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https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852

 

Feb
15
Sat
SOLD OUT! LANCO: What I see Tour LIVE at The Bluestone @ The Bluestone
Feb 15 @ 7:00 pm
Lanco

Lanco Live at The Bluestone

THIS SHOW IS SOLD OUT!

LANCO will be performing live at The Bluestone on Saturday, February 15th, 2020

Doors for the show will open at 7pm

Opening Artist: Tyler Rich

Tickets on-sale Friday, November 1st at 10am

PURCHASE HERE

Country-rock band LANCO — which stands for Lancaster & Company — were formed in 2013 by namesake and frontman Brandon Lancaster. Hailing from Georgia, Tennessee, and Kentucky, the quintet members included drummer Tripp Howell, guitarist Eric Steedly, keyboardist Jared Hampton, and bassist Chandler Baldwin. Crafting feel-good country anthems tinged with classic rock and blues edges, LANCOgot their start after a chance meeting between Lancaster and producer Jay Joyce (Eric Church, Little Big Town) at a Keith Urban concert. Joyce signed LANCO to his publishing company and produced their eponymous debut EP. The band signed with Sony Music Nashville imprint Arista Nashville in late 2015. Their second EP, Extended Play, was released in early 2016. It contained three of the same songs as their debut, exchanging “High” for newer track and lead single “Long Live Tonight,” a pop-infused country song with a Kings of Leonundercurrent. In 2017, their song “Greatest Love Story” was also featured as the theme for the Netflix series The Ranch, and this placement helped break the band, with the single reaching Billboard’s Hot Country Songs Top Ten. Hallelujah Nights, the band’s long-awaited full-length debut, appeared in January 2018. They returned the following year with the single “Rival.”

Apr
16
Thu
Maddie and Tae in Concert April 16th 2020 @ The Bluestone
Apr 16 @ 7:00 pm

Maddie and Tae LIVE in Concert at The Bluestone on April 16th, 2020

Opening Artist:

Doors for the show will open at 7pm

Tickets are $15 in Advance and $20 Day of show

Tickets on-sale Friday, January 17th at 10am

PURCAHSE HERE

Maddie & Tae first broke out in 2013 with their PLATINUM-selling “Girl In A Country Song,” and the full-length that followed made good on the single’s glinting promise. Released in 2015, the whip smart Start Here cast a side-eyed glance at the high school cafeteria crowd—then just teens, it was a world they still knew well—and burned with the desire to break out, move out, and set the world on fire.

Jul
15
Thu
Joe Nichols Live in Concert July 15, 2021 @ The Bluestone
Jul 15 @ 7:00 pm – 11:00 pm

Joe Nichols Live in concert

Tickets ONLY $25

July 15th, 2021

Joe Nichols at The Bluestone

Joe Nichols live in Columbus, Ohio

Joe Nichols has been a mainstay of country music for two decades, bridging the gap between the genre’s old-school roots and contemporary era. Joe Nichols a 21st-century traditionalist — an artist who’s both timely and timeless, racking up a half-dozen Number 1 singles and ten Top 10 hits with a sound that honors his heroes. From his first radio smash, 2002’s “The Impossible,” to 2021’s Home Run,” Nichols has proudly done things his own way, blurring the boundaries between country music’s past and present along the way.

It’s an approach that has earned Joe Nichols multi-platinum success, three Grammy nominations, a CMA award, an ACM trophy, and — perhaps most importantly — the support of his idols. Joe Nichols still remembers the day he received a letter from Buck Owens, who passed away the same week his message arrived in Joe Nichols’ mailbox.
The two had previously crossed paths in Bakersfield, California, where Owens complimented Nichols on his classic sound… and gave him some good-natured teasing about the length of his hair.

Dec
9
Thu
Steel Panther Live December 9, 2021 @ The Bluestone
Dec 9 @ 7:00 pm – 10:45 pm

Steel Panther Live December 9th, 2021 7 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B59EDEA422F

Steel Panther is headed to Columbus, OH to The Bluestone December 9, 2021.

Tickets on sale Friday, October 29 at 10 AM!

  • Website: http://www.steelpantherrocks.com/
  • Facebook: http://www.facebook.com/steelpanther
  • Twitter: http://www.twitter.com/Steel_Panther
  • Instagram: http://www.instagram.com/SteelPanther
  • YouTube: http://www.youtube.com/user/SteelPantherVEVO

About Steel Panther

For the uninitiated, Steel Panther was formed in 2000. Hailing from Los Angeles, the epicenter for rock n’ roll in all its debauchery and glamour, Steel Panther has established themselves as the world’s premier party band, melding hard rock virtuosity with parody and criminally good looks. Steel Panther is a global phenomenon with four full-length albums, touring across the world, platinum-level You Tube status and high-profile television appearances such as Jimmy Kimmel Live, Larry King Now, and FOX NFL Sunday.

Rolling Stone avowed, “There’s a reason Steel Panther have transcended their origins as a cover band playing the Sunset Strip,” while Metal Sucks declared, Steel Panther’s concept is genius…their songwriting is…preposterously snappy –and relatable.

Jan
13
Thu
Ryan Hurd Live January 13, 2022 @ The Bluestone
Jan 13 @ 7:00 pm – 11:45 pm

The Bluestone welcomes

Ryan Hurd

Tour De Pelago

The Bluestone 583 East Broad Street

Columbus, Ohio

Thursday, January 13, 2022, at 7 PM

https://www.eventbrite.com/e/ryan-hurd-tour-de-pelago-tickets-191798854537

Ryan Hurd

Arista Nashville singer-songwriter Ryan Hurd has garnered more than 698 million career streams worldwide and caught the attention of entertainment tastemakers including Esquire, GQ, Maxim, American Songwriter, Billboard, People, NBC’s “TODAY,” “CBS This Morning” and more. With co-pen credits on some of country music’s biggest hits by Blake Shelton and Luke Bryan, the Kalamazoo native continues his hit-producing path with “Chasing After You,” his first official duet with wife Maren Morris, which became country radio’s most-added song its impact week in March. Currently Top 15 and ascending airplay charts, “Chasing After You” has already amassed over 150 million U.S. on-demand streams. Hurd and Morris performed their “smoldering new duet” (Rolling Stone) for the first time on national television on the “56th ACM Awards” on CBS. “Chasing After You” follows his 2020 EOM EP featuring “Every Other Memory,” dubbed one of the “Best Songs of April 2020” by TIME. His Platinum-certified Top 20 single, “To A T,” went No. 1 on SiriusXM The Highway’s Hot 30 Countdown.

Jan
22
Sat
Granger Smith Acoustic Performance January 22, 2022 @ The Bluestone
Jan 22 @ 7:00 pm – 11:45 pm

Granger Smith

Acoustic Performance

January 22, 2022 7 PM

at The Bluestone

Columbus, Ohio


Granger Smith

www.GrangerSmith.com
www.EarlDibblesJr.com
www.facebook.com/GrangerSmith
www.facebook.com/EarlDibblesJr
www.twitter.com/GrangerSmith
www.twitter.com/EarlDibblesJr
https://www.youtube.com/user/GrangerSmithMusic
https://www.instagram.com/grangersmith/
https://www.instagram.com/earldibblesjr/

Artist Biography

Over the course of his groundbreaking career, Granger Smith has amassed a massive and rabid audience now known as “Yee Yee Nation” built through heavy touring and grassroots fan engagement. He now has a social media following exceeding eight and half million along with more than one billion online video views. Signed to BBR Music Group’s Wheelhouse Records, Smith broke onto the national scene with Remington, an album that garnered him the No. 1 smash “Backroad Song.” Smith was also awarded a BMI Country Award for writing, producing, publishing and performing “Backroad Song” and followed it with the Top Five hit, “If The Boot Fits.” “Backroad Song” was one of the Top 10 Most Played Country singles of 2016 according to Mediabase and has been certified RIAA PLATINUM. His album When The Good Guys Win spawned the hit “Happens Like That” that has been certified RIAA GOLD. Not only has Granger stacked major accolades as an artist, but he also released his first-ever book If You’re City, If You’re Country, which immediately hit No. 1 on Amazon best-selling lists. Known as an artist but also for his alter ego, Earl Dibbles Jr., his family’s YouTube series “The Smiths” and his iconic outdoor apparel company, Yee Yee Apparel, Smith is a jack of all trades. Additionally, Granger and his wife Amber Smith started The River Kelly Fund to bring awareness and invest in children in need, arts and education, wildlife preservation, military, veteran and first responder assistance, donor affiliations, and many more organizations in honor of their son River Kelly Smith. Taking all of these experiences and channeling them into good, Smith released his 10th studio album called Country Things, which ultimately showcases the man, the father, the performer and bona fide artist Smith has become.

