The Charlie Daniels Band will be performing live at The Bluestone on Thursday, April 30th, at 7pm.

Opener: Cliff Cody and Wyatt McCubbin will be opening the show!

Tickets are $40 Pre-Sale and $45 day of show.

 CMA and Grammy award-winning country band, The Charlie Daniels Band, will perform live at The Bluestone on Thursday, April 30th, 2015.  Charlie Daniels Concert Tickets are available online at www.liveatthebluestone.com for just $40.00 in advance and $45.00 day of show.  Doors for the show will open at 7pm, this is an all ages event.

Charlie Daniels, born and raised in North Carolina, began playing the fiddle and guitar in several bands throughout his young adult life.  At the age of 21 he decided to pursue a professional career in music.  Daniels assembled his first rock and roll group named, The Jaguars.  There was very little success with The Jaguars but Daniels continued to write songs including,   One of “It Hurts Me”, which was recorded by Elvis Presley in 1963. In the late 60’s Daniels opted out of The Jaguars and after much practice, became one of the best fiddlers in Nashville, TN.  He would focus his fiddle playing on the current day hits, including a lot of top songs from Bob Dylan, his popularity soared.

Mid 70’s was the year for his new band, The Charlie Daniels Band.  After a run with the Southern Rock style, Charlie then decided to lean more towards a country music band, ultimately it was a career changing choice.  Shortly after this decision, the single, “The Devil Went Down to Georgia”, was released.  It went straight to the number one spot and crossed over on to the pop charts at a number three spot.  This song was named the Country Music Association’s Single of the Year.  After this hit was released, their next album, Million Mile Reflections, became a multi-platinum success.

VIP Admission: VIP Tables do NOT include admission tickets to the show.  Tickets must be purchased separately.

**VIP Tables for this show are sold out**

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage
• Includes six bottles of Miller or Coors Light
• VIP waitress
• Exclusive Private Bar access
• Buckets (six bottles) available for purchase all night for $24

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes six bottles of Miller or Coors Light
• VIP waitress
• Private Bar Access
• Buckets (six bottles) available for purchase all night for $24

*All VIP tables located in the loft area

*Table purchases do NOT include admission into venue

Eli Young Band will be performing live at The Bluestone on Friday, June 2nd

Doors for the show will open at 7pm

Opening Artist: Jameson Rodgers

Tickets are $30 in advance and $35 day of show

PURCHASE HERE

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage!
• Includes first bucket of Miller or Coors Light
• Server
• Exclusive Private Bar access

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes first bucket of Miller or Coors Light
•  Server
• Private Bar Access
• May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

Somewhere in the midst of 10,000 towns, along a lonely highway between packing clubs in their native Texas years ago and more recently performing stadiums on one of country music’s hottest tours, the Eli Young Band became more than a band. They became a brotherhood. Camaraderie and creativity fused into an intoxicating cocktail that has propelled the talented foursome to the vanguard of contemporary country music.

With three No. 1 hits under their belt as well as a Grammy nomination and an Academy of Country Music Award for Song of the Year for their hit “Crazy Girl,” the Eli Young Band approached their second Republic Nashville album, 10,000 Towns, with a sense of confidence and purpose. “We were genuinely excited about making this new record,” says bassist Jon Jones. “People talk about the sophomore record being really tough to make and in a lot of ways this felt like our sophomore record even though it’s technically our fifth record as a band.”

“We learned over the progression of those records our strong points in the studio, and we were confident,” adds drummer Chris Thompson, “We knew what we wanted and how to get what we wanted.”

Eli Young Band and LOCASH will be performing LIVE at The Bluestone

Friday, February 9th, 2018

Special Guest: Muscadine Bloodline

Doors for the show will open at 7pm

Tickets are $40 in advance and $45 day of show

THIS SHOW IS SOLD OUT

PURCHASE HERE

LOCASH Meet & Greet Upgrade (Ticket to Show Not Included)

• Exclusive meet & greet with LOCASH
• Personal photograph with LOCASH
• Private and intimate acoustic performance by LOCASH
• Q&A session
• Autographed tour poster
• Exclusive LOCASH merchandise item
• Official meet & greet laminate
• Limited availability

To purchase, click here: http://future-beat.com/event.cfm?id=274095&cart

For questions, please contact info@future-beat.com

Eli Young Band Will Perform Live at The Bluestone

This is an All Ages Show

 Three Great Artist one Night of Music!!

