Tickets- Official Box Office

Jason Dhir Presents: ANTHEM Mega-Party XII

Mar 7 @ 9:30 pm

At 9:30pm on March 7th 2015… the gates to the fitness industries Biggest and Baddest party will open again for the 12th time. Jason Dhir Presents… ANTHEM Mega-party XII. After being sold out every year since its conception, MEGA-Party has not only set the standard in after hours gatherings, but has raised the bar with audacious entertainment and extreme production and detailed originality… its not just a party, its an experience!

For more info visit: jasondhir.com or email jason@jasondhir.com

Gates Open at 9:30pm. 21 & up. Dress to Impress. Cannot guarantee entry after 11:30pm.

BUY TICKETS

Country Music’s Rising Star,

Tony Jackson will be performing LIVE at The Bluestone on Friday, June 23rd

Doors for the show will open at 7pm

Opening Artist: Wyatt McCubbin

Tickets are $10 in advance and $15 day of show

Tickets will go on-sale Friday, April 21st at 10am

PURCHASE HERE

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.

Admission tickets must be purchased separately.

Loft Lower Tier: $250 (seats four people-no exceptions)
Prime view of stage!
Includes first bucket of Miller or Coors Light
Server
Exclusive Private Bar access

Loft Upper Tier: $200 (seats four people-no exceptions)
Includes first bucket of Miller or Coors Light
Server
Private Bar Access
May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

Is it premature to see Hall of Fame material in a guy who’s just releasing his first album?

Not if that guy is Tony Jackson. To put it plainly, Jackson is one of the most gifted singers ever to grace country music. His video “The Grand Tour” ignited an unprecedented 10 million Facebook views and 200,000 shares in just over 3 short weeks!

The respect Jackson has already earned within the music community is evident throughout Tony Jackson, as the new album is titled. It features songs and/or performances by Rock and Roll Hall of Fame members John Sebastian, Steve Cropper and Dr. John “Mac” Rebennack, Country Music Hall of Famers Vince Gill, Bill Anderson and Conway Twitty and Nashville Songwriters Hall of Fame luminary Norro Wilson.

But it is ease with which Jackson makes every song—even the familiar ones—distinctly his own that sets him apart. Who else would dare to try and then succeed in bringing a fresh layer of emotional urgency to such a classic as George Jones’ “The Grand Tour” or Conway Twitty’s eternal “It’s Only Make Believe”?

On the first-time and lesser known songs, Jackson mints his own classics. With its sweeping steel guitar flourishes and ambient barroom clatter, he transforms John Sebastian and Phil Galdston’s “Last Call” into the sweetest, most affectionate separation ballad imaginable. With reverence and a twinkle in his eye, he enlists Sebastian and Vince Gill in revivifying (after 50 years) the Lovin’ Spoonful’s 1966 romp, “Nashville Cats.” “When asked if we should recut the song,” Sebastian begins, “I said absolutely but we have to get Vince Gill, Paul Franklin and today’s real Nashville Cats in on the session and fortunately it was preserved on video,” he beams.

After capturing perfectly, the excitement of new love in Bill Anderson’s “I Didn’t Wake Up This Morning,” he moves on to a memory-stirring homage to Merle Haggard, Hank Williams Jr. and Willie Nelson in “They Lived It Up,” a lyrical scrapbook from Anderson and Bobby Tomberlin.

Jackson shines as a keen-eyed songwriter in his own right with such memorable excursions as “Drink By Drink,” “Old Porch Swing” and “She’s Taking Me Home.”

From start to finish, Tony Jackson stands out as a “discovery” album, the kind you listen to with such delight that you have to recommend it to friends. And hundreds of thousands have done just that.

Jackson is currently a headliner on the Old Dominion Barn Dance in Richmond, Virginia, and is almost certainly the only major bank executive ever to abandon a prominent IT job in finance at a Fortune 500 company to embark on a career in country music. But he didn’t grow up a country fan.

The son of a Navy man, he led a base-to-base existence, at one point living with his family in Rota, Spain for three years. His early musical background was sketchy at best. “I sang ‘White Christmas’ in the Christmas play in the sixth grade,” he recalls. ‘Everybody seemed to love it, but I was a wreck. My mother forced me to sing in the church choir, but I was kind of buried in the voices along with everybody else.” This was basically his entire musical resume until ten or so years ago when a friend whose band had lost its lead singer asked Jackson to try out for the spot. “I did,” he says, “and I was hooked after that.”