Feb
10
Thu
Ashley McBryde – Feb 10, 2022 @ The Bluestone
Feb 10 @ 7:00 pm – 11:45 pm

ASHLEY MCBRYDE – THIS TOWN TALKS TOUR

with Ashland Craft

February 10th, 2022, 7 PM

The Bluestone 

583 East Broad Street, 

Columbus, Ohio

https://www.eventbrite.com/e/ashley-mcbryde-this-town-talks-tour-tickets-197840505277

…..

Ashley McBryde is a vocalist and songwriter with a touch of rock & roll swagger, a honky tonk heart, and a lyrical voice that puts a modern-day spin on classic country themes. Debuting in 2006 with a self-title album, she worked hard for over a decade before gaining awards for New Female Vocalist and New Artist of the Year during 2019-2020 from the major country academies. McBryde also earned multiple Grammy nominations around her 2018 album Girl Going Nowhere. Her co-written “One Night Standards” became a country Top 40 hit in 2019, serving to introduce her 2020 LP Never Will.

Feb
25
Fri
Easton Corbin February 25, 2022 @ The Bluestone
Feb 25 @ 7:00 pm – 10:45 pm

Easton Corbin

February 25, 2022 7 PM

at The Bluestone

Columbus, Ohio

Bio:

Easton Corbin exudes country. His distinctive baritone has been gracing airwaves for the past decade as his chart topping debut single “A Little More Country Than That” established Corbin as a mainstay on the country charts. Billboard’s 2010 Top New Country Artist would go on to garner another No. 1 hit with the feel-good “Roll With It” as well as seven top 10 singles, further distinguishing himself from other male vocalists as a tried-and-true country traditionalist who weaves timeless story songs together while tipping his hat to the classic country artists who have come before him.

“That’s what I love and that’s what I do,” he says of his passion for traditional country music. “For me, it’s about keeping one foot in the traditional and one foot in the modern and marrying those two. I’m a country singer: That’s one of the things that I take pride in. I try to hone that craft and try to represent that.”

Though 2020 marked the 10th anniversary of “A Little More Country Than That” achieving No. 1 status, Corbin showed no signs of slowing down. With the release of his infectious single “Turn Up,” he launched a year of new releases, including tune “Didn’t Miss A Beat,” which he performed on NBC’s TODAY Show. November brought Corbin’s highly anticipated EP of the same title, which included a “wide array” of songs like “Old Lovers Don’t Make Good Friends” and “Back to Me.” He also partnered with past collaborator and global EDM star Lost Frequencies for new release “One More Night’.

As he continues on with this new chapter as an independent artist, Corbin says “A Little More Country Than That” still reflects who he is as an artist and where he sees his career going.

“That’s really how I grew up,” he says of his career-defining song. “‘A Little More Country Than That’ radiates with me and my band as well because that really is who I am. That’s where I came from, that’s what I am. It’s just as important now as it was then, because that’s the one that started it all for me. That’s definitely a staple of an Easton Corbin show. I think it also defines my audience and who they are.”

The Florida native was surrounded by music as a child. A Merle Haggard or Hank Williams record was always being spun at his grandparents’ house and a guitar was often lying around begging to be played. “My earliest memories are of me as a kid with a guitar, singing and playing along with the radio,” Corbin recalls. “I knew from an early age I wanted to be a country singer.”

After a decade in the spotlight, Corbin is more confident than ever. “I know what I want to say and what I don’t want to say, and I know what I would say and what I wouldn’t say,” he explains. “I think the new music highlights the fact that we’ve been honing these songs and trying to cut the best songs and writing the best songs we can. I think the Didn’t Miss A Beat project is a great representation of that.”

In the meantime, country fans can turn up a little Easton Corbin.

Mar
3
Thu
Jon Langston March 3, 2022 @ The Bluestone
Mar 3 @ 7:00 pm – 10:45 pm

Jon Langston

March 3, 2022 7 PM

at The Bluestone

Columbus, Ohio

Bio: Jon Langston grew up in Loganville, GA, listening to music by his heroes Alan Jackson and the Eagles. He played football, eventually earning a Division 1 college football scholarship. Jon always thought football would a part of his life, but after his sixth concussion left him blind for fifteen minutes, his football career ended abruptly. So, he picked up his guitar which he hadn’t touched since the eighth grade and re-taught himself how to play. Playing open mic nights and working on his songwriting eventually lead to the 2013 release of self-penned, “Forever Girl,” the first song he ever wrote. That release kicked off his music career which has culminated in sold out shows across the country and over 500 million career streams. Jon opened for Luke Bryan on his Farm Tour in 2017, which was a full circle moment having attended as a spectator of the Farm Tour only a few years before in Athens, GA. He was invited to perform on the tour again in 2018 and joined Luke in support of his Sunset Repeat Tour in 2019. Jon signed a publishing deal with Sony ATV, management with KP Entertainment, and is the first artist signed under Luke Bryan’s new Label 32 Bridge Entertainment with EMI Records Nashville. Jon released his highly-anticipated EP, Now You Know, featuring six original songs all written by Jon. Jon’s debut major label single, “When It Comes To Loving You” reached No. 1 on the all-genre iTunes Chart and his single “Now You Know reached the Top 30 on the radio charts. Jon released a pair of new songs, “Happy Ever After” and “Try Missing You,” both of which highlight Langston’s songwriting and his classic country influences.

COVID-19: The Bluestone does not require COVID Vaccinations to enter our venue. We follow all local guidelines and cleaning procedures. The current Columbus “Mask Mandate” for an indoor event does not apply to anyone who is “ACTIVELY EATING OR DRINKING.” We kindly ask that you enter the building with a mask on. You can keep it on or remove it as long as you are actively EATING OR DRINKING! This will be a full capacity show, and it is an “ENTER AT YOUR OWN RISK EVENT.”

Mar
11
Fri
Jimmie Allen Down Home Tour March 11, 2022 @ The Bluestone
Mar 11 @ 7:00 pm – 11:45 pm

Jimmie Allen

Down Home Tour

presented by 92.3 WCOL

w/ special guest Neon Union

March 11, 2022 at 7 PM

at The Bluestone

Columbus, Ohio

JIMMIE ALLEN

Official Website: https://www.jimmieallenmusic.com/ [jimmieallenmusic.com]

Official Facebook Page: https://www.facebook.com/jimmieallenmusic

Official Twitter: https://twitter.com/jimmieallen/ @JimmieAllen

Official Instagram: https://www.instagram.com/jimmieallen/ @jimmieallen

Official YouTube Channel: https://www.youtube.com/jimmieallen

 

NEON UNION

Official Website: https://www.neonunionmusic.com/ [neonunionmusic.com]

Official Facebook Page: https://www.facebook.com/Neon-Union-Music-108322624961837

Official Twitter: https://twitter.com/neonunionmusic @neonunionmusic

Official Instagram: https://www.instagram.com/neonunionmusic/@neonunionmusic

Artist Biography

For multi-platinum selling, trailblazing Country star and current GRAMMY Award nominee Jimmie Allen, a simple phrase sums up his view on life and music: Never give up.

A native of Southern Delaware – the “slower, lower” part of the state, he explains – Allen has carried that mantra with him through good times and bad, whether than meant living in his car or receiving his first ACM nomination for New Male Artist of the Year in 2019, a CMA Awards nomination for New Artist of the Year in 2020, subsequently winning the ACM Award for New Male Artist of the Year – the first Black artist to win that category since its inception, and a win with which he hopes “open[s] some doors for more Black artists to have success in country and more Black artists to feel comfortable enough to do country if that’s what they want to do” – as well as the CMA New Artist of the Year Award in 2021. GRAMMY.com has hailed Allen as one of “5 Black Artists Rewriting Country Music.” His current nomination for Best New Artist at the 64th Annual GRAMMY Awards in 2022 is his first ever GRAMMY nomination; he is also the only Country nominee in an all-genre category.

