The OFFICAL BLUESTONE TICKET BOX OFFICE
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https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852
Josh Krajcik, an Ohio native and Columbus resident, will take the stage in support of his debut album Blindly, Lonely, Lovely released in April, 2013 on Krajcik Records. Hebdo and His Drum, and Forest and the Evergreens will open the show.
TICKET AVAILABILITY
VIP Admission
- $150 per table (seats four people-no exceptions)
- Includes six bottles of Miller or Coors Light
- Private Bar Access
- Buckets (six bottles) available for purchase all night for $24
- All VIP tables located in the loft area
- Table purchases do NOT include admission into venue
General Admission
- $15 Advance
- $17 Day of Show
- Standing room only
This event is open to all ages
Saturday, 11/02 | Doors at 7PM
Academy of Country Music “New Artist of the Year” nominee Brett Eldredge, who gained mainstream popularity in 2013 with the huge success of his debut album, Bring You Back, including the number one single, “Don’t Ya.” will perform at The Bluestone April 17th, 2014. Cale Dodds will open the show. General admission tickets are $12. Doors open at 7PM.
TICKET AVAILABILITY
VIP Admission
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage
- Includes six bottles of Miller or Coors Light
- VIP waitress
- Exclusive Private Bar access
- Buckets (six bottles) available for purchase all night for $24
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes six bottles of Miller or Coors Light
- VIP waitress
- Private Bar Access
- Buckets (six bottles) available for purchase all night for $24
*All VIP tables located in the loft area
*Table purchases do NOT include admission into venue
General Admission
- $12
- Standing Room Only
This event is open to all ages
Thursday, 4/17 | Doors 7PM
**THIS SHOW IS SOLD OUT**
Chase Bryant will be performing live at The Bluestone on Thursday, March 23rd
Doors for the show will open at 7pm
Opening Artist: Joe Hall
Tickets are $16 in advance and $21 day of show
**One Dollar of Every Ticket sold will be donated to the ACM Lifting Lives**
PURCHASE HERE
THE ACM LIFTING LIVES HISTORY:
Through partnerships with artists and strong ties in the music industry, ACM Lifting Lives® develops and funds music-related therapy and education programs, and serves members of the community who face unexpected hardships through its Diane Holcomb Emergency Relief Fund.
Through generous donations and the support of artists and fans, ACM Lifting Lives® is able to fund everything from disaster relief and helping communities in need, to music education in schools and music camps for those with disabilities, to supporting programs that use music therapy as a means to help our veterans and wounded warriors, while providing grants to help them ease back into life.
The Academy of Country Music and ACM Lifting Lives® have an almost 50-year history of charitable giving and since 2008 ACM Lifting Lives® has given more than $8 million dollars to more than 150 worthy causes and supports many projects throughout the year to create awareness and help those in need.
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
-
Loft Upper Tier: $200 (seats four people-no exceptions)
- Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
Music defines Chase Bryant. At every level and in often unexpected ways, his truths are expressed in melody, lyrics, hooks and sounds … but his reality goes even deeper than that. Bryant’s heritage is defined by music. His upbringing, his craft, his inspiration and his obsessions are all centered in the same – which is good – because there’s no other way to explain how a 23-year-old Texan could already be a top-flight guitar player, head-turning songwriter, RED BOW recording artist and co-producer of his debut album.
Whiskey Myers
live at The Bluestone
Thursday, December 7th, 2017
Doors for the show will open at 7pm
Opening Artist: Goodbye June
Tickets are $15 in advance and $20 day of show
Tickets On-Sale Friday, June 9th at 10am
PURCHASE HERE
RESERVED LOFT TABLE SEATING
RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.
Admission tickets must be purchased separately.
- Loft Lower Tier: $250 (seats four people-no exceptions)
- Prime view of stage!
