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Mar
14
Sat
Blood Sweat & Bass Tour featuring DOWNLINK and DIESELBOY – The Bluestone
Mar 14 @ 8:00 pm

IGNYTE EVENTS presents: DOWNLINK and DIESELBOY at The Bluestone on Saturday, March 14th.

$15 Presale $20 Door (This show is for ages 18+)

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DOWNLINK

Other Artists Performing:
Attak
Lethal FX
Pot Pocket
Vexxe

May
1
Fri
IGNYTE EVENTS presents – BLACK TIGER SEX MACHINE, BUKU, and MIJA – The Bluestone
May 1 @ 9:00 pm

IGNYTE EVENTS presents: BLACK TIGER SEX MACHINE, BUKU, and MIJA live at The Bluestone!

BUY TICKETS

 

 Black Tiger Sex Machine

With Support From –

Attak

Thunder St Clair

Get Dangerous

Burgle

French Toast

Culmination

Vexxe

Visuals By VJ Vendetta

btsWEB

May
5
Fri
*SOLD OUT* Drake White and The Big Fire @ The Bluestone
May 5 @ 7:00 pm

Drake White and The Big Fire will be performing live at The Bluestone on Friday, May 5th, 2017

Featured Artist: Drake White

Opening Artist: Dave Kennedy

Opening Artist: Channing Wilson

Doors for the show will open at 7pm

PURCHASE HERE–This Show is SOLD OUT

Drake White Tickets on sale Friday, December 16th at 10am

DrakeWhitePhoto


VIP OPPORTUNITY AVAILABLE

VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of the stage!
  • Includes first bucket of Miller or Coors Light
  • VIP Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  • VIP Server
  • Private Bar Access
  • May have an obstructed view
  • *All VIP tables located in the loft area

*All Sales are final

Every reaction begins with a catalyst, some initial event that sets things on their inexorable course. For Drake White, it goes back to something raw and elemental in his debut album Spark.

“I learned how to play guitar and keep people’s attention around a fire,” explains the Hokes Bluff, Alabama native. “A spark can start a fire that can keep you alive and sustain you. So this is the beginning for me. This is the first strike of the flint.”

The spirit of Spark comes from those simple, early days spent enjoying the outdoors among friends in the warm glow of a fire. And though he’s now a city dweller with all the complications and distractions that entails, White still seeks the freedom and deeper connections he felt when the chorus of nature and the strums of his guitar blended into one harmonious song — the kind of contentment he sings about in the swirling majesty of his single “Livin’ the Dream.” Drake White

“We grew up free. We grew up on 4-wheelers, riding through the backwoods,” he says. “We grew up hunting and fishing and being out in the Appalachian Mountains. People don’t understand how beautiful north Alabama is until you see it in person.”

Drake White

Save for “Livin’ the Dream,” White wrote or co-wrote the remaining 11 tracks on Spark, working with red-hot producers Ross Copperman and Jeremy Stover through the process. He also brought in his own band for a handful of tracks to capture the energy of his live shows.

The first sound on Spark — before the pulse-quickening “Heartbeat” kicks into gear — is the voice of White’s late grandfather speaking from the pulpit. Several of these ghostly transmissions from the past appear on Spark, all extolling the virtues of love, brotherhood and nature. It’s a touch of the surreal that nods at White’s fondness for Pink Floyd’s psychedelic masterpiece The Wall, but also a deeply personal gesture that matches his vision perfectly.

“I went through about five or six sermons of my grandfather and picked out certain little snippets,” he says. “I just think they kind of fit. They’re weird and people are asking what they are. And that was my point: to get people talking about it.”

White has his own message of finding some harmony amid the demands of modern life, one that goes down easy in the uplifting, Zac Brown Band-assisted Southern rock anthem “Back to Free” and the cautionary-but soulful “I Need Real.” It’s a simple message of not letting oneself be swallowed up by technology and seeking out honest, genuine connections with others.

“When I’m at home, my wife and I keep our phones in the bedroom,” says White. “We listen to records. We hardly turn the TV on, unless it’s time for Game of Thrones. Before social networking was a smartphone app, we did it around a fire. That goes way back.”

With his gospel-derived, passionate delivery, White seems to have inherited his grandfather’s ability to touch crowds with a sermon — his divine vocal improvisations at the end of the honky-tonk flavored “Story” will undoubtedly get butts out of seats. White stresses that he isn’t a preacher, but doesn’t see a problem with putting his own methods for surviving the world out there.