With the 2018 release of his debut album Mercury Lane – named in tribute to the street he grew up on and the origin of his incredible journey – on BBR Music Group’s Stoney Creek Records, a lifetime of never giving up brought him full circle.

“I didn’t quit, I never will,” he says. “Stuff ain’t easy, and you shouldn’t quit either. There’s a big difference between busting your ass and sitting on it.”

For Allen, musical dreams and a love of true-to-themselves artists like Alan Jackson, Aaron Tippin, Montgomery Gentry, and Jason Aldean brought him all the way to Nashville and beyond, –from traveling around the world to places like Japan, Germany and the UK; to performing a tribute at the Kennedy Center Honors for Garth Brooks, the national anthem at the Indy 500, returning to American Idol as a mentor after being cut from the same competition a decade ago, and other once-in-a-lifetime  moments.

But it was actually a nightmare which turned this promising singer into the artist he is today. After a series of bad breaks Allen was forced to live in his car, too proud to ask for a bail out. For months he worked multiple jobs and finally saved enough for an apartment, but hit then another snag – country music wasn’t ready for him.

“People were just trying to help,” he says now. “But they wanted me to change my sound and told me I had to lose my boots. The turning point came when I stopped listening, and finally let my music be a natural reflection of who I am.”

Since then Allen has been following his own compass, and it’s leading somewhere special. In 2017, he caught his big break and signed a record deal with BBR Music Group/Stoney Creek Records and a team who embraced his individuality.

“I don’t regret the hard times,” he explains about his trials. “I think each thing you do adds a layer, whether it’s a layer of toughness, perseverance, motivation, or just a layer of wisdom. At the end of the day you come back to what you know, and what’s embedded in you.”

What’s embedded in Allen is a powerful, soulful sense of groove – “If my body don’t move in the first four seconds, it ain’t for me,” he says – a love of deep messages and a knack for razor-sharp hooks.

Those driving forces formed the bedrock of Mercury Lane – a cutting-edge mix of country, rock, R&B, and pop, produced by Ash Bowers and Eric Torres, that received critical acclaim, with Rolling Stone raving that it “challenges the narrowly defined model of what constitutes a next big thing in country music” and The New York Times hailing it one of 2018’s strongest, calling it a “conventional country album, filled with songs about the small details.”

With Mercury Lane, Allen made history as the first Black artist to launch a career with two consecutive No. 1 hits on country radio, with “Best Shot” claiming the No. 1 spot for three weeks and his second single “Make Me Want To” hitting the top spot in March 2020.Allen’s hard-earned dreams are finally becoming reality, but he shows no signs of limiting himself.

He followed up the success of Mercury Lane with his July 2020 collaboration project, Bettie James, that has amassed171+ million streams and has further established Allen as Country’s next superstar. The star-studded seven-track project combined his deep love of family and genre-spanning taste in music. Named in honor of Allen’s late grandmother, Bettie Snead, who passed away in 2014 and his late father, James Allen, who passed away in 2019, Allen hand selected artist that touched the life of Allen, his grandmother and father in some way, allowing their legacies to weave seamlessly throughout Bettie James. The wide array of hitmakers include Brad Paisley, Charley Pride, Darius Rucker, Mickey Guyton, Nelly, Noah Cyrus, The Oak Ridge Boys, Rita Wilson, Tauren Wells and Tim McGraw.

“My dad and grandmom were two completely different people, but both played a huge part in my life,” Allen says of the motivation for the project. “Since they died, I have been wanting to leave trails of their legacies throughout my music.”

The result is a musical composition of love, heartbreak, perseverance, hope and faith. Jimmie’s current single “Freedom Was A Highway” pairs Allen with his friend and Country music superstar Paisley for a breezy, windows down track that joins Allen’s distinctively breezy grooves with a Paisley signature guitar solo.

Bettie James received a slew of critical acclaim for not only the music, but the historic nature of various collaborations, and the project’s subsequent place in country music history. NPR calls the project an “announcement of [Allen’s] arrival” and a “huge step for country” while Billboard hails it “a powerful statement from a developing voice.” The EP appeared on several “Best of 2020” lists including Billboard, Rolling Stone and Sounds Like Nashville.

Rolling Stone describes “Why Things Happen” – which brings together three generations of Black country artists in Allen, Darius Rucker and Charley Pride – as “part polemic, part proclamation, and part prayer… opening up space for the artists to bear witness.”

Reflecting on Allen’s wide-ranging musical sensibilities, Music Row notes of the project: “While some artists still in the early sunrise of their careers, with a handful of hits to their credit, would be focused solely on extending their chart successes, it’s clear that Allen’s goals for his music are loftier than mere chart hits and No. 1 parties—he’s striving for music that testifies to his full spectrum of creative abilities.”

Allen, who has an incredible knack for connecting with people of all backgrounds and interests, enjoyed collaborating with other artists so much while making his monumentally successful predecessor that he didn’t want to stop – so instead, in trademark Allen fashion, he kept going. The result: Bettie James Gold Edition. Released June 25, 2021, the 16-track album doubles down on Allen’s expansive love for music across genres, with nine brand new collaborations with Babyface, Breland, Keith Urban, LANCO, Lathan Warlick, Lindsay Ell, Little Big Town, LOCASH, Monica, Neon Union, Pitbull, teamwork. and Vikina.

As Hits Daily Double notes, for Allen, “it’s about being grounded in the genre’s traditions and protecting the roots as much as it’s about creating a future for country music that’s more expansive and inclusive.”

“When it comes to music I love, I don’t really get wrapped up in boundaries or genres. After we finished Bettie James, I was like man, there’s so much music out there that I love, so many artists that I love, and I just wasn’t done making collaborations,” Allen says of the impetus for Bettie James Gold Edition; a sentiment that Billboard echoes, applauding that the album “broadens country’s borders.”

Beyond the music, Allen has also established Bettie James Fest in their honor. Consistently vocal about his deep reverence for his family, hometown, and home state, the inaugural sold out event took place August 7, 2021 in Allen’s hometown of Milton, DE.

Allen is currently featured in The Country Music Hall of Fame® and Museum’s annual American Currents: State of the Music exhibit with his friend and fellow country artist Darius Rucker. The exhibit’s Unbroken Circle illustrates the connection between country music’s past and present by pairing artists with those who have influenced them or share musical perspectives. The exhibit runs through February 2022.

Additionally, he is a member of the 2021 Artists Committee for the 44th Kennedy Center Honors.

Much like his approach to music, Allen’s other creative pursuits know no boundaries.

Allen’s debut picture book, My Voice Is a Trumpet, was published July 13, 2021 with Flamingo Books, an imprint of Penguin Young Readers. Illustrated by veteran illustrator Cathy Ann Johnson, the book is a powerful story about speaking up for what you believe in,

at any age. The book has received a starred review from School Library Journal, who hails that “the rhythm and flow of words perfectly match the art while advising readers to choose love and use their voices in a powerful song.”

“It’s very important to me that kids learn at a young age that they have a voice, and that it is powerful. It is up to us as adults to teach them to use their voice to encourage and show love,” Allen says of his first ever book. “Being a father of two kids, I try to encourage them to be themselves and love everyone around them. I’m hoping this book inspires at least one child and they always remember their voice is a trumpet.”

Allen also serves as Executive Music Producer for Netflix’s series Titletown High, which premiered globally on August 27. His song “Big In A Small Town” is the theme song for the series, which follows a Georgia town where football rules and winning is paramount, a champion high school team tackles rivalries, romance and real life as they work toward the ultimate goal: a state title. Full of high stakes sports action and relatable teenage drama, Titletown High delivers a complex portrait of the most unique football culture in America.

He most recently competed for the coveted mirrorball trophy as a contestant on Dancing With The Stars’ landmark 30thseason on ABC in the fall of 2021, reaching the quarterfinals with his pro partner Emma Slater.

As Allen’s rising star power shows no signs of slowing down, he remains unapologetically himself and proof of what can happen when you never give up.

