Chris Young will be performing live at WCOL Country Jam 2016 on

Friday, September 2nd, 2016 at Legend Valley Music Center near Buckeye Lake

 Gates for the show will open at 5pm.

Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)

PURCHASE TICKET

www.LEGENDVALLEYFESTIVALS.com

Justin Moore will be performing live at WCOL Country Jam 2016 on

Friday, September 2nd, 2016 at Legend Valley Music Center near Buckeye Lake

 Gates for the show will open at 5pm.

Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)

Friday Only Admission Tickets: $65

PURCHASE TICKETS

www.LEGENDVALLEYFESTIVALS.com

The Charlie Daniels Band will be performing live at WCOL Country Jam 2016 on

Friday, September 2nd, 2016 at Legend Valley Music Center near Buckeye Lake

 Gates for the show will open at 5pm.

Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)

Friday Only Admission Tickets: $65

PURCHASE TICKETS

www.LEGENDVALLEYFESTIVALS.com

Chris Stapleton will be performing live at WCOL Country Jam 2016 on

Saturday, September 3rd.

 Gates for the show will open at 4pm.

Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)

PURCHASE TICKETS 

www.LEGENDVALLEYFESTIVALS.com

Hank Williams Jr. will be performing live at WCOL Country Jam 2016 at Legend Valley Music Center near Buckeye Lake on Saturday, September 3rd.

 Gates for the show will open at 4pm.

Two Day Admission Tickets available for just $92 during presale March 11th-19th (after presale $125)

PURCHASE TICKETS

www.LEGENDVALLEYFESTIVALS.com

Mullet at The Bluestone

Easyrider After Party

with

Mullett, an 80’s Tribute Band, will be returning live at The Bluestone on Saturday, February 11th

Tickets are $10 in advance and $12 day of show.

Doors for the show will open at 8pm

Easyrider After Party is an All Ages Event

BUY TICKETS

Easyrider After Party will be held Feb 11 after, EASYRIDERS CUSTOM MOTORCYCLE SHOW ROLLS INTO COLUMBUS, OHIO Geico Motorcycle Presents the Easyriders 2017 Bike Show Tour

Granger Smith and Earl Dibbles Jr.

will be performing live at The Bluestone on Thursday, March 16th

Doors for the show will open at 7pm

Opening Artist: TBA

Tickets are $20 in advance and $25 day of show

Tickets will go on-sale Friday, February 3rd at 10am

PURCHASE HERE

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage!
• Includes first bucket of Miller or Coors Light
• Server
• Exclusive Private Bar access

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes first bucket of Miller or Coors Light
•  Server
• Private Bar Access
• May be Obstruction in View

*All Reserved tables located in the loft area

My name is Granger Smith. Sometimes long, fancy industry bios are helpful, but other times you just need to hear from the guy actually living it, so here’s my story.

I was born and raised Texan, and I’m proud of that. I grew up along with two brothers, a couple of yellow labrador retrievers and parents that stayed together because they loved each other. My life changed when I was 14 years old and decided I would teach myself to play guitar. This was motivated by two things: I thought the guitar would make girls pay attention to me, and George Strait played one. By the time I turned 15, I was performing weekends on small town stages in North Texas, and doing my best as a fan club member to attend every George Strait concert within driving distance. Playing high school football was an important rite of passage for me, along with hunting and fishing, but the dream of a music career consumed me. At age 19, I was satisfied with enough songs I had written to make an album. As a freshman at Texas A&M, I was able to scrape together some studio money by pre-selling the album to friends around campus. For being just a kid, that album did pretty well. It landed me a songwriting deal with EMI Music Publishing in Nashville, and the following year, I took the leap to Tennessee.