- Includes first bucket of Miller or Coors Light
- Server
- Exclusive Private Bar access
Loft Upper Tier: $200 (seats four people-no exceptions)
Includes first bucket of Miller or Coors Light
- Server
- Private Bar Access
- May be Obstruction in View
*All Reserved tables located in the loft area
ALL SALES ARE FINAL
It would be an understatement to say that a lot has happened since Whiskey Myers was last in the recording studio. Over two whirlwind years, the gritty Texas band hit #1 on the iTunes Country Chart with their breakout third album ‘Early Morning Shakes,’ earned raves everywhere from Rolling Stone to USA Today, and toured the US and UK relentlessly, slaying massive festival crowds and sharing stages with Lynyrd Skynyrd, Hank Williams Jr., Jamey Johnson, and more along the way. You’d be forgiven, then, for expecting things to work a little differently this time around when the band reunited with acclaimed producer Dave Cobb for their stellar new album, ‘Mud.’ But as it turns out, success doesn’t change a Southern gentleman, and they don’t come any more Southern than Whiskey Myers.
Fueled by larger-than-life performances honed tight from countless nights on the road, ‘Mud’ finds the band scaling new heights of songwriting and musicianship, with searing guitars, soulful vocals, and indelible hooks. While their approach to the music and humble, hard-working attitudes may not have altered, there have been developments in the Whiskey Myers world, most notably with the arrival of new faces. For the recording sessions, the band’s five founding members—Cody Cannon on lead vocals and guitar, Cody Tate and John Jeffers on guitars, Gary Brown on bass, and Jeff Hogg on drums—fleshed out their sound with the addition of fiddler/keyboard player Jon Knudson and percussionist Tony Kent, who are both now full-time members. “They bring a great energy, and I think it’s really helped our sound and makes the band more versatile,” explains Cannon. “There’s less room onstage now, but sometimes a family grows.”
PURCHASE TICKETS HERE
Join us for the second annual Winter Werk Out ft. two nights of The Werks & Papadosio! Lineup additions TBA soon.
Discounted 2-day Loyalty Tickets are ON SALE NOW!
Hotel Packages (Holiday Inn Downtown Columbus) are available atthewerkoutfestival.com.
Werk Out 2017 Recap –> http://bit.ly/WO_17
Winter Werk Out 2017 –> http://bit.ly/WWO_Live
❄️⚡❄️⚡
On their new LP Magic, The Werks transcend their roots while never losing their identity. Poignant songwriting and engaging melody come together on a record that showcases their maturation as a multidimensional group of uniquely creative musicians.
“The Werks fuse shredding guitar with the screaming organ of classic rock, the bas of funk and the modern sounds of synthesizers and dance beats.” – JamBase
Magic: http://bit.ly/Magic_2017
Spotify: http://spoti.fi/2mQIiQN
iTunes: https://bit.ly/
Stream on Soundcloud: http://bit.ly/2naUL4g
Live at The Werk Out: http://bit.ly/Werks_Funk
Falling somewhere between rock, jazz and electronic mayhem we find space rock. This is a genre that is not readily defined, and is a state of mind as much as it could be considered a genre. This range of frequencies is where Papadosio tends to spend their time, sometimes dining in deep space, and other times snacking right on your front porch. Papadosio strives to create music that is strangely familiar, and calls all walks of humanity to bask in a unique experience celebrating the one constant in an ever changing world: music.
Join Papadosio in an effort to create, augment, and rejoice in the universal language of music. Most importantly, have a good time.
PURCHASE HERE
Join us for the second annual Winter Werk Out ft. two nights of The Werks & Papadosio! Lineup additions TBA soon.
Discounted 2-day Loyalty Tickets are ON SALE NOW!
Hotel Packages (Holiday Inn Downtown Columbus) are available atthewerkoutfestival.com.
Werk Out 2017 Recap –> http://bit.ly/WO_17
Winter Werk Out 2017 –> http://bit.ly/WWO_Live
❄️⚡❄️⚡
On their new LP Magic, The Werks transcend their roots while never losing their identity. Poignant songwriting and engaging melody come together on a record that showcases their maturation as a multidimensional group of uniquely creative musicians.
“The Werks fuse shredding guitar with the screaming organ of classic rock, the bas of funk and the modern sounds of synthesizers and dance beats.” – JamBase
Magic: http://bit.ly/Magic_2017
Spotify: http://spoti.fi/2mQIiQN
iTunes: https://bit.ly/
Stream on Soundcloud: http://bit.ly/2naUL4g
Live at The Werk Out: http://bit.ly/Werks_Funk
Falling somewhere between rock, jazz and electronic mayhem we find space rock. This is a genre that is not readily defined, and is a state of mind as much as it could be considered a genre. This range of frequencies is where Papadosio tends to spend their time, sometimes dining in deep space, and other times snacking right on your front porch. Papadosio strives to create music that is strangely familiar, and calls all walks of humanity to bask in a unique experience celebrating the one constant in an ever changing world: music.