For more information on Allen, visit www.jimmieallenmusic.com or follow him on Instagram, Twitter and Facebook.

 

Mar
18
Fri
Mammoth WVH & Dirty Honey Live March, 18 2022 @ The Bluestone
Mar 18 @ 6:30 pm – 11:45 pm

Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B5B9DE84DB9

WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.

Tickets on sale Friday, November 5th at 10 AM!

About Mammoth WVH

Official Website: www.mammothwvh.com

Official Facebook Page:www.facebook.com/MammothWVH

Official Twitter: www.twitter.com/MammothWVH @MammothWVH

Official Instagram: www.instagram.com/mammothwvh @mammothwvh

Official YouTube Channel:www.youtube.com/MammothWVH

First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.

“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”

His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.

It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”

In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.

Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.

In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”

“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”

About Dirty Honey

Official Website: https://www.dirtyhoney.com/

Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/

Official Twitter:  https://twitter.com/dirtyhoneyband @DirtyHoneyBand

Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband

Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ

Some musicians take a while to build an audience and connect with fans. For the Los Angeles-based quartet Dirty Honey, success came right out of the gate. Released in March 2019, the band’s debut single, “When I’m Gone,” became the first song by an unsigned artist to reach No. 1 on Billboard’s Mainstream Rock chart. Their second single, “Rolling 7s,” went into the Top 5 and was still headed up when COVID changed everything. That same year, Dirty Honey opened for The Who, Guns ’N Roses, Slash, and Alter Bridge and was the “do-not-miss-band” at major rock festivals such as Welcome to Rockville, Rocklahoma, Louder Than Life, Heavy MTL, and Epicenter. On its first U.S. headline tour in January and February 2020, the band sold out every date.
When it came time to record its self-titled full-length debut album, the band—vocalist Marc LaBelle, guitarist John Notto, bassist Justin Smolian, and drummer Corey Coverstone—wasn’t about to mess with what was already working. Teaming up with producer Nick DiDia (Rage Against the Machine, Pearl Jam), who also produced the band’s 2019 self-titled EP, Dirty Honey again captured the lightning-in-a-bottle dynamics and energy of their live sound.
“As a guitarist, I’m always inspired by the everlasting pursuit of the perfect riff,” says Notto. “I also wanted to extend the artistic statement that we had already made. We weren’t looking to sound different, or prove our growth, necessarily. It was more about, ‘Oh, you thought that was good? Hold my beer.'”
“Because of the pandemic,” added drummer Coverstone, “we had a lot more time to write and prepare, which was great. It meant that we were able to workshop the songs a lot more, and I thinkit really made a difference.”
Dirty Honey’s album indeed builds on the band’s output to date, with airtight song writing that plays up their strengths: sexy, bluesy, nasty rock’n’roll, melodic hard rock, and soulful 70s blues-rock. On “The Wire,”LaBelle reaffirms his status as one of contemporary rock’s best vocalists, while “Another Last Time” is a raunchy, timeless ballad about a toxic relationship that you just can’t stop saying goodbye to. “Tied Up” and the album’s lead single “California Dreamin,’’ both feature smoking guitar solos bookended by massive riffs and hooks.
“‘California Dreaming’ was the last song we wrote,” said bassist Justin Smolian. “We finished it about two weeks before we recorded it, so the song was still so new, and we were trying out different things,so every take was a little different. But there was that one where we just captured it, and it was magic.”
Although each band member started playing music as kids—at the age of eight, Notto’s parents even bought him a red-and-white Stratocaster—each one brings eclectic influences to Dirty Honey’s sound. For example, drummer Coverstone has studied with jazz and L.A. session drummers but loves heavy metal; Notto grew up listening to ’70s funk and R&B as well as rock ‘n’ roll,and bassist Smolian has a bachelor of music in classical guitar and loves Tom Petty and The Beach Boys.
LaBelle meanwhile,takes cues from hissongwriting idols (to name a few, Robert Plant, Steven Tyler, Mick Jagger, Chris Robinson, and the late Chris Cornell) when coming up with lyrics. As a result, the songs on the Dirty Honey albumhint at life’s ebbs and flows—shattering heartbreak, romantic connection, intense soul-searching—while giving listeners space to draw their own conclusions.
“Sometimes,if you just let lyrics pass behind your ears, they sound like cool shit is being said,” LaBelle says. “And then once you dive in, you realize, ‘Oh, that’s really thoughtful.’ But it still doesn’t have a meaning that’s easy to pinpoint. There’s an overarching idea that is really cool, but it’s not necessarily on-the-nose.”
Although the Dirty Honey album may sound effortless, its genesis had a bumpy start. The day before the band members were due to fly to Australia to track the album, Los Angeles entered lockdown due to the COVID-19 pandemic, and traveling was off the table. However, Dirty Honey was still eager to work with DiDia, so they devised a Plan B: recording the full-length in a Los Angeles studio with one of DiDia’s long-time engineers, and the producer beamed into the proceedings via the magic of modern technology.
“He was able to listen to what we were laying down in real-time, through this app,” says LaBelle. It was like he was in the room with us. It was surprisingly seamless the way it all went down.”
Having to switch gears delayed the start of recording slightly, although this extra time ended up being a boon. Dirty Honey rented a rehearsal space and demoed the album’s songs in advance, meaning the tracks were in good shape when DiDia came onboard. Notto mixed and recorded these workshopped tracks himself, which helped him rediscover one of Dirty Honey’s biggest strengths: being well-rehearsed while not overpolishing their work.
“I’ve learned just a little bit more about what people might mean when they say, magic—you know, ‘This one has the magic,'” he says. “We would do two and three different demos of a song, so there would be a few versions. On a few occasions, the version that people kept going back to was the sloppiest, if you look at it from a performance standpoint.”
LaBelle agrees. “It’s just about getting the performance right and not thinking about it too much. I never like to be perfect in the studio. None of the stuff that I really liked as a kid was. I don’t really see myself getting away from that too much in the future just because I think you lose the soul if you do it too many times, if it’s too perfect.”
Notto also admits that the creative process isn’t necessarily always all fun and games. But for him and the rest of Dirty Honey, pushing through those tough times and coming out stronger on the other side is worth it. “When you finally come through on those moments, that’s where the real magiccomes in,” he says. “What makes all of our songs fun to play and listen to is we don’t allow ourselves to stop short of getting the best possible results out of each one of them.”

Mar
24
Thu
LANCO March 24, 2022 @ The Bluestone
Mar 24 @ 7:00 pm – 10:45 pm

LANCO

March 24, 2022 7 PM

at The Bluestone

Columbus, Ohio

Bio:

Multi-Platinum selling band LANCO continues to forge new territory after the roots-frontier explorers and live-performance junkies broke out with the 2x Platinum multi-week No. One hit “Greatest Love Story.” Creating a heartland rocker for a new generation, the band followed up with the Billboard Country Albums chart topper HALLELUJAH NIGHTS, marking the first Country group to earn a No. One debut in a decade. Additionally LANCO garnered another PLATINUM certified hit with “Born To Love You”, before the launch of their new anthemic HONKY-TONK HIPPIES EP, which was self-produced by the band, with each track penned by at least two members. The group traveled to the iconic Fame Studios in Muscle Shoals, AL to record the new music, absorbing its heart-pounding and soul-shaking influence. Now set to release five new tracks fit perfectly for the road. New music from the ACM “New Group of the Year” follows multiple nominations from the CMT, CMA, ACM, AMA and iHeartAwards, while Lancaster became the first member of a group to win NSAI’s  “Songwriter/Artist of the Year” award. As LANCO continues to “bring the full-band sound back to Country” (Newsday) the five-man band will build off their deep-rooted connection with fans on their headlining HONY-TONK HIPPIES TOUR.

Mar
25
Fri
Lauren Alaina’s TOP OF THE WORLD TOUR March 25, 2022 @ The Bluestone
Mar 25 @ 7:00 pm – 11:45 pm

Top of the World Tour

LAUREN ALAINA

Presented by maurices

March 25, 2022 7 PM

at The Bluestone

Columbus, Ohio

Tickets $20

Artist Biography

Lauren Alaina | Sitting Pretty on Top of the World

Ten years into her Nashville career, Lauren Alaina is in the upper echelon of country music’s most authentic voices, beloved personalities, and open hearts. She’s earned a reputation as one of the genre’s most compelling storytellers by boldly incorporating her struggles and heartache into her critically acclaimed first two albums. Lauren’s third studio collection, Sitting Pretty on Top of the World, is an artful evolution of immaculately penned, unflinching reflections of the mountains and valleys on her journey.

