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Ring in 2014 at The Bluestone! Get down with Southern rockers BLACKJACK BILLY, special guest Matt Mason, and Canaan Smith! Enjoy great food, drinks, party favors, and a champagne toast at Midnight!
TICKET AVAILABILITY
VIP ADMISSION
- $85 per ticket
- Dinner Buffet
- Early entry at 7PM
- Access to VIP loft
- An exclusive “Meet and Mingle” with Blackjack Billy in VIP section before general admission doors
General Admission
- $30 per ticket
Tuesday, 12/31 | Doors at 8PM
Country Music’s Rising Star,
Tony Jackson will be performing LIVE at The Bluestone on Friday, June 23rd
Doors for the show will open at 7pm
Opening Artist: Wyatt McCubbin
Tickets are $10 in advance and $15 day of show
Tickets will go on-sale Friday, April 21st at 10am
PURCHASE HERE
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
Is it premature to see Hall of Fame material in a guy who’s just releasing his first album?
Not if that guy is Tony Jackson. To put it plainly, Jackson is one of the most gifted singers ever to grace country music. His video “The Grand Tour” ignited an unprecedented 10 million Facebook views and 200,000 shares in just over 3 short weeks!
The respect Jackson has already earned within the music community is evident throughout Tony Jackson, as the new album is titled. It features songs and/or performances by Rock and Roll Hall of Fame members John Sebastian, Steve Cropper and Dr. John “Mac” Rebennack, Country Music Hall of Famers Vince Gill, Bill Anderson and Conway Twitty and Nashville Songwriters Hall of Fame luminary Norro Wilson.
But it is ease with which Jackson makes every song—even the familiar ones—distinctly his own that sets him apart. Who else would dare to try and then succeed in bringing a fresh layer of emotional urgency to such a classic as George Jones’ “The Grand Tour” or Conway Twitty’s eternal “It’s Only Make Believe”?
On the first-time and lesser known songs, Jackson mints his own classics. With its sweeping steel guitar flourishes and ambient barroom clatter, he transforms John Sebastian and Phil Galdston’s “Last Call” into the sweetest, most affectionate separation ballad imaginable. With reverence and a twinkle in his eye, he enlists Sebastian and Vince Gill in revivifying (after 50 years) the Lovin’ Spoonful’s 1966 romp, “Nashville Cats.” “When asked if we should recut the song,” Sebastian begins, “I said absolutely but we have to get Vince Gill, Paul Franklin and today’s real Nashville Cats in on the session and fortunately it was preserved on video,” he beams.
After capturing perfectly, the excitement of new love in Bill Anderson’s “I Didn’t Wake Up This Morning,” he moves on to a memory-stirring homage to Merle Haggard, Hank Williams Jr. and Willie Nelson in “They Lived It Up,” a lyrical scrapbook from Anderson and Bobby Tomberlin.
Jackson shines as a keen-eyed songwriter in his own right with such memorable excursions as “Drink By Drink,” “Old Porch Swing” and “She’s Taking Me Home.”
From start to finish, Tony Jackson stands out as a “discovery” album, the kind you listen to with such delight that you have to recommend it to friends. And hundreds of thousands have done just that.
Jackson is currently a headliner on the Old Dominion Barn Dance in Richmond, Virginia, and is almost certainly the only major bank executive ever to abandon a prominent IT job in finance at a Fortune 500 company to embark on a career in country music. But he didn’t grow up a country fan.
The son of a Navy man, he led a base-to-base existence, at one point living with his family in Rota, Spain for three years. His early musical background was sketchy at best. “I sang ‘White Christmas’ in the Christmas play in the sixth grade,” he recalls. ‘Everybody seemed to love it, but I was a wreck. My mother forced me to sing in the church choir, but I was kind of buried in the voices along with everybody else.” This was basically his entire musical resume until ten or so years ago when a friend whose band had lost its lead singer asked Jackson to try out for the spot. “I did,” he says, “and I was hooked after that.”
Two weeks after graduating from high school, Jackson joined the Marines. “I told my dad I was joining because I was sick of taking orders,” he says with a wry grin. There was as much getting-ahead as gung-ho in Jackson’s enlistment. “I was a computer and electronics geek as a teenager,” he says. “When I talked to the recruiter, he told me the Marine Corps had just started a computer science school in Quantico, Virginia. Fortunately, I scored high enough on the entrance exam to go to that school.” It was a smart move. When he finished service, a prominent bank in Richmond snapped him up to work in its Information Technology division, initially assigning him the lowly chore of re-setting passwords. “I was way overqualified,” he says, “so I got promoted fast. I was a senior vice president by my early 30s.”
It was while in the Marines that he first started paying serious attention to country music. “My mother listened only to gospel,” he says. “My dad was into jazz, hip hop, R&B, new jack swing—stuff like that. But Armed Forces Radio played everything. When I was living in Spain—when I was 10 to 13—Randy Travis came over there on a USO tour. Some friends and I were out there early when they were setting up the stage, and we actually got to talk to him before we realized he was the guy who’d be performing later. He was really cool to us. In the Marine Corps, when my friends and I played music for each other, we were all homesick. So when you’d listen to these country songs that talked about family and home and heartbreak, it would really grab you.”