Join Papadosio in an effort to create, augment, and rejoice in the universal language of music. Most importantly, have a good time.
Monster Energy Presents the Official Rock on the Range Pre Party at The Bluestone featuring Paradise Kitty with Special Guests Brandon & Dan of Atreyu and Cadaver Dogs.
Doors 7PM
18+
Proceeds Benefit F*ck Cancer
CANDLEBOX live at The Bluestone on July 11th, 2019
Doors for the show will open at 7pm
This show is Ages 18+
Tickets will go on-sale Friday, March 8th at 10am
PURCHASE HERE
Candlebox is an American rock band from Seattle, Washington. Since its formation in 1990, the group has released six studio albums, which have achieved multi-platinum and gold certification, as well as numerous charting singles, a compilation, and a CD+DVD.
Candlebox was the first successful act on Maverick Records, which went on to sign Alanis Morissette, Deftones and The Prodigy. They found immediate success with the release of their self-titled debut album in July 1993. It featured the band’s biggest hit songs, “Far Behind” and “You“, and was certified platinum by the RIAA four times.[5] Their next two albums, Lucy and Happy Pills, also sold well. After troubles with Maverick, Candlebox broke up in 2000 after an alleged attempt to be freed from their contract. The band reunited in 2006, and two years later, they released their fourth album Into the Sun, followed by an extensive tour. Their latest album, Disappearing in Airports was released April 22, 2016.
The band has toured or played selected shows with such bands as Living Colour, The Flaming Lips, Our Lady Peace, Rush, Henry Rollins, Aerosmith, Godsmack, Metallica, Radiohead, The Offspring, Sponge, Seaweed, Hinder, Suicidal Tendencies and Danzig.[6][7] They were also a featured band on the main-stage at Woodstock ’94 and made repeat live performances on Late Show with David Letterman.
NYE 2020 Papadosio is sending it back to their roots this New Years Eve with TWO NIGHTS at The Bluestone in Columbus, OH with Support TBA!
VIP TWO DAY – $100 (Available August 14th) (Limited Amount)
Early Bird Single Day: – $25 (Available August 16th) (Limited Amount)
Two Day:- $45 (Available August 16th) (Limited Amount)
*VIP Tickets Include*
– Private Soundcheck Viewing
– Private Merch Signing
– Exclusive Balcony Access
– Exclusive Private Bar
– *Limited Edition VIP NYE Wristband*
– *Limited Edition VIP NYE Printed Tickets*
– *Limited Edition VIP NYE Pin*
– Digital DL of the show (Sent about a week after the event)
PURCHASE HERE
Steel Panther Live December 9th, 2021 7 PM
The Bluestone
Columbus, Ohio
https://www.ticketmaster.com/event/05005B59EDEA422F
Steel Panther is headed to Columbus, OH to The Bluestone December 9, 2021.
Tickets on sale Friday, October 29 at 10 AM!
- Website: http://www.steelpantherrocks.com/
- Facebook: http://www.facebook.com/steelpanther
- Twitter: http://www.twitter.com/Steel_Panther
- Instagram: http://www.instagram.com/SteelPanther
- YouTube: http://www.youtube.com/user/SteelPantherVEVO
About Steel Panther
For the uninitiated, Steel Panther was formed in 2000. Hailing from Los Angeles, the epicenter for rock n’ roll in all its debauchery and glamour, Steel Panther has established themselves as the world’s premier party band, melding hard rock virtuosity with parody and criminally good looks. Steel Panther is a global phenomenon with four full-length albums, touring across the world, platinum-level You Tube status and high-profile television appearances such as Jimmy Kimmel Live, Larry King Now, and FOX NFL Sunday.
Rolling Stone avowed, “There’s a reason Steel Panther have transcended their origins as a cover band playing the Sunset Strip,” while Metal Sucks declared, Steel Panther’s concept is genius…their songwriting is…preposterously snappy –and relatable.