Sitting Pretty on Top of the World opens with the telltale sound of a needle dropping down on a record, and with that, Lauren sets the tone for some of the most captivating music of her career. Lauren was inspired to lean into the tenets of classic country music for this project and on the albums lead track, “It Was Me,” she offers a timeless country ballad filled with heartsick self-reflection. Lauren’s voice emotionally soars through the aching, introspective lyrics: “It wasn’t you I didn’t love, it was me.”

“The other person isn’t always the bad guy,” Lauren concedes. “On ‘It Was Me,’ I’m taking full ownership of being in the wrong. It was really hard to admit that I was the one at fault and to realize that I didn’t love myself enough to allow someone else to love me.” But the vulnerable “It Was Me,” co-written with Hillary Lindsey, is a song Lauren considers to be one of the best she’s ever written.

Lauren takes pride in the exposed transparency of her songwriting on this project, and though most writing sessions took place via Zoom, Lauren was crafting verses and choruses alongside the likes of award-winning songwriters including Liz Rose, Lori McKenna, Hillary Lindsey, Emily Weisband, David Garcia, Jordan Reynolds, Ben Johnson and Kennedi Lykken. She co-wrote 14 of the album’s 15 songs, much of it inspired from recent life experiences including two impactful break-ups, the loss of her stepfather, and like much of the world, Lauren struggled with despondency as she adapted to life in the pandemic.

The album’s title track “On Top of the World” delves into the dark reality behind polished facades. Writing the song with Jordan Reynolds and Sasha Sloan after the pandemic forced her to stay home for the first time in a decade, Lauren, in a heightened emotional state, revealed how she felt enveloped in loneliness and sadness.

“I’ve been on the road and touring for 10 years and having that taken away so suddenly felt like an abrupt stop to everything I’ve been working for, and that was a really scary thing for me,” she says, “but the whole world stopped for everybody, and I needed to find new ways to connect with people.”

Lauren applies that same honest vulnerability throughout the album from the harrowing ballad “What Do You Think Of?” featuring Danish Pop Star Lukas Graham, to the pensive flow of “I’m Not Sad Anymore,” to the beautiful simplicity of “Good Ole Boy” with its scaled back production that truly allows Lauren’s vocals to shine.

“This whole thing [album] is about loving yourself and being brave and being strong,” Lauren says. “I was faced with all these trials, and I hope people feel themselves in these songs. I think we all live the same stories with different characters. And maybe people realize new beginnings can be good.”

“Getting Good,” a duet with Trisha Yearwood, is the only song Lauren didn’t write on the album. Penned by Weisband, the song is a poignant truth-telling about choosing to be happy. Drawn to the concept, Lauren says, “Life is all about perspective, and you sometimes you have to shift your perspective.”

Lauren punctuates the lovelorn with the playful yet forthright “When the Party’s Over” and with the propulsive yet nostalgic “Run.”  She also teamed up with Emily Weisband and the album’s producer Paul DiGiovanni to write the lighthearted, here-for-the-fun, rebound tune, “Getting Over Him,” featuring country star Jon Pardi. Lauren rounds out the album with the beautifully hopeful “Change My Mind,” which she co-wrote with Seth Ennis and Cameron Bedell.

Then with the familiar crackle of a vinyl record nearing its end, the album comes to a close. A journey from start to finish. Lauren explores life in these unique times and Sitting Pretty on Top of the World is the salve and the soundtrack for anyone traversing their own personal quest for hope and new beginnings.

Mar
31
Thu
Dillon Carmichael March 31, 2022 @ The Bluestone
Mar 31 @ 7:00 pm – 11:45 pm

Dillon Carmichael

March 31, 2022 7 PM

at The Bluestone

Columbus, Ohio

About Dillon Carmichael:

FOR DILLON CARMICHAEL, THE LAST THREE YEARS HAVE BEEN A WHIRLWIND, TO SAY THE LEAST.

Since unleashing his critically acclaimed 2018 debut, Hell On An Angel, he’s toured with everyone from Lynyrd Skynyrd and Trace Adkins to Dwight Yoakam and Justin Moore, written a song for Travis Tritt’s latest album, racked up millions of streams on Spotify, gone viral on TikTok, and even gotten engaged. And while you might have expected the cancellation of a year’s worth of tour dates to finally slow him down, Carmichael instead used his pandemic downtime to head right back into the studio and record Hot Beer, a brand new collection of high-energy, feel-good country.

“I felt like my catalog could use a little more fun in it,” says Carmichael. “After putting out a record as heavy as Hell On An Angel, I wanted to make something faster, something looser, something that’d leave you with a smile on your face.”

Recorded with producers Jon Pardi and Ryan Gore, Dan Huff, and Phil O’Donnell, Hot Beer is all sly humor and raw heart, with tongue-in-cheek lyrics and double entendres lurking around every corner. Carmichael’s rich, velvety baritone is still very much front and center here, but there’s a newfound playfulness to his delivery that manages to offer up a knowing wink even as it breaks your heart. It’s a delicate tightrope for any artist to walk, but if Hot Beer proves anything, it’s that Dillon Carmichael is a songwriter who knows how to take his fun seriously.

“Whether I’m singing a tear jerker or a party tune, the only thing that really matters to me is that it’s a great song,” Carmichael says. “And great songs are honest songs.”

Growing up in the small town of Burgin, KY, Carmichael inherited his passion for honest music through familial osmosis: his father and uncles performed in a Southern Gospel Quartet, his mother sang all over the eastern part of the state, and her brothers (John Michael and Eddie Montgomery) both enjoyed massive chart success. As a kid, Carmichael fell in love with country legends like Waylon Jennings and Vern Gosdin alongside the rock and roll he heard on the radio, and by the time he hit his teens, he was writing his own songs and performing live.

“I didn’t at any point consciously decide I was going to be a musician,” says Carmichael. “It just happened naturally. I found a kind of truth in country music that I couldn’t get anywhere else.”

After finishing high school, Carmichael relocated to Nashville, where he earned a publishing deal at the tender age of 18. It was his first taste of life outside of rural Kentucky, and the discovery of a whole city full of like-minded artists whose lives revolved around making music thrilled him. Buoyed by his early success, Carmichael began collaborating all over town with some of most revered writers in the business, but no Nashville resident had a bigger influence on him than producer Dave Cobb, whose stewardship helped guide Hell On An Angel from a dream to a reality.

“Dave just immediately understood my vision,” says Carmichael. “He helped me zero in on my truth.”

Merging a sonically progressive palette with a tasteful reverence for the past, Hell On An Angel was at once old school and modern, traditional and contemporary, timeless and timely. The New York Times compared Carmichael to Randy Travis and said his voice “moves with the heft and certainty of a tractor-trailer,” while NPR praised his “deep holler,” and Parade raved that “Carmichael defines pure country.” He landed on Artist To Watch lists from Billboard, Rolling Stone, Taste of Country, Pandora, and more, reached #2 at country radio’s Most Added chart with his debut single, “Dancing Away With My Heart,” and electrified festival crowds from Seven Peaks to Faster Horses.

“One of the things I learned getting to play big festivals and arenas and theaters was that it doesn’t matter if there’s 200 people or 20,000 people in the audience,” says Carmichael. “They’re there to hear country music and have a good time. It’s that simple.”

And so Carmichael began plotting his follow-up to Hell On Angel with those good times in mind. Reaching back to the lighthearted 90s country that had always held a special place in his heart, he began cutting a series of lively, uptempo, sometimes hilarious tunes full of mischief and innuendo. Lead single “Hot Beer,” written by Carmichael’s good friend HARDY, rattles off a list of everything the singer would rather do than get back together with his cheating ex (“I’d rather drink a hot beer / Build a fire in the pouring rain / Burn all of my fishing gear / Then set sail in a hurricane”), while the anthemic “Big Truck,” written with David Lee Murphy and Jessi Alexander, questions the true source of his partner’s affection, and the bawdy “Sawin’ Logs” spins a tale of two lovers on very different pages.