Eli Young Band

Somewhere in the midst of 10,000 towns, along a lonely highway between packing clubs in their native Texas years ago and more recently performing stadiums on one of country music’s hottest tours, the Eli Young Band became more than a band. They became a brotherhood. Camaraderie and creativity fused into an intoxicating cocktail that has propelled the talented foursome to the vanguard of contemporary country music.

With three No. 1 hits under their belt as well as a Grammy nomination and an Academy of Country Music Award for Song of the Year for their hit “Crazy Girl,” the Eli Young Band approached their second Republic Nashville album, 10,000 Towns, with a sense of confidence and purpose. “We were genuinely excited about making this new record,” says bassist Jon Jones. “People talk about the sophomore record being really tough to make and in a lot of ways this felt like our sophomore record even though it’s technically our fifth record as a band.”

“We learned over the progression of those records our strong points in the studio, and we were confident,” adds drummer Chris Thompson, “We knew what we wanted and how to get what we wanted.”

LOCASH

It’s an exciting time to be LOCASH these days. That might very well be one of the biggest understatements in Nashville. Already in their career, the duo of Preston Brust and Chris Lucas have enjoyed hit singles, sold-out concert appearances here and abroad, and have tasted the top of the chart as two of Nashville’s quickest-rising songwriters. But, to quote the old saying… You Ain’t Seen Nothing Yet.

Recently signed to Reviver Records, the duo is joining forces with some of the biggest names on the Country Music business landscape. Brust says they could feel the team’s energy from the first meeting. “We haven’t felt an energy like this since the day we began our journey. This feels like it has all come together –the right label head, the right promo team, it finally feels like we’ve got all of our ducks in a row for the first time in our lives. We’ve been out there doing the grass roots thing for so long, and to feel it all come together, is so encouraging.

Musidine Bloodline

Unapologetically Alabama.  There’s a new force making major waves in country music. Natives of Mobile Alabama, Gary Stanton and Charlie Muncaster came together to form Muscadine Bloodline in early 2016.  With three single releases under their belt and a schedule full of shows spanning from coast to coast, they’ve hit the ground running from day 1. Nashville took notice the first time these two stepped on the stage and it’s no surprise the rest of the music world is quickly catching on. Charlie’s [contemporary] vocals complimented by Gary’s harmonies and masterful guitar licks, MB is a powerfully refreshing mix of talent, passion and unfiltered authenticity.  Infamously undaunted by the big stage, their sound intertwines the brash irreverence of early southern rockers with the seductive quality of 90s country love songs. Captivating hooks heard in songs like “Porch Swing Angel” and the aggressively anthemic “Shut Your Mouth” stand as a testament to MB’s wide ranging music-making capability. Every song and every show is a moving experience but at the same time, unmistakably Muscadine Bloodline.

Get your tickets now!

Morgan Evans live at The Bluestone on Saturday, December 14th, 2019

Doors for the show will open at 7pm

Opening Artist: Madison Kozak

Tickets for the show are just $15 in advance and $20 day of show

Tickets go on-sale Friday, June 21st at 10am

PURCHASE HERE

Morgan Evans Live at The Bluestone Dec. 14th

Steel Panther Live December 9th, 2021 7 PM

The Bluestone

Columbus, Ohio

https://www.ticketmaster.com/event/05005B59EDEA422F

Steel Panther is headed to Columbus, OH to The Bluestone December 9, 2021.

Tickets on sale Friday, October 29 at 10 AM!

• Website: http://www.steelpantherrocks.com/
• Facebook: http://www.facebook.com/steelpanther
• Twitter: http://www.twitter.com/Steel_Panther
• Instagram: http://www.instagram.com/SteelPanther
• YouTube: http://www.youtube.com/user/SteelPantherVEVO

About Steel Panther

For the uninitiated, Steel Panther was formed in 2000. Hailing from Los Angeles, the epicenter for rock n’ roll in all its debauchery and glamour, Steel Panther has established themselves as the world’s premier party band, melding hard rock virtuosity with parody and criminally good looks. Steel Panther is a global phenomenon with four full-length albums, touring across the world, platinum-level You Tube status and high-profile television appearances such as Jimmy Kimmel Live, Larry King Now, and FOX NFL Sunday.