“Some of the best songs, like Buffalo Springfield’s “For What It’s Worth” or anything by Bob Marley, have a little bit of preachin’,” he says. “I never want to come across too preachy, but instead I’m saying, ‘Hey man, this is my life, and this is what I do to be happy and I’m figuring it out just like you.’” Drake White

Spark covers an entire spectrum of emotions beyond these statements of character and self-definition. In “Making Me Look Good Again,” White cruises on an R&B-style groove to express his gratitude for his better half, while “Waiting on the Whiskey to Work” finds him embodying a man spun out on love and heartbreak. Then in the tropically-themed “Equator,” he flies south to give his nomadic side a little time to play.

“This record is about balance. It’s me asking, where’s that boy I used to be? Oh yeah, we gotta go get him back,” he says. “We gotta go on a hike or camping or grab my wife and go to some foreign country. I gotta feel alive. I gotta go out there and do that.” Drake White

Long a respected live entertainer with his (appropriately named) band the Big Fire, White’s climb to the limelight hasn’t been a straight or uncomplicated one. Rather than blowing up right away with a big debut single, he’s toiled on the road for years, giving jaw-dropping performances night after night and making believers one show at a time. “There are many different paths.

Oct
30
Sat
Fright Night : Svdden Death Saturday 10/30 @ The Bluestone
Oct 30 @ 9:00 pm – Oct 31 @ 2:00 am

Disco Donnie Presents and My Best Friends Party

Fright Night : Svdden Death . Must Die . Eazybaked – Saturday 10/30

**Tickets http://hive.co/l/frightnight1030 **

Perhaps you may recall MBFP’s first BIG event, an infamous party we threw at a waterpark / hotel known as “Headless Horseman’s (G)rave”. We expected maybe 500 people to show up. Turned out about 3,000 people thought the idea of partying in a waterpark was pretty sweet. That night ended up being legendary and pretty much put us on the map. We’ve come a long ways since then and it’s been a few years since we threw our own Halloween Massive.This year we decided to GO BIG. Introducing an all new Halloween Soire in the same Hallowed spirit. Epic production including festival like Lighting, Led Screens and Haze.
FRIGHT NIGHT 2021
Featuring headliners :
SVDDEN DEATH –
Also known as The Prince of Evil, SVDDEN DEATH has been honing his dubstep-centric voice for years now. Few have risen through the trenches and have stirred the bass community as much as Bay Area native Danny Howland, better known as SVDDEN DEATH.
Taking inspirations from Noisia, 16BIT, Skrillex, and other legends in the dubstep community – SVDDEN DEATH has formulated a hybrid of textured rhythms and sub-wrecking basslines to create his own maniacal sound.
Since release of his first EP through the well-known Never Say Die: Black Label SVDDEN DEATH has made his mark in the bass scene. He has patiently polished his presentation and sound, and created a persona that perfectly captures a dark, yet captivating aura. SVDDEN DEATH goes a step above the rest with his aesthetic choices and incredible theatrics.
MUST DIE –
Lee Austin Bates, also known as MUST DIE!, is a Houston-born and Dallas-based dubstep, electronica and drum & bass producer. Bates’ pseudonym is inspired by the 2006 film John Tucker Must Die.
Since he began to gather attention across the bass scene in 2011, he has produced a wealth of original material and remixes, releasing on labels such as Never Say Die, Ultra, Dim Mak, Play Me, Mad Decent, and Atlantic Records. Using his naturally artistic and innovative musical intuition MUST DIE! has quickly risen to recognition with his distinguished level of production. He tours extensively and has supported the likes of Datsik, Excision, and Zomboy to name a few. With a charismatic and outgoing personality alongside his technical proficiency MUST DIE! will continue to grab attention over the coming months.
EAZYBAKED-
Emerging from the hills of Clermont, Florida, EAZYBAKED is a dynamic, multi-talented duo of two old friends looking to bring the bass & 4th dimensional sounds to the streets and shows across the country. EAZYBAKED origninated from two teenagers, Eric Ray and Andrew Principe. Eric, who goes by Eazy, and Andrew, who goes by the alias of Mr.Baked. What they’re bringing to the scene is something that cannot be classified into simple genres. These underground producers are creating an entirely new sound – with support from Happy Colors, Sound Remedy, Hokes, Matayo, Urbindex, Just A Gent, $aturn – you can expect to see alot from these kids in the near future.
Costumes are of course encouraged as this is going to be a WICKED HALLOWEEN PARTY. Full of surprises and fun. Get your tickets now to save money and reserve your spot

Mar
10
Thu
Subtronics The Fractal Tour 3/10/22 @ The Bluestone
Mar 10 @ 8:30 pm – Mar 11 @ 1:00 am