“Phil sent me that song last year and it was our summer jam,” says Carmichael. “We rocked out to it all the time, and I posted an acoustic version to TikTok just for fun one day. It ended up getting millions and millions of views and everyone started singing along to it at my shows, so I knew I had to record it.”

Not everything on Hot Beer is quite so irreverent, though. The sweetly sincere “Since You’ve Been In It” celebrates the kind of love that makes everything better; the bittersweet “Somewhere She Ain’t” reckons with the ghosts of a lost love that just won’t fade away; and the grateful “Lucky Man” takes stock of the little things that add up to a beautiful life.

“My uncle Eddie originally recorded ‘Lucky Man’ with Troy Gentry back in 2006,” says Carmichael, “and I thought putting my own spin on it would be a nice nod to my family legacy, as well as a tribute to Troy, who passed away in 2017. I’ve loved that song ever since I heard them sing it for the first time, and I’m honored be able to share my version of it.”

With live music returning and his calendar filling up once more, Dillon Carmichael is indeed a lucky man. And with Hot Beer, it’s clear he’s ready to dive back into the whirlwind and have some serious fun.

COVID-19:

The Bluestone does not require COVID Vaccinations to enter our venue. We follow all local guidelines and cleaning procedures. The current Columbus “Mask Mandate” for an indoor event does not apply to anyone who is “ACTIVELY EATING OR DRINKING.” We kindly ask that you enter the building with a mask on. You can keep it on or remove it as long as you are actively EATING OR DRINKING! This will be a full capacity show, and it is an “ENTER AT YOUR OWN RISK EVENT.”

Apr
1
Fri
Lawrence Live April 1, 2022 @ The Bluestone
Apr 1 @ 7:00 pm – 10:45 pm

Lawrence Live In Concert

with special guests Stacey Ryan & The Wonderlands

April 1st, 2022 @ 7 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B6FB79C20B5

Lawrence is headed to Columbus, OH at The Bluestone April 1, 2022.

Tickets on sale Friday, November 26, 2021 at 12 PM!

  • Spotify: https://open.spotify.com/artist/5rwUYLyUq8gBsVaOUcUxpE
  • Facebook: https://www.facebook.com/lawrencetheband
  • Twitter: https://twitter.com/lawrencetheband?lang=en
  • Instagram: https://www.instagram.com/lawrencetheband/?hl=en
  • YouTube: https://www.youtube.com/channel/UCr5v6l4EIKiImmJU-COJ0Sg
  • TikTok: https://www.tiktok.com/@lawrencetheband?lang=en

About Lawrence

“The brother/sister musical phenomenon you need to hear.” -Affinity
“Lawrence is already a force to reckon with —and they’re only getting started.” -LadyGunn
“Lawrence have been capturing the hearts and ears of listeners all over the world with their addictive and infectious sonic stylings that are impossible not to love.” -The Stumble Upon
“A bright and buoyant pocketful of pop-soul sunshine, Lawrence’s new single “Don’t Lose Sight” promises to put a spring in your step and a smile on your face.” -Atwood Magazine
As NPR writes, “siblings Clyde and Gracie Lawrence are not your typical pair.” Clyde Lawrence and Gracie Lawrence have been writing songs and listening to countless Stevie Wonder, Randy Newman, and Aretha Franklin records in their family’s New York City apartment since they were little kids. After years of playing together, they officially created Lawrence, an eight-piece soul-pop band comprised of musician friends from childhood and college. The band has since gained a devoted following for its high-energy, keyboard-driven sound, which features tight, energetic horns, explosive lead vocals, and fully-live arrangements.
In June 2019, Lawrence became the first band to sign with Beautiful Mind Records, the label of Grammy-winning producer/songwriter/artist Jon Bellion, and within a few months embarked as support on Bellion’s Summer 2019 Glory Sound Prep Tour. Lawrence hassince released the Bellion-produced singles“Casualty” (performed live on NBC’s Today Show), “It’s Not All About You,” “The Weather,” “Freckles,” and “Don’t Lose Sight,” which have garnered tens of millions of streams across all platforms and have had multiple viral moments on Tik Tok and Instagram. The singles are a part of the band’snew album, Hotel TV,which is out now.
The signing to Beautiful Mind followed the release of Lawrence’s sophomore album, Living Room. Upon its releasein September of 2018, Living Room promptly reached #2 on the iTunes R&B/Soul chart, earned a featured placement on Spotify’s “New Music Friday” playlist, and led the band to its late-night television debut on NBC’s Last Call with Carson Daly. Co-produced by bandmates Jordan Cohen and Jonny Koh, as well as Brooklyn-based producer Eli Crews and Clyde and Gracie themselves, Living Room chronicles the trials and tribulations of growing up, including break-ups, make-ups, a family loss, and the attempt to find harmony between excitement, anxiety, melancholy, and empowerment.
Lawrence has sold out headline shows across the country and appeared at festivals including Bonnaroo, Outside Lands, Firefly, Okeechobee, Hangout, and many more. The band has also opened for notable acts such as Lake Street Dive, Vulfpeck, Jon Bellion, Soulive, Jacob Collier, Blues Traveler, O.A.R, Bernhoft, and others.

Apr
6
Wed
Said The Sky April 6, 2022 @ The Bluestone
Apr 6 @ 8:00 pm – 11:45 pm

Said The Sky

April 6, 2022 9 PM

at The Bluestone

Columbus, Ohio

Disco Donnie and My Best Friends Party present :

Said The Sky – Sentiment Tour Columbus

sentiment
[sen-ti-ment] noun
1. a view of or attitude toward a situation or event; an opinion
2. exaggerated and self-indulgent feelings of tenderness, sadness, or nostalgia

“A brand new show.
Brand new visuals.
Brand new music.
A brand new experience that I can’t wait to share with you. ”

SAID THE SKY

A blend of soaring melodies and emotive bass lines. Said The Sky is an experience through music.

Playing piano and various instruments since the age of eight, Colorado native Trevor Christensen is coming forward with a fresh perspective on music. Bringing his melodic background and technical training into his music, Said The Sky works to capture everything beautiful in what people know as EDM. His last 3 years have been devoted to his production, and bringing the ideas build up in his head from his entire childhood to life. His music is, what he hopes it to be, an experience: A captivating blend of moving bass lines, and soaring melodies.

https://www.facebook.com/saidthesky/

Local Support TBA

VISUALS BY SIF

Apr
8
Fri
Twiddle April 8, 2022 @ The Bluestone
Apr 8 @ 8:00 pm – 11:45 pm

Twiddle

ft. Andy Frasco & The U.N.

April 8, 2022 8 PM

at The Bluestone

Columbus, Ohio

Apr
10
Sun
Whitey Morgan and the 78’s April 10, 2022 @ The Bluestone
Apr 10 @ 7:00 pm – 11:45 pm

Whitey Morgan and the 78’s

with Alex Williams

April 10, 2022 7 PM

at The Bluestone

Columbus, Ohio

About Whitey Morgan:
In a career spanning 15 years, Morgan has released five studio albums and a live recording from his hometown of Flint, Michigan. Additionally, he has toured relentlessly averaging over 125 shows annually. Rolling Stone has described him as a “Waylon Jennings acolyte.. modern day outlaw [with a] hard hitting blue-collar brand of music” while NPR Music hailed, “Staying close to the sound and subject matter of classic outlaw artists like Waylon Jennings, Merle Haggard and David Allan Coe, Morgan is poised to lead this hand-worn brand of country to the next generation.” His most recent LP, Sonic Ranch (2015), was released to critical acclaim and praised by Detroit Free Press as, “a bold well-crafted album that doesn’t forsake the gritty undercurrent running through Morgan’s stuff.”

Whitey Morgan and the 78’s anticipated new album, self-produced by Morgan, was recorded in the Neve Room at famed Sonic Ranch Studios in Tornillo, Texas. Featured on the record are collaborations with acclaimed songwriters Travis Meadows and Ward Davis plus a cover of ZZ Top’s “Just Got Paid.” Alongside Morgan, the 78’s consist of Brett Robinson (pedal steel guitar), Joey Spina (guitar), Alex Lyon (bass) and Eric Savage (drums).

