Tickets- Official Box Office

The OFFICAL BLUESTONE TICKET BOX OFFICE

Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock. THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets

https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852

Oct

Thu

TRAUMA 2017

Oct 26 @ 9:00 pm

TRAUMA 2017

HALLOWEEN. FETISH. PARTY

3 Nights, 3 themes. Doors open at 9pm Each Night

Ages 18+

TRAUMA Thursday, Oct. 26th “NECROPOLIS”

$25 presale

$30 day of show

TRAUMA Friday, Oct. 27th “ZOOMORPHIC”

$45 presale

$50 day of show

TRAUMA Saturday, Oct. 28th “GOLD”

$45 presale

$50 day of show

TRAUMA 3 Day Pass

$90

PURCHASE HERE

Ages

Tags: Columbus Event fetish halloween halloween party trauma

Oct

Sat

Fright Night : Svdden Death Saturday 10/30 @ The Bluestone

Oct 30 @ 9:00 pm – Oct 31 @ 2:00 am

Disco Donnie Presents and My Best Friends Party

Fright Night : Svdden Death . Must Die . Eazybaked – Saturday 10/30

Tickets http://hive.co/l/frightnight1030

Perhaps you may recall MBFP’s first BIG event, an infamous party we threw at a waterpark / hotel known as “Headless Horseman’s (G)rave”. We expected maybe 500 people to show up. Turned out about 3,000 people thought the idea of partying in a waterpark was pretty sweet. That night ended up being legendary and pretty much put us on the map. We’ve come a long ways since then and it’s been a few years since we threw our own Halloween Massive.This year we decided to GO BIG. Introducing an all new Halloween Soire in the same Hallowed spirit. Epic production including festival like Lighting, Led Screens and Haze.

FRIGHT NIGHT 2021
Featuring headliners :

SVDDEN DEATH –

Also known as The Prince of Evil, SVDDEN DEATH has been honing his dubstep-centric voice for years now. Few have risen through the trenches and have stirred the bass community as much as Bay Area native Danny Howland, better known as SVDDEN DEATH.

Taking inspirations from Noisia, 16BIT, Skrillex, and other legends in the dubstep community – SVDDEN DEATH has formulated a hybrid of textured rhythms and sub-wrecking basslines to create his own maniacal sound.

Since release of his first EP through the well-known Never Say Die: Black Label SVDDEN DEATH has made his mark in the bass scene. He has patiently polished his presentation and sound, and created a persona that perfectly captures a dark, yet captivating aura. SVDDEN DEATH goes a step above the rest with his aesthetic choices and incredible theatrics.

http://svddendeath.com
https://www.facebook.com/suddendeath/
https://www.youtube.com/svddendeath
https://youtu.be/rcUB-A5k-Pc

MUST DIE –

Lee Austin Bates, also known as MUST DIE!, is a Houston-born and Dallas-based dubstep, electronica and drum & bass producer. Bates’ pseudonym is inspired by the 2006 film John Tucker Must Die.

Since he began to gather attention across the bass scene in 2011, he has produced a wealth of original material and remixes, releasing on labels such as Never Say Die, Ultra, Dim Mak, Play Me, Mad Decent, and Atlantic Records. Using his naturally artistic and innovative musical intuition MUST DIE! has quickly risen to recognition with his distinguished level of production. He tours extensively and has supported the likes of Datsik, Excision, and Zomboy to name a few. With a charismatic and outgoing personality alongside his technical proficiency MUST DIE! will continue to grab attention over the coming months.

https://www.facebook.com/MUSTDIEmusic
https://soundcloud.com/mustdiemusic
https://www.youtube.com/user/MUSTDIEMUSIC

EAZYBAKED-

Emerging from the hills of Clermont, Florida, EAZYBAKED is a dynamic, multi-talented duo of two old friends looking to bring the bass & 4th dimensional sounds to the streets and shows across the country. EAZYBAKED origninated from two teenagers, Eric Ray and Andrew Principe. Eric, who goes by Eazy, and Andrew, who goes by the alias of Mr.Baked. What they’re bringing to the scene is something that cannot be classified into simple genres. These underground producers are creating an entirely new sound – with support from Happy Colors, Sound Remedy, Hokes, Matayo, Urbindex, Just A Gent, $aturn – you can expect to see alot from these kids in the near future.

https://www.eazybakedbeats.com
https://soundcloud.com/EAZYBAKEDBEATS
https://www.facebook.com/eazybakedbeats/

Costumes are of course encouraged as this is going to be a WICKED HALLOWEEN PARTY. Full of surprises and fun. Get your tickets now to save money and reserve your spot

Tags: bluestone Columbus EDM Concerts Columbus Halloween concert tickets Disco Donnie halloween tickets

Mar

Fri

Mammoth WVH & Dirty Honey Live March, 18 2022 @ The Bluestone

Mar 18 @ 6:30 pm – 11:45 pm

Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM

The Bluestone

Columbus, Ohio

https://www.ticketmaster.com/event/05005B5B9DE84DB9

WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.

Tickets on sale Friday, November 5th at 10 AM!

About Mammoth WVH

Official Website: www.mammothwvh.com

Official Facebook Page:www.facebook.com/MammothWVH

Official Twitter: www.twitter.com/MammothWVH @MammothWVH

Official Instagram: www.instagram.com/mammothwvh @mammothwvh

Official YouTube Channel:www.youtube.com/MammothWVH

First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.

“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”

His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.

It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”

In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.

Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.