Rolling Stone avowed, “There’s a reason Steel Panther have transcended their origins as a cover band playing the Sunset Strip,” while Metal Sucks declared, Steel Panther’s concept is genius…their songwriting is…preposterously snappy –and relatable.

Dorothy

ft. Joyous Wolf & Classless Act

April 24, 2022 6 PM

at The Bluestone

Columbus, Ohio

DOROTHY

Gifts From The Holy Ghost 

Roc Nation

Dorothy Martin’s life changed forever when she was forced to face death on her tour bus some three years ago. After her guitar technician had taken an overdose, and the light began to lift up and out from his body, Dorothy instinctively began praying for his survival. While he may have temporarily died, the technician was astonishingly, miraculously restored back to life as Dorothy and her crew formed a prayer circle near his body. It was this moment that seemed to bring Dorothy to life too. She was gifted a rebirth with a divine intervention that caused a radical and spiritual awakening in the singer, the result of which can be heard on Gifts From The Holy Ghost, Dorothy’s third studio album as front woman for the pseudonymous, blues-rock band Dorothy. 

Gifts From The Holy Ghost is the album she’s always wanted, and has perhaps been destined to make. Born from a sense of divine urgency, it is Dorothy’s most bombastic and gloriously, victorious rock and roll work yet. Each song built on triumph—the unshackling of chains, the slaying of demons with a sword of light—the album is a healing and remedial experience, made to unify listeners and point them towards a life full of purpose. It is Dorothy’s greatest gift yet.  “This album had to get made, I felt like I had a mission,” she said. 

While the band’s first, irreverently named album ROCKISDEAD, was made on a combination of whiskey and heartbreak—inspiring Rolling Stone to name them one of rock’s most exciting new acts, and Jay-Z to sign them to his label Roc Nation—Gifts was built on recovery, health, and holiness, in a way that reverses the clichéd ‘good girl gone bad narrative’. 

With the combined powers of Keith Wallen, Jason Hook, Scott Stevens, Phil X, Trevor Lukather, Joel Hamilton and the legendary ear of Chris Lord Alge, Gifts From The Holy Ghost is made from a musical palette which seems to encompass each of the musician’s influences, as well as many of the essential sounds of rock music’s history—from swampy blues to ‘90s alternative —in a way that makes the case for rock and roll itself. Not only is the genre alive, but it’s more invigorated than ever.

“I think this album is going to speak to a lot of people, it’s meant to be healing, unifying, eye-opening, ear-opening, heart-opening and celebratory,” Dorothy said, adding: “I wanted to make the realest album I could make, and I went in with the question does this make me feel alive? Does it make me feel free? If a song didn’t give me chills or make my heart soar, then it didn’t make the cut.”

Born in Budapest, Hungary, Dorothy has always been an instinctual writer and artist. Throughout her life, she’s been asking the big questions, both in and outside her art: ‘What’s the meaning of life? Why are we here? How are we here?’ When she couldn’t find the answers to those questions, she’d numb out the empty uncertainty with drugs and alcohol. She was eventually admitted to rehab and a new chapter was opened in her spiritual journey. Now, with angels whispering in her ear and the spirit moving her steps, she’s found her answers. “I’m just here to impart inspiring messages to people while having fun and rocking out!”

You can hear Dorothy’s powerful resilience across the album, particularly on “Big Guns”, which finds the singer at her boldest; sauntering over slide guitars as she steps into combat. Anthems like “Rest In Peace” bring a sweeping cinematic scope to the album, whereas “Black Sheep”, a rallying cry for unity, explodes with layered gang vocals: “we are blood, we are family,” Dorothy breaks curses, going toe-to-toe with the blistering guitar riffs. 

The album’s lyrics are a perfect balance of specificity and generality, so that the listener can attach their own darknesses and triumphs to the songs, while still getting a sense of Dorothy’s own. “We are all one human family.” she declares. 