Of the recording, Morgan shares, “It’s not like my vision happened overnight. I’ve been chipping away at it forever. It’s slowly evolving and it’s going in a little bit different direction. It’s not so straightforward anymore. This record definitely has a wider path, it’s broader, but it still sounds like a Whitey Morgan record.” With grandparents from Tennessee and Kentucky and hometown roots in Flint, Michigan, Morgan’s family geography has factored into his approach to music.

Apr
13
Wed
BTSM: Once Upon A Time In Cyberworld Tour April 13, 2022 @ The Bluestone
Apr 13 @ 8:00 pm – Apr 14 @ 12:45 am

BTSM: Once Upon A Time In Cyberworld Tour

April 13, 2022 8 PM

at The Bluestone

Columbus, Ohio

BLACK TIGER SEX MACHINE –

The Canadian trio Black Tiger Sex Machine are known for their dynamic rage-ready style, an explosive blend of heavy electro and bass. Their show is a unique experience that strikes the perfect balance between a live performance and a DJ set. Along with their music, their signature Tiger helmets and their apocalyptic Kannibalen world have attracted legions of faithful followers called the BTSM Church.
BTSM were already world-traveling artists before their rise to stardom, which began with their first string of shows in the United States in 2015. In 2016, they released their debut album, Welcome To Our Church, which The Huffington Post hailed as “one of the best electronic albums of the year.” They’ve since gone on several successful headlining tours across North America and received notable festival bookings for 2017 including a highly anticipated return to Electric Forest, as well as appearances at EDC Las Vegas, Lollapalooza Paris, Paradiso and Shambhala. In 2018, Black Tiger Sex Machine had their three part Ceremony Tour, as well as their first foray into Asia, all after dropping their critically acclaimed sophomore album, New Worlds. The album’s lead single “Zombie” currently has over 1 million streams on Spotify.
BTSM also run Kannibalen Records, which has quickly become one of the top independent labels in dance music. Through Kannibalen, they’ve shaped the careers of breakthrough artists like Apashe, Kai Wachi, Dabin, HVDES and more. Kannibalen Records has been recognized worldwide through major publication partnerships with Netflix, Marvel, NBA, HBO, MTV, UFC, adidas, Samsung and more.

KAI WACHI-

Kai Wachi has been a dominant force in bass music since his debut. His thrilling productions continue to break new ground as the Boise creative has become accustomed to bridging different styles for dynamic hybrid works. Although he has been highly acclaimed for extraordinary sound design and his hip-hop signatures, his emotionally driven musical sensibilities are where he truly stands above the rest.
Over the years Kai has established himself as one of the industry’s most promising producers with support from the likes of Excision, NGHTMRE and many more. Records including his debut album, DEMIGOD, which includes collaborations with Famous Dex, Sullivan King, Grabbitz and more, have been particularly integral to his more recent growth, as they’ve mesmerized fellow artists, fans and curators at both Apple and Spotify. He’s also collaborated with the likes of Dylan Matthew, PhaseOne and Apashe, as well as done official remixes for Excision, Tech N9ne, BTSM and Svdden Death.
Kai has been hailed as an MVP at festivals including Lost Lands, EDC Las Vegas, Paradiso and Wobbleland, as well as become a mainstay on Kannibalen Records while touring alongside Black Tiger Sex Machine numerous times. With one of the best independent labels and booking agencies at his back, there is no limit to Kai Wachi’s success in the future where he will continue to advance electronic music forward.

VAMPA –

VAMPA, otherwise known as Emily Mucha, is producer / DJ rising in the North and Southeastern dubstep scenes, bringing a new wave of otherwordly deep bass music to the masses. Through her low end, wobbling frequencies, she allows people to feel the bass resonate and move within themselves, capturing the audience and delivering them to a new kind of heightened experience from right where they’re standing. Her unique sound is represented by her love for the underground, hailing respect from artists she has opened for in the past, including Mija, Boogie T, Trampa, Dubloadz, EPROM, Whipped Cream, Nitti Gritti, Blunts and Blondes, Jphelpz, Xaebor, Yheti and more. Playing sets at Okeechobee Music Festival, Miami Music Week, Hulaween Music Festival, Zen Awakening Festival, Pass the Good Festival, and Fractal Beach, she has gained a dedicated following, seeing her dreams manifest before their eyes as she progresses in the scene. Her mission is to unveil her creative expression to the world and prove to others that there is infinite potential for every person to succeed. Through the perfect blend of logic, creativity, and spiritual inspiration, her visions continue to come to life.

HAIRITAGE-

VISUALS BY SIF

18+

Apr
24
Sun
Dorothy April 24, 2022 @ The Bluestone
Apr 24 @ 6:00 pm – 9:45 pm

Dorothy

ft. Joyous Wolf & Classless Act

April 24, 2022 6 PM

at The Bluestone

Columbus, Ohio

DOROTHY

Gifts From The Holy Ghost 

Roc Nation

Dorothy Martin’s life changed forever when she was forced to face death on her tour bus some three years ago. After her guitar technician had taken an overdose, and the light began to lift up and out from his body, Dorothy instinctively began praying for his survival. While he may have temporarily died, the technician was astonishingly, miraculously restored back to life as Dorothy and her crew formed a prayer circle near his body. It was this moment that seemed to bring Dorothy to life too. She was gifted a rebirth with a divine intervention that caused a radical and spiritual awakening in the singer, the result of which can be heard on Gifts From The Holy Ghost, Dorothy’s third studio album as front woman for the pseudonymous, blues-rock band Dorothy

Gifts From The Holy Ghost is the album she’s always wanted, and has perhaps been destined to make. Born from a sense of divine urgency, it is Dorothy’s most bombastic and gloriously, victorious rock and roll work yet. Each song built on triumph—the unshackling of chains, the slaying of demons with a sword of light—the album is a healing and remedial experience, made to unify listeners and point them towards a life full of purpose. It is Dorothy’s greatest gift yet.  “This album had to get made, I felt like I had a mission,” she said. 

While the band’s first, irreverently named album ROCKISDEAD, was made on a combination of whiskey and heartbreak—inspiring Rolling Stone to name them one of rock’s most exciting new acts, and Jay-Z to sign them to his label Roc Nation—Gifts was built on recovery, health, and holiness, in a way that reverses the clichéd ‘good girl gone bad narrative’. 

With the combined powers of Keith Wallen, Jason Hook, Scott Stevens, Phil X, Trevor Lukather, Joel Hamilton and the legendary ear of Chris Lord Alge, Gifts From The Holy Ghost is made from a musical palette which seems to encompass each of the musician’s influences, as well as many of the essential sounds of rock music’s history—from swampy blues to ‘90s alternative —in a way that makes the case for rock and roll itself. Not only is the genre alive, but it’s more invigorated than ever.

“I think this album is going to speak to a lot of people, it’s meant to be healing, unifying, eye-opening, ear-opening, heart-opening and celebratory,” Dorothy said, adding: “I wanted to make the realest album I could make, and I went in with the question does this make me feel alive? Does it make me feel free? If a song didn’t give me chills or make my heart soar, then it didn’t make the cut.”

Born in Budapest, Hungary, Dorothy has always been an instinctual writer and artist. Throughout her life, she’s been asking the big questions, both in and outside her art: ‘What’s the meaning of life? Why are we here? How are we here?’ When she couldn’t find the answers to those questions, she’d numb out the empty uncertainty with drugs and alcohol. She was eventually admitted to rehab and a new chapter was opened in her spiritual journey. Now, with angels whispering in her ear and the spirit moving her steps, she’s found her answers. “I’m just here to impart inspiring messages to people while having fun and rocking out!”

You can hear Dorothy’s powerful resilience across the album, particularly on “Big Guns”, which finds the singer at her boldest; sauntering over slide guitars as she steps into combat. Anthems like “Rest In Peace” bring a sweeping cinematic scope to the album, whereas “Black Sheep”, a rallying cry for unity, explodes with layered gang vocals: “we are blood, we are family,” Dorothy breaks curses, going toe-to-toe with the blistering guitar riffs. 

