The OFFICAL BLUESTONE TICKET BOX OFFICE
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Josh Abbott Band with Carly Pearce will be performing LIVE at The Bluestone on Thursday, March 10th
PURCHASE HERE
Tickets: $10
Doors for the show will open at 7pm
Opening artist: Sam Grow
This is an All Ages Event
VIP OPPORTUNITY AVAILABLE
VIP TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- VIP Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- VIP Server
- Private Bar Access
- May be Obstruction in View
*All VIP tables located in the loft area
Maren Morris will be performing live at WCOL Country Jam 2016 on
Saturday, September 3rd.
Gates for the show will open at 4pm.
PURCHASE TICKETS
Josh Abbott Band
live at
The Bluestone Thursday, November 16th
as part of their
“Until my Voice Runs Out tour”
Doors for the show will open at 7pm
Opening Artist: TBD
Tickets are $20 in advance and $25 day of show
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately
The loft is located on the second level of The Bluestone
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
When Josh Abbott Band recorded “Ghosts” for its fourth album, Front Row Seat, Abbott expected to redo the vocals. The final chorus had some technical imperfections, and he figured he could improve on the performance once his heart settled down. Producer Dwight Baker, one-half of the Austinbased duo The Wind and The Wave, wouldn’t let Abbott retouch it.
“I was actually crying my eyes out during that last chorus, and that’s why there’s a couple of notes in the beginning of that section that don’t really explode like normal,” Abbott says. “Dwight was like, ‘We’re keeping that. That’s real.’”
Real is the operative word for Front Row Seat, a 16-track song cycle that represents the most ambitious and emotionally challenging project yet for JAB, a highly melodic six-piece ensemble that’s managed to keep a foot in both the Texas music scene and the national country world. The band won four times during the inaugural Texas Regional Radio Awards behind an upbeat brand of country that still leans on classic instrumentation – particularly banjo and fiddle – to effect a raucous, roof-raising attitude.
The band has lobbed three singles onto the Billboard Hot Country Songs chart – including “Oh, Tonight,” the first charted track to feature Grammy-winning Kacey Musgraves – and nabbed a Top 10 album with the 2012 release Small Town Family Dreams and reached No. 12 with the 2014 EP Tuesday Night.
But Front Row Seat steps beyond the band’s honky-tonk inclinations for a more personal journey as the album traverses the emotional course of Abbott’s first marriage and subsequent divorce. It was not his original intention to depict his private life in a public way, but as he wrote the songs for Front Row Seat, beginning before the split actually occurred, he naturally mined his emotional life for a set of songs that were profoundly honest and revealing. It was only as they began recording the material at Baker’s Matchbox Studios outside of Austin, that they realized they had the germ of a tangible plot.
“We started looking at the music we’d done and had a whole bunch of other songs that we really loved and we were like, ‘Man, we could put this together and make a really neat story out of it,” fiddler Preston Wait recalls. “Especially with the song ‘Front Row Seat,’ we basically just made it kind of like you’re watching a movie and it’s your front row seat to this life.”
Owing to that silver-screen character, JAB employed screenwriting technique by assembling the project with the five elements of plot structure: the exposition, or beginning; an inciting incident; the climax; a falling action (in this case, a breakup); and the resolution.
The story begins with “While I’m Young,” in which a college-aged Abbott lives a typically carefree existence, spending much of his discretionary income in bars and living for the moment, an ideal that’s captured authoritatively in the anthemic “Live It While You Got It.” As the album progresses, he meets a woman who commands his attention for more than one evening, finding himself by track 7, “Crazy Things,” mulling what it is that would make a woman who’s dang-near perfect fall for someone so flawed.
By the time the album concludes, his once-ideal relationship has turned sour, and the two are no longer one. The fracture becomes apparent through the resignation of “Born To Break Your Heart,” and he discovers in “Ghosts” that all the memories that once lived with such passion and revelry continue to haunt his memory, taunting him with whispers of a past he can never reclaim. As Front Row Seat closes with “Anonymity,” Abbott sings a spare dirge with acoustic guitar and fiddle, fantasizing that he could return to the start of the relationship and live it out right.
Ryan Hurd: Platonic Tour- will make a stop at The Bluestone on January 30th, 2020
Doors for the show will open at 7pm
Opening Artist: TBA
Tickets are $15 in advance and $20 day of show
Tickets will go on-sale Friday, November 22nd at 10am
PURCHASE HERE
One listen to “Michigan For The Winter” is about all it takes to get a handle on Ryan Hurd and his unique approach to country. It’s set in the Midwest, instead of country’s stereotypical South. It’s a song about personal retreat and reflection, instead of the usual big summer party tune. Hurd loaded the lyrics with cinematic, scene-setting images and delivers it with a grainy vulnerability, longing to rekindle a broken relationship but perfectly capable of moving forward alone. And with that song, the world gets to know Hurd, a Nashville-based singer/songwriter whose brand of country is just a sliver outside the norms of Music Row.
The Bluestone welcomes
Ryan Hurd
Tour De Pelago
The Bluestone 583 East Broad Street
Columbus, Ohio
Thursday, January 13, 2022, at 7 PM
https://www.eventbrite.com/e/ryan-hurd-tour-de-pelago-tickets-191798854537
Arista Nashville singer-songwriter Ryan Hurd has garnered more than 698 million career streams worldwide and caught the attention of entertainment tastemakers including Esquire, GQ, Maxim, American Songwriter, Billboard, People, NBC’s “TODAY,” “CBS This Morning” and more. With co-pen credits on some of country music’s biggest hits by Blake Shelton and Luke Bryan, the Kalamazoo native continues his hit-producing path with “Chasing After You,” his first official duet with wife Maren Morris, which became country radio’s most-added song its impact week in March. Currently Top 15 and ascending airplay charts, “Chasing After You” has already amassed over 150 million U.S. on-demand streams. Hurd and Morris performed their “smoldering new duet” (Rolling Stone) for the first time on national television on the “56th ACM Awards” on CBS. “Chasing After You” follows his 2020 EOM EP featuring “Every Other Memory,” dubbed one of the “Best Songs of April 2020” by TIME. His Platinum-certified Top 20 single, “To A T,” went No. 1 on SiriusXM The Highway’s Hot 30 Countdown.
