestone
Apr 1 @ 7:00 pm – 10:45 pm

Lawrence Live In Concert

April 1st, 2022 @ 7 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B6FB79C20B5

Lawrence is headed to Columbus, OH at The Bluestone April 1, 2022.

Tickets on sale Friday, November 26, 2021 at 12 PM!

  • Spotify: https://open.spotify.com/artist/5rwUYLyUq8gBsVaOUcUxpE
  • Facebook: https://www.facebook.com/lawrencetheband
  • Twitter: https://twitter.com/lawrencetheband?lang=en
  • Instagram: https://www.instagram.com/lawrencetheband/?hl=en
  • YouTube: https://www.youtube.com/channel/UCr5v6l4EIKiImmJU-COJ0Sg
  • TikTok: https://www.tiktok.com/@lawrencetheband?lang=en

About Lawrence

“The brother/sister musical phenomenon you need to hear.” -Affinity
“Lawrence is already a force to reckon with —and they’re only getting started.” -LadyGunn
“Lawrence have been capturing the hearts and ears of listeners all over the world with their addictive and infectious sonic stylings that are impossible not to love.” -The Stumble Upon
“A bright and buoyant pocketful of pop-soul sunshine, Lawrence’s new single “Don’t Lose Sight” promises to put a spring in your step and a smile on your face.” -Atwood Magazine
As NPR writes, “siblings Clyde and Gracie Lawrence are not your typical pair.” Clyde Lawrence and Gracie Lawrence have been writing songs and listening to countless Stevie Wonder, Randy Newman, and Aretha Franklin records in their family’s New York City apartment since they were little kids. After years of playing together, they officially created Lawrence, an eight-piece soul-pop band comprised of musician friends from childhood and college. The band has since gained a devoted following for its high-energy, keyboard-driven sound, which features tight, energetic horns, explosive lead vocals, and fully-live arrangements.
In June 2019, Lawrence became the first band to sign with Beautiful Mind Records, the label of Grammy-winning producer/songwriter/artist Jon Bellion, and within a few months embarked as support on Bellion’s Summer 2019 Glory Sound Prep Tour. Lawrence hassince released the Bellion-produced singles“Casualty” (performed live on NBC’s Today Show), “It’s Not All About You,” “The Weather,” “Freckles,” and “Don’t Lose Sight,” which have garnered tens of millions of streams across all platforms and have had multiple viral moments on Tik Tok and Instagram. The singles are a part of the band’snew album, Hotel TV,which is out now.
The signing to Beautiful Mind followed the release of Lawrence’s sophomore album, Living Room. Upon its releasein September of 2018, Living Room promptly reached #2 on the iTunes R&B/Soul chart, earned a featured placement on Spotify’s “New Music Friday” playlist, and led the band to its late-night television debut on NBC’s Last Call with Carson Daly. Co-produced by bandmates Jordan Cohen and Jonny Koh, as well as Brooklyn-based producer Eli Crews and Clyde and Gracie themselves, Living Room chronicles the trials and tribulations of growing up, including break-ups, make-ups, a family loss, and the attempt to find harmony between excitement, anxiety, melancholy, and empowerment.
Lawrence has sold out headline shows across the country and appeared at festivals including Bonnaroo, Outside Lands, Firefly, Okeechobee, Hangout, and many more. The band has also opened for notable acts such as Lake Street Dive, Vulfpeck, Jon Bellion, Soulive, Jacob Collier, Blues Traveler, O.A.R, Bernhoft, and others.

Apr
14
Thu
Eli Young Band APRIL 14, 2022 @ The Bluestone
Apr 14 @ 7:00 pm – 11:45 pm

Eli Young Band

April 14, 2022 at 7 PM

at The Bluestone

Columbus, Ohio

Tickets $30

 

The Bluestone

Eli Young Band Live at The Bluestone

Artist Biography

by Mark Deming

Fusing a young man’s take on heartland rock with the tougher side of Texas country music and the cocky enthusiasm of alt-country firebrands, the Eli Young Band have become a potent draw in the Southwest on the strength of local airplay and extensive touring. The Eli Young Band’s story began when Mike Eli and James Young both enrolled at the University of North Texas and found themselves sharing a dorm room as freshmen. Both played guitar, and the two new friends started writing and singing songs together. Under the name Eli & Young, they began playing acoustic shows at local bars and coffee houses, and in time they expanded the band into a full electric quartet with the addition of fellow students Jon Jones on bass and Chris Thompson on drums, thus giving rise to the Eli Young Band.

LevelThe group became a potent local draw, and in 2003 opened a show for rising star Miranda Lambert. Producer Frank Liddell saw the show and was impressed enough to offer the band a deal with his independent label, Carnival Recording Co. The Eli Young Band’s debut album, Level, appeared in 2005, and the songs “That’s the Way” and “When It Rains” began scoring significant airplay in the Lone Star State. The Eli Young Band’s enthusiastic live show helped them draw a large and loyal audience in the Southwest, where they were able to fill 2,000-seat venues as a headliner, and they toured the country as an opener for the likes of Pat Green, Cross Canadian Ragweed, and Jack Ingram.

Live at the Jolly FoxIn 2006, the group’s live show was captured for posterity on the concert recording Live at the Jolly Fox, taped during a gig at a club in Huntsville, Texas. The Eli Young Band then landed a deal with the Universal-distributed Republic Records; a video for a new recording of “When It Rains” subsequently received extensive play on Country Music Television, and the group’s first album for Republic, Jet Black & Jealous, was released September 2008, with “When It Rains” and two other songs from the album, “Always the Love Songs” and “Radio Waves,” becoming Top 40 hits.

Life at BestThe follow-up album, Life at Best, delivered another hit, the Liz Rose– and Lee Brice-penned “Crazy Girl.” The album was well-received by fans and critics alike, and the following year the Eli Young Band were nominated for a host of awards, including a clutch of Academy of Country Music Awards where they took home the Song of the Year accolade for “Crazy Girl.” They were also up for Grammys for Best Duo/Group Performance and Best Country Song. They soon returned to the studio to record sessions for their fifth album, and in 2013 the fruits of their labor appeared in the shape of the “Drunk Last Night” single, which raced to number one in the U.S. Country Airplay chart. Building on this success, they headed out on tour before announcing that 10,000 Towns was set to be released in 2014; it was preceded by the second single “Dust.” An EP called Turn It On was released in the spring of 2015. For 2017’s Fingerprints, the Eli Young Band signed with the Big Machine subsidiary Valory; the record entered the Billboard country charts at 17.

This Is Eli Young Band: Greatest HitsIn March 2019, Big Machine released the compilation This Is Eli Young Band: Greatest Hits.