PAPADOSIO NYE 2021/22
December 30 & 31, 2021 at The Bluestone
with Random Rab, Dizgo
583 E. Broad St. Columbus, OH 43215
Doors at 7:00PM, Show at 8:00PM
PAPADOSIO NYE 2021/22
December 30 & 31, 2021 at The Bluestone
with Random Rab, Dizgo
583 E. Broad St. Columbus, OH 43215
2. Please print off your barcoded ticket or have it ready on your phone screen to redeem at entry. Ticket purchasers will get a confirmation email sent to them automatically upon purchase. Contact support@cincyticket.com for assistance.
3. In the event that the event is either canceled or postponed, we will make every effort to contact every patron via e-mail, time permitting. While we regret the inconvenience caused by these circumstances, we cannot be held responsible for any cost or damage such postponement or cancellation may incur.
4. The holder of the ticket assumes all risks and dangers pertaining to the event for which the ticket is issued. The venue, the event organizers, and software providers can not be held responsible or liable for injuries, illness, loss, or damages incurred by patrons while attending these events.
5. Refunds on tickets purchased are only made for an event that has been canceled entirely. Times, dates, locations, performers, and event details are all subject to change. In all instances when a ticket is refunded, only the cost of the ticket is refunded, not the service fees or order processing fees.COVID-19 Waiver:
I acknowledge the contagious nature of the Coronavirus/COVID-19 and that the CDC and many other public health authorities still recommend practicing social distancing.I further acknowledge that the venue and all other parties involved have put in place preventative measures to reduce the spread of the Coronavirus/COVID-19.
I further acknowledge that the venue and all other parties involved can not guarantee that I will not become infected with the Coronavirus/Covid-19. I understand that the risk of becoming exposed to and/or infected by the coronavirus/COVID-19 may result from the actions, omissions, or negligence of myself and others, including, but not limited to, festival staff, and other festival concert patrons.
I voluntarily seek services provided by the venue and all other parties involved and acknowledge that I am increasing my risk of exposure to the Coronavirus/COVID-19.I acknowledge that I must comply with all set procedures to reduce the spread while attending the event.
I attest that:
* I am not experiencing any symptoms of illness such as cough, shortness of breath or difficulty breathing, fever, chills, repeated shaking with chills, muscle pain, headache, sore throat, or new loss of taste or smell.
* I have not traveled internationally within the last 14 days.
* I have not traveled to a highly impacted area within the United States of America in the last 14 days.
* I do not believe I have been exposed to someone with a suspected and/or confirmed case of the Coronavirus/COVID-19.
* I have not been diagnosed with Coronavirus/Covid-19 and have not yet been cleared as noncontagious by state or local public health authorities.
* I am following all CDC recommended guidelines as much as possible and limiting my exposure to the Coronavirus/COVID-19.
I hereby release and agree to hold the venue, the performing artists, the event promoters, and all other parties involved, harmless from, and waive on behalf of myself, my heirs, and any personal representatives any and all causes of action, claims, demands, damages, costs, expenses and compensation for damage or loss to myself and/or property that may be caused by any act, or failure to act of the event, or that may otherwise arise in any way in connection with any services received from the venue and all other parties involved. I understand that this release discharges the venue and all other parties involved from any liability or claim that I, my heirs, or any personal representatives may have against the festival with respect to any bodily injury, illness, death, medical treatment, or property damage that may arise from, or in connection to, any services received from the venue and all other parties. This liability waiver and release extend to the venue’s partners and employees. By checking this box, I agree that anyone who accompanies me to this event is also agreeing to this waiver.
This ticket is a revocable license and may be taken up and admission refused upon refunding the purchase price appearing hereon and is grounds for seizure and cancellation without compensation. Holder of this ticket (“Holder”) voluntarily assumes all risks and danger incidental to the game or event for which this ticket is issued whether occurring prior to, during, or after same, including, but not limited to, contracting, and/or spreading the COVID-19 virus, and agrees that the organization, venue, presenter, agents, participants, or players are not responsible or liable for any injuries, sickness, or death resulting from such causes. Holder acknowledges that the COVID-19 pandemic remains a threat to individual and public health, COVID-19 is a highly contagious disease transmitted through human contact and respiratory droplets (including through the air and via common surfaces) and it is possible that Holder may contract COVID-19 while at the game or event for which this ticket is issued. Holder agrees by use of this ticket not to transmit or aid in transmitting any description, account, picture, or reproduction of the game or event to which this ticket is issued. Breach of the foregoing will automatically terminate this license. Holder agrees that the license comprised by this ticket may be removed and Holder may be ejected from the game or event for which this ticket is issued in the event that Holder violates any law, ordinance, or venue regulation. Holder grants permission to the organization sponsoring the game or event for which this ticket is issued to utilize Holder’s image or likeness in connection with any video or other transmission or reproduction of the event to which this ticket relates.
Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM
The Bluestone
Columbus, Ohio
https://www.ticketmaster.com/event/05005B5B9DE84DB9
WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.
Tickets on sale Friday, November 5th at 10 AM!
About Mammoth WVH
Official Website: www.mammothwvh.com
Official Facebook Page:www.facebook.com/MammothWVH
Official Twitter: www.twitter.com/MammothWVH @MammothWVH
Official Instagram: www.instagram.com/mammothwvh @mammothwvh
Official YouTube Channel:www.youtube.com/MammothWVH
First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.
“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”
His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.
It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”
In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.
Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.
In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”
“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”
About Dirty Honey
Official Website: https://www.dirtyhoney.com/
Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/
Official Twitter: https://twitter.com/dirtyhoneyband @DirtyHoneyBand
Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband
Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ
Dorothy
ft. Joyous Wolf & Classless Act
April 24, 2022 6 PM
at The Bluestone
Columbus, Ohio
DOROTHY
Gifts From The Holy Ghost
Roc Nation
Dorothy Martin’s life changed forever when she was forced to face death on her tour bus some three years ago. After her guitar technician had taken an overdose, and the light began to lift up and out from his body, Dorothy instinctively began praying for his survival. While he may have temporarily died, the technician was astonishingly, miraculously restored back to life as Dorothy and her crew formed a prayer circle near his body. It was this moment that seemed to bring Dorothy to life too. She was gifted a rebirth with a divine intervention that caused a radical and spiritual awakening in the singer, the result of which can be heard on Gifts From The Holy Ghost, Dorothy’s third studio album as front woman for the pseudonymous, blues-rock band Dorothy.
Gifts From The Holy Ghost is the album she’s always wanted, and has perhaps been destined to make. Born from a sense of divine urgency, it is Dorothy’s most bombastic and gloriously, victorious rock and roll work yet. Each song built on triumph—the unshackling of chains, the slaying of demons with a sword of light—the album is a healing and remedial experience, made to unify listeners and point them towards a life full of purpose. It is Dorothy’s greatest gift yet. “This album had to get made, I felt like I had a mission,” she said.
While the band’s first, irreverently named album ROCKISDEAD, was made on a combination of whiskey and heartbreak—inspiring Rolling Stone to name them one of rock’s most exciting new acts, and Jay-Z to sign them to his label Roc Nation—Gifts was built on recovery, health, and holiness, in a way that reverses the clichéd ‘good girl gone bad narrative’.
With the combined powers of Keith Wallen, Jason Hook, Scott Stevens, Phil X, Trevor Lukather, Joel Hamilton and the legendary ear of Chris Lord Alge, Gifts From The Holy Ghost is made from a musical palette which seems to encompass each of the musician’s influences, as well as many of the essential sounds of rock music’s history—from swampy blues to ‘90s alternative —in a way that makes the case for rock and roll itself. Not only is the genre alive, but it’s more invigorated than ever.
“I think this album is going to speak to a lot of people, it’s meant to be healing, unifying, eye-opening, ear-opening, heart-opening and celebratory,” Dorothy said, adding: “I wanted to make the realest album I could make, and I went in with the question does this make me feel alive? Does it make me feel free? If a song didn’t give me chills or make my heart soar, then it didn’t make the cut.”
Born in Budapest, Hungary, Dorothy has always been an instinctual writer and artist. Throughout her life, she’s been asking the big questions, both in and outside her art: ‘What’s the meaning of life? Why are we here? How are we here?’ When she couldn’t find the answers to those questions, she’d numb out the empty uncertainty with drugs and alcohol. She was eventually admitted to rehab and a new chapter was opened in her spiritual journey. Now, with angels whispering in her ear and the spirit moving her steps, she’s found her answers. “I’m just here to impart inspiring messages to people while having fun and rocking out!”