 DAVID NAIL will be performing LIVE at The Bluestone

on Friday, November 17th, 2017

Doors for the show will open at 7pm

Opening Artist: Jimmie Allen

Tickets are $20 in advance and $25 day of show

Tickets will go on-sale Friday, August 18th at 10am

PURCHASE HERE

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

• Loft Lower Tier: $250 (seats four people-no exceptions)
• Prime view of stage!
• Includes first bucket of Miller or Coors Light
• Server
• Exclusive Private Bar access

• Loft Upper Tier: $200 (seats four people-no exceptions)
• Includes first bucket of Miller or Coors Light
•  Server
• Private Bar Access
• May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

ABOUT

During the making of his fourth MCA Nashville album, David Nail underwent a transformation – and so did his music. Fighter is the most vulnerable, personal record the Missouri native has ever made, and it signals the beginning of a new phase in his career.”

“Six months ago, people would ask me about the record and I would jokingly say ‘It’s my love-making record,’” Nail explains. “But what it meant to me then and what it means to me now are completely different. … Having been a father for about five months, it definitely changes the dynamic of things.”

Following the birth of he and wife Catherine’s long-hoped-for children (twins born in December 2015), the singer-songwriter found his world turned upside down. The mark he wanted to leave and things he wanted to say had changed, and despite an early version of Fighter being already finished, he decided to record four new songs, completely changing the project’s tone.

In short, Nail decided to get real in a way he never would have allowed himself before. Already known for powerful, emotionally-charged vocals, he took the same approach to choosing Fighter’s 11 tracks (seven of which were written or co-written by Nail himself), celebrating life’s victories but also exposing the knock-downs he’s endured – and it wasn’t always flattering.

“[I was] like, ‘Am I ready to sing this? Am I ready to tell this story?” Nail says. “[But] they come from a genuine place that you can kind of say, ‘Okay, I’ve said that. I’m at peace with that.’ I think that’s what this record is.”

Writing and singing in courageous personal detail, Nail confronted some of his deepest troubles, revealing the clarity he’s achieved about his hometown, the true struggle depression caused in his marriage, the answered-prayer of his children’s birth and the things he never told his own father.

Meanwhile, producer Frank Liddell (who also guided Nail’s first three albums, I’m About to Come Alive, The Sound of a Million Dreams and I’m a Fire) made sure Fighter’s musical tone was just as authentic, backing Nail’s volcanic vocals with a melting pot of Mississippi-delta sounds — a mix of classic-country balladry and sweaty Memphis soul, with touches of in-the-moment modernity sprinkled throughout.

“I grew up listening to all this music that my father listened to,” says Nail. “A lot of it was classic, huge songs and artists from the ‘60s and ‘70s – and even the ‘80s – so I think there’s always part of me that just falls toward that type of sound, rather than fighting it and trying to say ‘Whoa! No-no-no, we need to stay 2016.”

Big-name collaborations abound, with Nail inviting Vince Gill, Brothers Osborne, Lori McKenna and Logan Brill to help tell his story, as well as Bear and Bo Rinehart of NEEDTOBREATE.

“When I’m making a record I selfishly want to push my buttons so I try to approach it as my swan song, it could be the last piece of music I make. I want to fulfill some life goals in the process and one of my biggest influences in the word is Vince Gill so I’m thankful he said yes”

Brothers Osborne kick the project off in star-crossed revelry on “Good at Tonight,” McKenna joins “Home” to quietly uncover Nail’s love/hate relationship with his hometown, Gill adds stunning harmony vocals to the country-soul “I Won’t Let You Go” – a promise to David’s wife Catherine – and the Rineharts help close the album in tender admiration with “Old Man’s Symphony,” an overdue thank-you note to Nail’s dad.

Along the way, he toasts to the passion of youth in the upbeat hit “Night’s On Fire,” pledges romantic relief in the raw Chris Stapleton co-write “Ease Your Pain,” delivers a desperate double entendre in the indie-rocking “Lie With Me” and crafts a loving, rock-a-bye origin story for his new family in “Babies” – an instant classic.