Does that mean Dorothy has overcome all of her own adversities? “It’s a journey and it’s about progress not perfection,” she responds. “I’ve had a lot of deep revelations about my life, stuff I hadn’t been able to cope with until now. Now I’m learning new tools.” With Gifts From The Holy Ghost, Dorothy identifies her purpose as an artist. She conquers darkness with light, numbness with feeling, disharmony with unity—all while delivering one of this year’s most fun rock & roll records.

Joyous Wolf Bio

A gritty howl opens Joyous Wolf’s upcoming debut LP, Enigma, and it’s the perfect introduction since the band plays rock & roll at its most primal and passionate. Guitarist Blake Allard’s bluesy riffs harken back to the classic hard rock of AC/DC, Cream and Deep Purple while still packing a thoroughly modern wallop, while frontman Nick Reese’s voice seems to come from deep in his gut as he sings about everything from warring kingdoms to a tribute to a fallen friend. Together, with bassist Greg Braccio and drummer Robert Sodaro, Joyous Wolf’s members work together to create some of the most exciting, promising and unwieldy back-to-basics rock to come out of Southern California in recent years.

Whether nimbly navigating the swaggering, powerful groove of their go-to concert opener, “Mountain Man,” or digging into their instruments for a jammy, funky guitar solo “Major Headthrob,” the group has an unpredictable quality – a sort of unique freedom within rock & roll – that makes Enigma compelling. Part of the credit for this goes to producer Val Garay (Santana, Neil Diamond, Reel Big Fish) who came aboard at the last minute to help them achieve the record’s raw sound, which captures how Joyous Wolf sound live. But mostly, the electric feeling that defines Enigma is just something in the band’s DNA.

“When I’m playing rock & roll, it’s the only time where I feel indestructible,” Reese says. “When I heard Elvis sing ‘Heartbreak Hotel’ for the first time, I knew exactly what my heart wanted and what I wanted.”

“I think people are starting to realize the overproduction and fakeness of pop music, which is why rock is coming back,” Allard says. “We love being a rock band.” Joyous Wolf formed in November 2014, but their roots stretch back to sixth grade when Reese first crossed paths with Sodaro by fate – they had to assemble next to each other because their names were alphabetically side-by-side. Reese recalls a middle-school battle of the bands where neither he nor Sodaro was playing, but Reese declared that one day he was going to be “the best singer ever” and that Sodaro would play drums. It would take a few years, but after stints where both musicians duked it out playing in punk and alternative bands (“all of that crap,” Reese adds) they fulfilled Reese’s prophecy. The singer drafted Allard, whom he’d met randomly in the acoustic room at a Guitar Center when the two jammed on CCR’s “Born on the Bayou,” and Sodaro brought in his high-school friend Braccio to play bass. 

Before long, the quartet was jamming in Sodaro’s folks’ garage, annoying the neighbors and entertaining the local authorities. “Once on Halloween, we were rehearsing at 11 p.m. writing songs, and we faced Nick’s monitors out the window toward a canyon full of houses,” Allard recalls. “Then we saw this car at the front gate, and it’s the sheriff. He comes into the practice room and goes, ‘Hey guys, I hate to shut you down because it sounds really good, but we got a complaint from across the canyon that it was too loud.’ We still practice but not like that anymore.”

One of the first songs they played together was “Sleep Weep Stomp,” Enigma’s slow-burning, sludgy blues burner. It’s the style of music that Reese feels closest to. “I’m a blues singer, 100 percent,” he says. “That’s my everything.” The singer grew up on blues, jazz, and Fifties rock & roll. “When my dad showed me, Elvis, that was the end of it,” he says. “I needed to hear every artist that inspired Elvis and then the people who inspired them. Suddenly I had a record collection. It all felt natural: B.B. King made me want to scream my pain away. You hear all these people and you want to express all the things you love. I don’t care if people think it’s old or not current. It doesn’t matter to me.” By his own estimation, he didn’t hear anything “current” until he was 13 and borrowed his sister’s Discman only to hear the Strokes’ “Is This It”. Similarly, Allard was raised on classic rock. “My dad taught me my first song ever, ‘Sunshine of Your Love,’ by Cream,” he says. “I always went back to that kind of old blues-rock music. Even if I was into metal or hard rock, I always went back to the classics like B.B. King, Jimi Hendrix, Black Sabbath, and Led Zeppelin.”