Two weeks after graduating from high school, Jackson joined the Marines. “I told my dad I was joining because I was sick of taking orders,” he says with a wry grin. There was as much getting-ahead as gung-ho in Jackson’s enlistment. “I was a computer and electronics geek as a teenager,” he says. “When I talked to the recruiter, he told me the Marine Corps had just started a computer science school in Quantico, Virginia. Fortunately, I scored high enough on the entrance exam to go to that school.” It was a smart move. When he finished service, a prominent bank in Richmond snapped him up to work in its Information Technology division, initially assigning him the lowly chore of re-setting passwords. “I was way overqualified,” he says, “so I got promoted fast. I was a senior vice president by my early 30s.”

It was while in the Marines that he first started paying serious attention to country music. “My mother listened only to gospel,” he says. “My dad was into jazz, hip hop, R&B, new jack swing—stuff like that. But Armed Forces Radio played everything. When I was living in Spain—when I was 10 to 13—Randy Travis came over there on a USO tour. Some friends and I were out there early when they were setting up the stage, and we actually got to talk to him before we realized he was the guy who’d be performing later. He was really cool to us. In the Marine Corps, when my friends and I played music for each other, we were all homesick. So when you’d listen to these country songs that talked about family and home and heartbreak, it would really grab you.”

Maddie & Tae October 14, 2022 7 PM

with SACHA

The Bluestone

Columbus, Ohio

Tickets purchased before postponed date are still valid.

Maddie & Tae‘s All Song No Static Tour presented by CMT Next Women of Country is headed to Columbus with special guests SACHA.

Website: www.maddieandtae.com
Facebook: https://www.facebook.com/maddieandtae
Twitter: @MaddieandTae
Instagram: @maddieandtae
YouTube: https://www.youtube.com/user/MaddieandTae

About Maddie & Tae

Award-winning duo Maddie & Tae are drawing praise for their No. 1 debuting The Way It Feels album release with Rolling Stone saying the new music is “anchored around their stellar vocal pairings and some of the tightest harmonies on Music Row.” Together as longtime friends and music collaborators, Maddie Font and Taylor Kerr co-wrote 14 of the album’s 15 tracks including the Platinum-certified No. 1 country radio hit, “Die From A Broken Heart,” which Esquire calls “their finest moment yet.” The pair also co-wrote two brand new holiday songs to join a collection of classics for their first ever holiday project- We Need Christmas.

Maddie & Tae first broke out in 2013 with their brilliant counter to bro-country, the Platinum-selling smash, “Girl In A Country Song,” which took Country radio by storm, skyrocketing to the top of the charts and quickly going PLATINUM. The duo became only the third female duo in 70 years to top the Country Airplay charts, also earning trophies from the Country Music Academy and Radio Disney Music Awards along with multiple ACM, CMA and CMT Award nominations. Maddie & Tae have received widespread praise from Associated Press, Billboard, Entertainment Weekly, NPR, The Tennessean, The Washington Post, Glamour and others. The celebrated duo has toured with country music’s hottest stars including Carrie Underwood, Dierks Bentley, Brad Paisley and more.

About SACHA

Making a name for herself in the U.S. and Canada since the release of her EP The Best Thing in July 2020, SACHA is one of country music’s fastest rising stars. Becoming an iHeartRadio’s “Future Star” following the success of her latest single “Standards”, SACHA has since been named as a member of CMT’s Next Women Of Country 2021 class and earned her first GOLD single alongside The Reklaws with their viral hit track “What The Truck,” which was the the fastest-ever Canadian country song to go GOLD in the streaming era (under 16 weeks). She recently performed the track alongside The Reklaws to close out the national broadcast of the 2021 Canadian Country Music Awards.

Featured in major television, print and online press including CMT, Music Row Magazine, American Songwriter, Rolling Stone Country, Billboard, The Boot, Hello! Magazine, US Weekly and Bustle, SACHA has also appeared on A-list editorial playlists (U.S. and Canadian) on Spotify, Apple & Amazon Music. Fans can catch her recent music videos on CMT, including “Cheers,” “Standards” and “What The Truck”. SACHA recently premiered her music video for “Pretty Please” in New York City with a takeover of the Paramount Times Square billboards and on CMT. The track can be found on SACHA’s sophomore EP WE DID, which is available everywhere now.