Then there’s the project’s title track, “Fighter,” a heartfelt ‘80s-country throwback ripped from Nail’s real life that holds his wife up as an unshakable supporter – even when he was at his worst.

“’Fighter’ is about as honest as I’ve ever been in a song,” Nail admits. “I mean, when you’re quoting your wife saying things that are not pleasant [about you], you know it was our story. … But it also, I think, tells the story of me.”

Nail and Catherine have had to fight their whole lives, he explains – for his career, for their marriage, to battle back inner demons and to conceive their beautiful kids – but their ultimate success in those battles has led them to a better place. And it also gave the album a mission.

Fighter is more than a bookmark in Nail’s life and career – it’s a period on the final sentence of a difficult chapter. Penned during dark times that have given way to a new sunrise, these are some of the most meaningful and personal songs he’s ever recorded. And now that they exist for all to hear, he can finally move on.

“I feel like I’ve told the main aspects of my career, and my life, up to this point,” he explains. “So I really think whatever we do in the future, we’ll be able to start just completely fresh. It’ll be a new story, a new part of my life.”

-Chris Parton

 Columbus BrewGrass Festival will take place at The Bluestone

March 2nd and March 3rd

Doors open at 6pm

Ages 18+

Tickets On-Sale Now

PURCHASE HERE

The Big Bad Blues Tour: Billy F. Gibbons Featuring Matt Sorum and Austin Hanks.

Opener is Benton Blount
$34.50 in advance, $39.50 day of show on Sale Tuesday Aug. 14 2018 www.liveatthebluestone.com or www.Eventbrite.com

Bluestone Tickets

Ticket purchase includes free album download. Instructions for download will be emailed to all ticket buyers approximately 2 weeks after ticket purchase. Questions about album download can be directed to: help@musicredemptions.com

Billy F. Gibbons at The Bluestone

Price $275.00 Per Package (Limited amount)

(1) General Admission Ticket

– Meet & Greet with Billy Gibbons

– Photo Opportunity with Billy Gibbons

– A Copy of “Big Bad Blues” CD

– Billy Gibbons Tote Bag – exclusive to VIP Packages

– Billy Gibbons Guitar Pick Set

– Commemorative Meet & Greet Laminate

Billy F. Gibbons Premium VIP Package

Selling Price $150.00 Per Package (Limited amount)

(1) General Admission Ticket

– A Copy of “Big Bad Blues” CD

– Billy Gibbons Tote Bag – exclusive to VIP Packages

– Billy Gibbons Guitar Pick Set

– Commemorative Meet & Greet Laminate

Billy Gibbons had plenty of help getting the blues for his upcoming second solo album, The Big Bad Blues; both from his assortment of musical collaborators and, on the track “Missin’ Yo’ Kissin’,” from Gilligan Stillwater, the woman he affectionately (and legally) calls Miz Gibbons.

“That was a gift,” the ZZ Top mainstay tells Billboard about the track, whose lyric video premieres exclusively below. “We had gotten maybe five (songs) recorded, and my lovely sweetheart Gilligan was scribbling away on the couch. I was, ‘Omigod, she’s reading the Chanel catalog. Hide the credit card!’ Then she took a break and the engineers kinda glanced over the scribbling and said, ‘Hey man, this looks pretty good. This could be nice and bluesy if we put something to it,’ which we did.

“Of course, I was like, ‘Why does that say ‘Missin’ Yo’ Kissin’?’ I hope she’s writing it about ME!'”