You can hear Dorothy’s powerful resilience across the album, particularly on “Big Guns”, which finds the singer at her boldest; sauntering over slide guitars as she steps into combat. Anthems like “Rest In Peace” bring a sweeping cinematic scope to the album, whereas “Black Sheep”, a rallying cry for unity, explodes with layered gang vocals: “we are blood, we are family,” Dorothy breaks curses, going toe-to-toe with the blistering guitar riffs.
The album’s lyrics are a perfect balance of specificity and generality, so that the listener can attach their own darknesses and triumphs to the songs, while still getting a sense of Dorothy’s own. “We are all one human family.” she declares.
Does that mean Dorothy has overcome all of her own adversities? “It’s a journey and it’s about progress not perfection,” she responds. “I’ve had a lot of deep revelations about my life, stuff I hadn’t been able to cope with until now. Now I’m learning new tools.” With Gifts From The Holy Ghost, Dorothy identifies her purpose as an artist. She conquers darkness with light, numbness with feeling, disharmony with unity—all while delivering one of this year’s most fun rock & roll records.
Joyous Wolf Bio
A gritty howl opens Joyous Wolf’s upcoming debut LP, Enigma, and it’s the perfect introduction since the band plays rock & roll at its most primal and passionate. Guitarist Blake Allard’s bluesy riffs harken back to the classic hard rock of AC/DC, Cream and Deep Purple while still packing a thoroughly modern wallop, while frontman Nick Reese’s voice seems to come from deep in his gut as he sings about everything from warring kingdoms to a tribute to a fallen friend. Together, with bassist Greg Braccio and drummer Robert Sodaro, Joyous Wolf’s members work together to create some of the most exciting, promising and unwieldy back-to-basics rock to come out of Southern California in recent years.
Whether nimbly navigating the swaggering, powerful groove of their go-to concert opener, “Mountain Man,” or digging into their instruments for a jammy, funky guitar solo “Major Headthrob,” the group has an unpredictable quality – a sort of unique freedom within rock & roll – that makes Enigma compelling. Part of the credit for this goes to producer Val Garay (Santana, Neil Diamond, Reel Big Fish) who came aboard at the last minute to help them achieve the record’s raw sound, which captures how Joyous Wolf sound live. But mostly, the electric feeling that defines Enigma is just something in the band’s DNA.
“When I’m playing rock & roll, it’s the only time where I feel indestructible,” Reese says. “When I heard Elvis sing ‘Heartbreak Hotel’ for the first time, I knew exactly what my heart wanted and what I wanted.”
“I think people are starting to realize the overproduction and fakeness of pop music, which is why rock is coming back,” Allard says. “We love being a rock band.” Joyous Wolf formed in November 2014, but their roots stretch back to sixth grade when Reese first crossed paths with Sodaro by fate – they had to assemble next to each other because their names were alphabetically side-by-side. Reese recalls a middle-school battle of the bands where neither he nor Sodaro was playing, but Reese declared that one day he was going to be “the best singer ever” and that Sodaro would play drums. It would take a few years, but after stints where both musicians duked it out playing in punk and alternative bands (“all of that crap,” Reese adds) they fulfilled Reese’s prophecy. The singer drafted Allard, whom he’d met randomly in the acoustic room at a Guitar Center when the two jammed on CCR’s “Born on the Bayou,” and Sodaro brought in his high-school friend Braccio to play bass.
Before long, the quartet was jamming in Sodaro’s folks’ garage, annoying the neighbors and entertaining the local authorities. “Once on Halloween, we were rehearsing at 11 p.m. writing songs, and we faced Nick’s monitors out the window toward a canyon full of houses,” Allard recalls. “Then we saw this car at the front gate, and it’s the sheriff. He comes into the practice room and goes, ‘Hey guys, I hate to shut you down because it sounds really good, but we got a complaint from across the canyon that it was too loud.’ We still practice but not like that anymore.”
One of the first songs they played together was “Sleep Weep Stomp,” Enigma’s slow-burning, sludgy blues burner. It’s the style of music that Reese feels closest to. “I’m a blues singer, 100 percent,” he says. “That’s my everything.” The singer grew up on blues, jazz, and Fifties rock & roll. “When my dad showed me, Elvis, that was the end of it,” he says. “I needed to hear every artist that inspired Elvis and then the people who inspired them. Suddenly I had a record collection. It all felt natural: B.B. King made me want to scream my pain away. You hear all these people and you want to express all the things you love. I don’t care if people think it’s old or not current. It doesn’t matter to me.” By his own estimation, he didn’t hear anything “current” until he was 13 and borrowed his sister’s Discman only to hear the Strokes’ “Is This It”. Similarly, Allard was raised on classic rock. “My dad taught me my first song ever, ‘Sunshine of Your Love,’ by Cream,” he says. “I always went back to that kind of old blues-rock music. Even if I was into metal or hard rock, I always went back to the classics like B.B. King, Jimi Hendrix, Black Sabbath, and Led Zeppelin.”