In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”

“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”

About Dirty Honey

Official Website: https://www.dirtyhoney.com/

Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/

Official Twitter: https://twitter.com/dirtyhoneyband @DirtyHoneyBand

Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband

Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ

Some musicians take a while to build an audience and connect with fans. For the Los Angeles-based quartet Dirty Honey, success came right out of the gate. Released in March 2019, the band’s debut single, “When I’m Gone,” became the first song by an unsigned artist to reach No. 1 on Billboard’s Mainstream Rock chart. Their second single, “Rolling 7s,” went into the Top 5 and was still headed up when COVID changed everything. That same year, Dirty Honey opened for The Who, Guns ’N Roses, Slash, and Alter Bridge and was the “do-not-miss-band” at major rock festivals such as Welcome to Rockville, Rocklahoma, Louder Than Life, Heavy MTL, and Epicenter. On its first U.S. headline tour in January and February 2020, the band sold out every date.

When it came time to record its self-titled full-length debut album, the band—vocalist Marc LaBelle, guitarist John Notto, bassist Justin Smolian, and drummer Corey Coverstone—wasn’t about to mess with what was already working. Teaming up with producer Nick DiDia (Rage Against the Machine, Pearl Jam), who also produced the band’s 2019 self-titled EP, Dirty Honey again captured the lightning-in-a-bottle dynamics and energy of their live sound.

“As a guitarist, I’m always inspired by the everlasting pursuit of the perfect riff,” says Notto. “I also wanted to extend the artistic statement that we had already made. We weren’t looking to sound different, or prove our growth, necessarily. It was more about, ‘Oh, you thought that was good? Hold my beer.'”

“Because of the pandemic,” added drummer Coverstone, “we had a lot more time to write and prepare, which was great. It meant that we were able to workshop the songs a lot more, and I thinkit really made a difference.”

Dirty Honey’s album indeed builds on the band’s output to date, with airtight song writing that plays up their strengths: sexy, bluesy, nasty rock’n’roll, melodic hard rock, and soulful 70s blues-rock. On “The Wire,”LaBelle reaffirms his status as one of contemporary rock’s best vocalists, while “Another Last Time” is a raunchy, timeless ballad about a toxic relationship that you just can’t stop saying goodbye to. “Tied Up” and the album’s lead single “California Dreamin,’’ both feature smoking guitar solos bookended by massive riffs and hooks.

“‘California Dreaming’ was the last song we wrote,” said bassist Justin Smolian. “We finished it about two weeks before we recorded it, so the song was still so new, and we were trying out different things,so every take was a little different. But there was that one where we just captured it, and it was magic.”

Although each band member started playing music as kids—at the age of eight, Notto’s parents even bought him a red-and-white Stratocaster—each one brings eclectic influences to Dirty Honey’s sound. For example, drummer Coverstone has studied with jazz and L.A. session drummers but loves heavy metal; Notto grew up listening to ’70s funk and R&B as well as rock ‘n’ roll,and bassist Smolian has a bachelor of music in classical guitar and loves Tom Petty and The Beach Boys.

LaBelle meanwhile,takes cues from hissongwriting idols (to name a few, Robert Plant, Steven Tyler, Mick Jagger, Chris Robinson, and the late Chris Cornell) when coming up with lyrics. As a result, the songs on the Dirty Honey albumhint at life’s ebbs and flows—shattering heartbreak, romantic connection, intense soul-searching—while giving listeners space to draw their own conclusions.

“Sometimes,if you just let lyrics pass behind your ears, they sound like cool shit is being said,” LaBelle says. “And then once you dive in, you realize, ‘Oh, that’s really thoughtful.’ But it still doesn’t have a meaning that’s easy to pinpoint. There’s an overarching idea that is really cool, but it’s not necessarily on-the-nose.”

Although the Dirty Honey album may sound effortless, its genesis had a bumpy start. The day before the band members were due to fly to Australia to track the album, Los Angeles entered lockdown due to the COVID-19 pandemic, and traveling was off the table. However, Dirty Honey was still eager to work with DiDia, so they devised a Plan B: recording the full-length in a Los Angeles studio with one of DiDia’s long-time engineers, and the producer beamed into the proceedings via the magic of modern technology.

“He was able to listen to what we were laying down in real-time, through this app,” says LaBelle. It was like he was in the room with us. It was surprisingly seamless the way it all went down.”

Having to switch gears delayed the start of recording slightly, although this extra time ended up being a boon. Dirty Honey rented a rehearsal space and demoed the album’s songs in advance, meaning the tracks were in good shape when DiDia came onboard. Notto mixed and recorded these workshopped tracks himself, which helped him rediscover one of Dirty Honey’s biggest strengths: being well-rehearsed while not overpolishing their work.

“I’ve learned just a little bit more about what people might mean when they say, magic—you know, ‘This one has the magic,'” he says. “We would do two and three different demos of a song, so there would be a few versions. On a few occasions, the version that people kept going back to was the sloppiest, if you look at it from a performance standpoint.”

LaBelle agrees. “It’s just about getting the performance right and not thinking about it too much. I never like to be perfect in the studio. None of the stuff that I really liked as a kid was. I don’t really see myself getting away from that too much in the future just because I think you lose the soul if you do it too many times, if it’s too perfect.”

Notto also admits that the creative process isn’t necessarily always all fun and games. But for him and the rest of Dirty Honey, pushing through those tough times and coming out stronger on the other side is worth it. “When you finally come through on those moments, that’s where the real magiccomes in,” he says. “What makes all of our songs fun to play and listen to is we don’t allow ourselves to stop short of getting the best possible results out of each one of them.”

Tags: bluestone central ohio Columbus columbus concerts concert concert tickets concerts Dirty honey live music Live Nation mammoth WVH Metal rock the bluestone tickets wrkz young guns tour

October 2017 – March 2022 Oct 2017 – Mar 2022