Devin Dawson will be performing LIVE at The Bluestone as part of his “Stray Off Course Tour” on

February 7th, 2019

Doors for the show will open at 7pm

Opening Artist: Jillian Jacqueline

Tickets are $15 in Advance and $20 day of show

Tickets On-Sale Friday, November 9th at 10am

PURCHASE HERE

Devin Dawson is a country singer and songwriter with a keen ear for clever turns of phrase and a knack for splitting the difference between rootsy and contemporary. A native of Orangevale, California, Dawson spent his formative years soaking in the sounds of Creedence Clearwater Revival, Alan Jackson, Marvin Gaye, and Johnny Cash. In 2012, he packed his bags and headed to Nashville, where he became ensconced in the Music City songwriting machine, penning songs for other artists. After spending a few years honing his chops, he decided to strike out on his own, and enlisted the help of producer Jay Joyce (Eric Church, Little Big Town, Brothers Osborne). He inked a deal with Warner Music Nashville and released his debut single, “All on Me,” which reached the Top 20 on the Hot Country Songs chart. The track was included on his 2018 full-length debut, Dark Horse, which also included collaborations with songwriters Luke Laird, Josh Kerr, Seth Ennis, and others.

Steel Panther Live December 9th, 2021 7 PM

The Bluestone

Columbus, Ohio

https://www.ticketmaster.com/event/05005B59EDEA422F

Steel Panther is headed to Columbus, OH to The Bluestone December 9, 2021.

Tickets on sale Friday, October 29 at 10 AM!

• Website: http://www.steelpantherrocks.com/
• Facebook: http://www.facebook.com/steelpanther
• Twitter: http://www.twitter.com/Steel_Panther
• Instagram: http://www.instagram.com/SteelPanther
• YouTube: http://www.youtube.com/user/SteelPantherVEVO

About Steel Panther

For the uninitiated, Steel Panther was formed in 2000. Hailing from Los Angeles, the epicenter for rock n’ roll in all its debauchery and glamour, Steel Panther has established themselves as the world’s premier party band, melding hard rock virtuosity with parody and criminally good looks. Steel Panther is a global phenomenon with four full-length albums, touring across the world, platinum-level You Tube status and high-profile television appearances such as Jimmy Kimmel Live, Larry King Now, and FOX NFL Sunday.

Rolling Stone avowed, “There’s a reason Steel Panther have transcended their origins as a cover band playing the Sunset Strip,” while Metal Sucks declared, Steel Panther’s concept is genius…their songwriting is…preposterously snappy –and relatable.

Dorothy

ft. Joyous Wolf & Classless Act

April 24, 2022 6 PM

at The Bluestone

Columbus, Ohio

DOROTHY

Gifts From The Holy Ghost 

Roc Nation

Dorothy Martin’s life changed forever when she was forced to face death on her tour bus some three years ago. After her guitar technician had taken an overdose, and the light began to lift up and out from his body, Dorothy instinctively began praying for his survival. While he may have temporarily died, the technician was astonishingly, miraculously restored back to life as Dorothy and her crew formed a prayer circle near his body. It was this moment that seemed to bring Dorothy to life too. She was gifted a rebirth with a divine intervention that caused a radical and spiritual awakening in the singer, the result of which can be heard on Gifts From The Holy Ghost, Dorothy’s third studio album as front woman for the pseudonymous, blues-rock band Dorothy. 

Gifts From The Holy Ghost is the album she’s always wanted, and has perhaps been destined to make. Born from a sense of divine urgency, it is Dorothy’s most bombastic and gloriously, victorious rock and roll work yet. Each song built on triumph—the unshackling of chains, the slaying of demons with a sword of light—the album is a healing and remedial experience, made to unify listeners and point them towards a life full of purpose. It is Dorothy’s greatest gift yet.  “This album had to get made, I felt like I had a mission,” she said. 

While the band’s first, irreverently named album ROCKISDEAD, was made on a combination of whiskey and heartbreak—inspiring Rolling Stone to name them one of rock’s most exciting new acts, and Jay-Z to sign them to his label Roc Nation—Gifts was built on recovery, health, and holiness, in a way that reverses the clichéd ‘good girl gone bad narrative’. 