These influences shine through on Enigma. “Killing the Messenger” begins with some crushing classic heavy-metal riffs before giving way to a boogieing verse riff where Sodaro and Braccio can bash out their rhythms freely while Reese yowls a tale about two warring kingdoms, and how an evil monarch tricks one of his most popular subjects into delivering a nasty message to the other kingdom only so he would be executed. Reese says the moral Is “life isn’t fair and it isn’t always a happy ending.” The beat-heavy “Mountain Man,” whose lyrics lambaste one of Reese’s former less-than-refined coworkers at a coffee shop, whom the singer says claimed he could “carve a knife out of the tree,” began with a guitar riff that was so forceful that the band couldn’t deny its power. “He had this little riff and we were laughing because it was so stupid-simple,” Reese says. “And it is. It’s our quote-unquote ‘dumbest song,’ but when we used it to open at the Viper Room, the audience response became one of our staple songs.”
The band is also able to channel more somber tones. The acoustic “Remember By” showcases thoughtful performances by both Allard and Reese, who wrote the song in tribute to a friend of his who had taken his own life. It came from a moment of pure inspiration. “I recorded us when we were fooling around, and it was perfect,” Reese says. “I pushed for us to record that song so hard. I said, ‘Please do it exactly like you did it. Please.’ That was me saying goodbye.”After they put out their Daisy EP in late 2015, it took the band about two years total to fine-tune and perfect Enigma. And while songwriting was a big chunk of that (the ominous riff for “Turning Blue” took them six months to perfect), they went through several passes of mixing and mastering it to get it to sound like it does. When Garay finally came aboard, they were able to establish the right mixture of nuance and directness. “It’s so much more animal,” Reese says, using the perfect adjective, to describe the way Enigma turned out. That “animal” sound has earned Joyous Wolf some notable gigs, including performances at L.A.’s famed Whisky a Go-Go, the Viper Room and the Regent Theater, where they recently opened for Eagles of Death Metal. Now they’re ready to move on to even bigger stages. “When we play a show, we go out and we kick ass,” Reese says, sounding confident. “We’re headhunters”. Headhunting on the road will now be even easier, with their upcoming record Enigma, an album that demonstrates what Reese calls Joyous Wolf’s “mojo.” – Kory Grow Rolling Stone Magazine 2017
Classless Act Bio
When they released their debut single “Give It To Me” in the summer of 2021, Classless Act were immediately praised for their ability to sound both fresh and timeless. Loudwire instantly added the song to their “Weekly Wire” Spotify playlist, identifying it as one of the top new releases of the summer. And other iconic outlets, like SPIN Magazine, were early to show support. It was a fitting public introduction to a band who embody what it means to be modern rock stars.
The band – consisting of members Derek Day (Vocals), Dane Pieper (Guitar), Griffin Tucker (Guitar), Franco Gravante (Bass), and Chuck McKissock (Drums) – initially formed in 2018 after connecting and bonding virtually by their love and passion of music. Now in Los Angeles, they’ve united on a mission to be the next great generation-defining act, drawing inspiration from classic rock acts of the 70’s and alt-rock groups from the 90’s. Their music echoes the hallmarks of previous generations – anthemic rhythms, shreddy guitars, soaring vocals – but punches its way into the future with clever arrangements, sharp musicianship, and proficient songwriting.
Already making noise in the industry, the band has been in the studio with world-class producers like Bob Rock, Michael Beinhorn and Joe Chiccarrelli, who have helped craft hits for the likes of The Red Hot Chili Peppers, Metallica, Soundgarden, and The White Stripes. The band recently landed a deal with Better Noise Music, Mediabase and Billboard’s #1 rock label for 2020. Their debut album is expected in 2022, when the band will be hitting the road with Mötley Crüe, Def Leppard, and more, on their Summer Stadium Tour.