The album’s lyrics are a perfect balance of specificity and generality, so that the listener can attach their own darknesses and triumphs to the songs, while still getting a sense of Dorothy’s own. “We are all one human family.” she declares. 

Does that mean Dorothy has overcome all of her own adversities? “It’s a journey and it’s about progress not perfection,” she responds. “I’ve had a lot of deep revelations about my life, stuff I hadn’t been able to cope with until now. Now I’m learning new tools.” With Gifts From The Holy Ghost, Dorothy identifies her purpose as an artist. She conquers darkness with light, numbness with feeling, disharmony with unity—all while delivering one of this year’s most fun rock & roll records.

Joyous Wolf Bio

A gritty howl opens Joyous Wolf’s upcoming debut LP, Enigma, and it’s the perfect introduction since the band plays rock & roll at its most primal and passionate. Guitarist Blake Allard’s bluesy riffs harken back to the classic hard rock of AC/DC, Cream and Deep Purple while still packing a thoroughly modern wallop, while frontman Nick Reese’s voice seems to come from deep in his gut as he sings about everything from warring kingdoms to a tribute to a fallen friend. Together, with bassist Greg Braccio and drummer Robert Sodaro, Joyous Wolf’s members work together to create some of the most exciting, promising and unwieldy back-to-basics rock to come out of Southern California in recent years.

Whether nimbly navigating the swaggering, powerful groove of their go-to concert opener, “Mountain Man,” or digging into their instruments for a jammy, funky guitar solo “Major Headthrob,” the group has an unpredictable quality – a sort of unique freedom within rock & roll – that makes Enigma compelling. Part of the credit for this goes to producer Val Garay (Santana, Neil Diamond, Reel Big Fish) who came aboard at the last minute to help them achieve the record’s raw sound, which captures how Joyous Wolf sound live. But mostly, the electric feeling that defines Enigma is just something in the band’s DNA.

“When I’m playing rock & roll, it’s the only time where I feel indestructible,” Reese says. “When I heard Elvis sing ‘Heartbreak Hotel’ for the first time, I knew exactly what my heart wanted and what I wanted.”

“I think people are starting to realize the overproduction and fakeness of pop music, which is why rock is coming back,” Allard says. “We love being a rock band.” Joyous Wolf formed in November 2014, but their roots stretch back to sixth grade when Reese first crossed paths with Sodaro by fate – they had to assemble next to each other because their names were alphabetically side-by-side. Reese recalls a middle-school battle of the bands where neither he nor Sodaro was playing, but Reese declared that one day he was going to be “the best singer ever” and that Sodaro would play drums. It would take a few years, but after stints where both musicians duked it out playing in punk and alternative bands (“all of that crap,” Reese adds) they fulfilled Reese’s prophecy. The singer drafted Allard, whom he’d met randomly in the acoustic room at a Guitar Center when the two jammed on CCR’s “Born on the Bayou,” and Sodaro brought in his high-school friend Braccio to play bass. 

Before long, the quartet was jamming in Sodaro’s folks’ garage, annoying the neighbors and entertaining the local authorities. “Once on Halloween, we were rehearsing at 11 p.m. writing songs, and we faced Nick’s monitors out the window toward a canyon full of houses,” Allard recalls. “Then we saw this car at the front gate, and it’s the sheriff. He comes into the practice room and goes, ‘Hey guys, I hate to shut you down because it sounds really good, but we got a complaint from across the canyon that it was too loud.’ We still practice but not like that anymore.”

One of the first songs they played together was “Sleep Weep Stomp,” Enigma’s slow-burning, sludgy blues burner. It’s the style of music that Reese feels closest to. “I’m a blues singer, 100 percent,” he says. “That’s my everything.” The singer grew up on blues, jazz, and Fifties rock & roll. “When my dad showed me, Elvis, that was the end of it,” he says. “I needed to hear every artist that inspired Elvis and then the people who inspired them. Suddenly I had a record collection. It all felt natural: B.B. King made me want to scream my pain away. You hear all these people and you want to express all the things you love. I don’t care if people think it’s old or not current. It doesn’t matter to me.” By his own estimation, he didn’t hear anything “current” until he was 13 and borrowed his sister’s Discman only to hear the Strokes’ “Is This It”. Similarly, Allard was raised on classic rock. “My dad taught me my first song ever, ‘Sunshine of Your Love,’ by Cream,” he says. “I always went back to that kind of old blues-rock music. Even if I was into metal or hard rock, I always went back to the classics like B.B. King, Jimi Hendrix, Black Sabbath, and Led Zeppelin.”

These influences shine through on Enigma. “Killing the Messenger” begins with some crushing classic heavy-metal riffs before giving way to a boogieing verse riff where Sodaro and Braccio can bash out their rhythms freely while Reese yowls a tale about two warring kingdoms, and how an evil monarch tricks one of his most popular subjects into delivering a nasty message to the other kingdom only so he would be executed. Reese says the moral Is “life isn’t fair and it isn’t always a happy ending.” The beat-heavy “Mountain Man,” whose lyrics lambaste one of Reese’s former less-than-refined coworkers at a coffee shop, whom the singer says claimed he could “carve a knife out of the tree,” began with a guitar riff that was so forceful that the band couldn’t deny its power. “He had this little riff and we were laughing because it was so stupid-simple,” Reese says. “And it is. It’s our quote-unquote ‘dumbest song,’ but when we used it to open at the Viper Room, the audience response became one of our staple songs.”

The band is also able to channel more somber tones. The acoustic “Remember By” showcases thoughtful performances by both Allard and Reese, who wrote the song in tribute to a friend of his who had taken his own life. It came from a moment of pure inspiration. “I recorded us when we were fooling around, and it was perfect,” Reese says. “I pushed for us to record that song so hard. I said, ‘Please do it exactly like you did it. Please.’ That was me saying goodbye.”After they put out their Daisy EP in late 2015, it took the band about two years total to fine-tune and perfect Enigma. And while songwriting was a big chunk of that (the ominous riff for “Turning Blue” took them six months to perfect), they went through several passes of mixing and mastering it to get it to sound like it does. When Garay finally came aboard, they were able to establish the right mixture of nuance and directness. “It’s so much more animal,” Reese says, using the perfect adjective, to describe the way Enigma turned out. That “animal” sound has earned Joyous Wolf some notable gigs, including performances at L.A.’s famed Whisky a Go-Go, the Viper Room and the Regent Theater, where they recently opened for Eagles of Death Metal. Now they’re ready to move on to even bigger stages. “When we play a show, we go out and we kick ass,” Reese says, sounding confident. “We’re headhunters”. Headhunting on the road will now be even easier, with their upcoming record Enigma, an album that demonstrates what Reese calls Joyous Wolf’s “mojo.” – Kory Grow Rolling Stone Magazine 2017

Classless Act Bio

When they released their debut single “Give It To Me” in the summer of 2021, Classless Act were immediately praised for their ability to sound both fresh and timeless. Loudwire instantly added the song to their “Weekly Wire” Spotify playlist, identifying it as one of the top new releases of the summer. And other iconic outlets, like SPIN Magazine, were early to show support. It was a fitting public introduction to a band who embody what it means to be modern rock stars.

The band – consisting of members Derek Day (Vocals), Dane Pieper (Guitar), Griffin Tucker (Guitar), Franco Gravante (Bass), and Chuck McKissock (Drums) – initially formed in 2018 after connecting and bonding virtually by their love and passion of music. Now in Los Angeles, they’ve united on a mission to be the next great generation-defining act, drawing inspiration from classic rock acts of the 70’s and alt-rock groups from the 90’s. Their music echoes the hallmarks of previous generations – anthemic rhythms, shreddy guitars, soaring vocals – but punches its way into the future with clever arrangements, sharp musicianship, and proficient songwriting.

Already making noise in the industry, the band has been in the studio with world-class producers like Bob Rock, Michael Beinhorn and Joe Chiccarrelli, who have helped craft hits for the likes of The Red Hot Chili Peppers, Metallica, Soundgarden, and The White Stripes. The band recently landed a deal with Better Noise Music, Mediabase and Billboard’s #1 rock label for 2020. Their debut album is expected in 2022, when the band will be hitting the road with Mötley Crüe, Def Leppard, and more, on their Summer Stadium Tour.