Disco Donnie Presents and My Best Friends Party

March 10 2022 The Bluestone

Subtronics The Fractal Tour  : w/ Boogie T . Level Up. G-Space  and Smith 3/10/22 Columbus

Tickets 🎟 Here > hive.co/l/subtronics0310

**Tickets go on sale
FRIDAY, OCTOBER 15TH – 10AM LOCAL
SUBTRONICS –
Jesse Kardon, better known as Subtronics, is a 25-year-old Philadelphia born dubstep producer specializing in all things robotic. His work is heavily influenced by the likes of Rusko, Skism, Tomba and Downlink, and the collective efforts of the underground dubstep community. Taking on a core group of followers over SoundCloud in the first few years, he has grown exponentially in the past few months, gaining support from a plethora of bass music legends. Subtronic’s signature bouncy yet mechanical sound design is matched by his incredibly recognizable flow, setting him apart from the vast sea of up and coming producers around the world.
In 2017 Subtronics released several debut EP’s on some of the biggest labels in bass music. After a solid 2018 tour of near all sellouts he was catapulted to the top of the Bass Music stratosphere. He crushed Lost Lands last year and this. After a killer set this year Subtronics came back to amp up your day with his new five-track EP Wooked On Tronics. With the viral success of “GRIZTRONICS” skyrocketing the producer to the forefront of EDM limelight, it’s fair to say fans were ready for more. The EP includes four original tracks as well as one collaboration with OWSLA artist, Moody Good.
If you are a fan of gritty, wonky, amplified riddim this EP will be right up your alley. The stabs and wobbles will get you headbanging to your heart’s content. The powerhouse tracks will break your eardrums if you aren’t careful, so proceed with caution. Wooked On Tronics is an impressive piece of work, proving again that this artist is at the top of his game.
BOOGIE T-
(NEW ORLEANS)
Born and raised in the swamps of Louisiana, playing and writing music since the tender age of eight, Brock Thornton aka Boogie T. has come along way to bring the low end ruckus. Hailing from the South, the cradle of soul, it is easy to hear this influence in his music. Trap, Dubstep, Riddim, whatever you want to call it, for Boogie T. it has always been about entertaining. Whether playing in bands, acting, DJ’ing or producing, his goal is simple: taking risks and pushing boundaries. And these risks are paying off as in a short amount of time, Boogie T.’s name continues to grow in the electronic music scene.
With releases on Artist Intelligence Agency, Supermart Produce, Damaged Sounds, Blakdout Records and more coming, and recent dates across the country and beyond with Aphrodite, Snails, Trollphace, Funtcase, Midnight Tyrannosaurus, Minnesota, G Jones, LOUDPVCK, Skism, pOgman, Riot Ten and many others, Boogie T. is blazing a path from bayou the to the main stage.
LEVEL UP-
LEVEL UP aka Sonya Broner feels most at home behind the decks. Originally a battle DJ studying under the legendary Rob Swift, LEVEL UP dove into music production after discovering dubstep. Continuously crafting her sound is what makes her feel the happiest and is her truest form of self expression. While at the beginning of her journey, she has already gone on to release music on Deadbeats, GRVDNCR, and Buygore, with much more in the pipeline.
A theatre actress in her youth, her storytelling ability is evident through her music: unfathomably heavy wubs and wobbles, and tricky doubles leave the audience energized and ready for more. She has since gone on a national tour with Subtronics, and graced the stages of Lost Lands, Electric Forest, High Caliber, and more. She just crushed her Summoning Headlining Tour stop in Columbus.
G-Space-
Starting off with keyboards as an infant, he taught himself how to improvise on the piano throughout the years. G-Space has created his own distinct sound that grazes multiple genres, such as; world, funk, jazz, trap, glitch, and bass. He tends to play a set that consists mainly of his originals and the rest is filled with close friends’ music and other artists that he looks up to. G-Space has nested his way into quickly becoming one of the most interesting acts in the scene.
Not only does he play on multiple instruments and create amazing electronic music to match it. He has added a unique visual aspect to his performance. It’s called ‘Tricking’ which by definition, is a style “of extreme sport where the “athletes” do cool, fast, beautiful flips and kicks without any wires or trampolines,” (Defined from Urban Dictionary.) While playing the keytar on stage he is able to do a backflip and other insanely physically demanding and talented tricking skills. Having this special type of performance has been getting him recognized by many, as he has played Imagine Festival, Ultra Festival, and has just recently finished his ‘Euro-Trip Tour’ which spanned across several countries in Europe.
SMITH-
Massive Support lineup