Aaron Lewis “Sinner Tour” at The Bluestone
**NEW MEET AND GREET PACKAGE AVAILABLE ** Does NOT include Admission to the Show
PURCHASE YOUR MEET AND GREET HERE
Opening Artist: Travis Marvin
Doors open at 7pm
Tickets are $35
Tickets on Sale Friday, April 7th at 10am
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
Grammy nominated and multi-platinum artist, Aaron Lewis is set to release his sophomore solo album later this year on Big Machine Label Group’s DOT Records.
The former Staind front man first made his country debut in 2011 with certified gold single “Country Boy” followed by the release of his first full length solo album, The Road. “Country Boy” featured Charlie Daniels on fiddle and a booming verse from George Jones as well as Chris Young striking a balance between classic and modern country.
Lewis’ introspective, personal and relatable lyrics are proof that country music is about lifestyle and values, not necessarily where you were raised. And as Country Weekly exclaims “…make no mistake, he is a truck-drivin’, gun-totin’ country boy.” Lewis attributes country as something that has always inspired him. Growing up in rural Vermont the singer/songwriter spent summers with his WWII veteran grandfather hunting and fishing. During that time, he developed a love for the land, the woods, and the simple life, which still permeates everything he does.
And there was one specific soundtrack to those times. “I was raised on Country music,” Lewis says. “My grandfather listened to Merle Haggard, Hank Williams, Hank Jr., and all of the greats.”
And those influences are evident on stage in his new songs and in Staind hits he often performs such as “Outside,” “It’s Been Awhile,” and “So Far Away.”
Tyler Farr will be performing live at The Bluestone on February 1st, 2018
Opening Artist: Lewis Brice
Doors for the show will open at 7pm
Tickets are $30 in advance and $35 day of show
Tickets On-Sale Wednesday, December 15th at 10am
PURCHASE HERE
“Maybe I’m addicted to pain…Wha
There’s definitely
but it’s hard to explain, though everybody knows it.
“Probably I’m a hopeless romantic,
but sex can make that complicate
“You know you want to be in love, but that’s a tricky thing to find.”
Tyler Farr’s a thinker, an observer of the human condition,
From the wracked hangover of what you don’t see coming in love “Withdrawa
Tyler Farr is from Garden City, Missouri and attended Missouri State University for voice. He is a real life country success story coming from a farm family and making it in Nashville. He represents all things honky-tonk as a whiskey loving and tractor truck driving redneck who achieved the American music dream.
He is a class act telling the stories of heart break and good times through songs like “C.O.U.N.T.R.Y”, “Our Town”, “Better in Boots” and “Whiskey in My Water”. His first album, Redneck Crazy, debuted in 2013 and featured singles “Hot Mess” and “Hello Goodbye”. His second album, Suffer in Peace, was released in 2015 and included “A Guys Walks Into a Bar” and “Withdrawals”.
Jazz Arts One Night Only at The Bluestone November, 2nd 2018!
*Doors for the event will open at 5:30PM
Tickets On-Sale NOW!
One Night Only is Jazz Arts Group’s annual fundraiser. This year we will return to the Bluestone for “Blues at the Bluestone” featuring local favorite Sean Carney and Chicago Bluesman Omar Coleman.
The Jazz Arts Group of Columbus (JAG) is America’s premier not-for-profit arts organization dedicated to producing, performing and promoting jazz. Our mission is to advance and celebrate the art of jazz through performance and education. The Jazz Arts Group (JAG) divides its resources among two areas: performance and education.
JAG Performances include the Swingin’ With The CJO series at the Southern Theatre, JazZoo! At the Columbus Zoo and Aquarium, a contemporary music series at the Lincoln Theater and other venues, and the PBJ & Jazz family jazz series at the Lincoln Ballroom and Topiary Park.
The Jazz Arts Group believes in the power of music to transform lives and is committed to offering lifelong-learning opportunities for individuals of all ages, interests, backgrounds and abilities. JAG achieves this with our JAG Education & Community programs and through our Jazz Academy activities.
Our Affiliate Musicians program continues to work with area musicians on professional development and performing opportunities for Columbus jazz musicians.
Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM
The Bluestone
Columbus, Ohio
https://www.ticketmaster.com/event/05005B5B9DE84DB9
WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.
Tickets on sale Friday, November 5th at 10 AM!
About Mammoth WVH
Official Website: www.mammothwvh.com
Official Facebook Page:www.facebook.com/MammothWVH
Official Twitter: www.twitter.com/MammothWVH @MammothWVH
Official Instagram: www.instagram.com/mammothwvh @mammothwvh
Official YouTube Channel:www.youtube.com/MammothWVH
First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.
“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”
His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.
It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”
In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.
Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.
In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”
“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”
About Dirty Honey
Official Website: https://www.dirtyhoney.com/
Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/
Official Twitter: https://twitter.com/dirtyhoneyband @DirtyHoneyBand
Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband
Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