These influences shine through on Enigma. “Killing the Messenger” begins with some crushing classic heavy-metal riffs before giving way to a boogieing verse riff where Sodaro and Braccio can bash out their rhythms freely while Reese yowls a tale about two warring kingdoms, and how an evil monarch tricks one of his most popular subjects into delivering a nasty message to the other kingdom only so he would be executed. Reese says the moral Is “life isn’t fair and it isn’t always a happy ending.” The beat-heavy “Mountain Man,” whose lyrics lambaste one of Reese’s former less-than-refined coworkers at a coffee shop, whom the singer says claimed he could “carve a knife out of the tree,” began with a guitar riff that was so forceful that the band couldn’t deny its power. “He had this little riff and we were laughing because it was so stupid-simple,” Reese says. “And it is. It’s our quote-unquote ‘dumbest song,’ but when we used it to open at the Viper Room, the audience response became one of our staple songs.”

The band is also able to channel more somber tones. The acoustic “Remember By” showcases thoughtful performances by both Allard and Reese, who wrote the song in tribute to a friend of his who had taken his own life. It came from a moment of pure inspiration. “I recorded us when we were fooling around, and it was perfect,” Reese says. “I pushed for us to record that song so hard. I said, ‘Please do it exactly like you did it. Please.’ That was me saying goodbye.”After they put out their Daisy EP in late 2015, it took the band about two years total to fine-tune and perfect Enigma. And while songwriting was a big chunk of that (the ominous riff for “Turning Blue” took them six months to perfect), they went through several passes of mixing and mastering it to get it to sound like it does. When Garay finally came aboard, they were able to establish the right mixture of nuance and directness. “It’s so much more animal,” Reese says, using the perfect adjective, to describe the way Enigma turned out. That “animal” sound has earned Joyous Wolf some notable gigs, including performances at L.A.’s famed Whisky a Go-Go, the Viper Room and the Regent Theater, where they recently opened for Eagles of Death Metal. Now they’re ready to move on to even bigger stages. “When we play a show, we go out and we kick ass,” Reese says, sounding confident. “We’re headhunters”. Headhunting on the road will now be even easier, with their upcoming record Enigma, an album that demonstrates what Reese calls Joyous Wolf’s “mojo.” – Kory Grow Rolling Stone Magazine 2017

Classless Act Bio

When they released their debut single “Give It To Me” in the summer of 2021, Classless Act were immediately praised for their ability to sound both fresh and timeless. Loudwire instantly added the song to their “Weekly Wire” Spotify playlist, identifying it as one of the top new releases of the summer. And other iconic outlets, like SPIN Magazine, were early to show support. It was a fitting public introduction to a band who embody what it means to be modern rock stars.

The band – consisting of members Derek Day (Vocals), Dane Pieper (Guitar), Griffin Tucker (Guitar), Franco Gravante (Bass), and Chuck McKissock (Drums) – initially formed in 2018 after connecting and bonding virtually by their love and passion of music. Now in Los Angeles, they’ve united on a mission to be the next great generation-defining act, drawing inspiration from classic rock acts of the 70’s and alt-rock groups from the 90’s. Their music echoes the hallmarks of previous generations – anthemic rhythms, shreddy guitars, soaring vocals – but punches its way into the future with clever arrangements, sharp musicianship, and proficient songwriting.

Already making noise in the industry, the band has been in the studio with world-class producers like Bob Rock, Michael Beinhorn and Joe Chiccarrelli, who have helped craft hits for the likes of The Red Hot Chili Peppers, Metallica, Soundgarden, and The White Stripes. The band recently landed a deal with Better Noise Music, Mediabase and Billboard’s #1 rock label for 2020. Their debut album is expected in 2022, when the band will be hitting the road with Mötley Crüe, Def Leppard, and more, on their Summer Stadium Tour.

Eli Young Band

January 26, 2023 at 8 PM

Doors Open 7 PM

at The Bluestone

Columbus, Ohio

Artist Biography