With the combined powers of Keith Wallen, Jason Hook, Scott Stevens, Phil X, Trevor Lukather, Joel Hamilton and the legendary ear of Chris Lord Alge, Gifts From The Holy Ghost is made from a musical palette which seems to encompass each of the musician’s influences, as well as many of the essential sounds of rock music’s history—from swampy blues to ‘90s alternative —in a way that makes the case for rock and roll itself. Not only is the genre alive, but it’s more invigorated than ever.

“I think this album is going to speak to a lot of people, it’s meant to be healing, unifying, eye-opening, ear-opening, heart-opening and celebratory,” Dorothy said, adding: “I wanted to make the realest album I could make, and I went in with the question does this make me feel alive? Does it make me feel free? If a song didn’t give me chills or make my heart soar, then it didn’t make the cut.”

Born in Budapest, Hungary, Dorothy has always been an instinctual writer and artist. Throughout her life, she’s been asking the big questions, both in and outside her art: ‘What’s the meaning of life? Why are we here? How are we here?’ When she couldn’t find the answers to those questions, she’d numb out the empty uncertainty with drugs and alcohol. She was eventually admitted to rehab and a new chapter was opened in her spiritual journey. Now, with angels whispering in her ear and the spirit moving her steps, she’s found her answers. “I’m just here to impart inspiring messages to people while having fun and rocking out!”

You can hear Dorothy’s powerful resilience across the album, particularly on “Big Guns”, which finds the singer at her boldest; sauntering over slide guitars as she steps into combat. Anthems like “Rest In Peace” bring a sweeping cinematic scope to the album, whereas “Black Sheep”, a rallying cry for unity, explodes with layered gang vocals: “we are blood, we are family,” Dorothy breaks curses, going toe-to-toe with the blistering guitar riffs. 

The album’s lyrics are a perfect balance of specificity and generality, so that the listener can attach their own darknesses and triumphs to the songs, while still getting a sense of Dorothy’s own. “We are all one human family.” she declares. 

Does that mean Dorothy has overcome all of her own adversities? “It’s a journey and it’s about progress not perfection,” she responds. “I’ve had a lot of deep revelations about my life, stuff I hadn’t been able to cope with until now. Now I’m learning new tools.” With Gifts From The Holy Ghost, Dorothy identifies her purpose as an artist. She conquers darkness with light, numbness with feeling, disharmony with unity—all while delivering one of this year’s most fun rock & roll records.

Joyous Wolf Bio

A gritty howl opens Joyous Wolf’s upcoming debut LP, Enigma, and it’s the perfect introduction since the band plays rock & roll at its most primal and passionate. Guitarist Blake Allard’s bluesy riffs harken back to the classic hard rock of AC/DC, Cream and Deep Purple while still packing a thoroughly modern wallop, while frontman Nick Reese’s voice seems to come from deep in his gut as he sings about everything from warring kingdoms to a tribute to a fallen friend. Together, with bassist Greg Braccio and drummer Robert Sodaro, Joyous Wolf’s members work together to create some of the most exciting, promising and unwieldy back-to-basics rock to come out of Southern California in recent years.

Whether nimbly navigating the swaggering, powerful groove of their go-to concert opener, “Mountain Man,” or digging into their instruments for a jammy, funky guitar solo “Major Headthrob,” the group has an unpredictable quality – a sort of unique freedom within rock & roll – that makes Enigma compelling. Part of the credit for this goes to producer Val Garay (Santana, Neil Diamond, Reel Big Fish) who came aboard at the last minute to help them achieve the record’s raw sound, which captures how Joyous Wolf sound live. But mostly, the electric feeling that defines Enigma is just something in the band’s DNA.

“When I’m playing rock & roll, it’s the only time where I feel indestructible,” Reese says. “When I heard Elvis sing ‘Heartbreak Hotel’ for the first time, I knew exactly what my heart wanted and what I wanted.”

“I think people are starting to realize the overproduction and fakeness of pop music, which is why rock is coming back,” Allard says. “We love being a rock band.” Joyous Wolf formed in November 2014, but their roots stretch back to sixth grade when Reese first crossed paths with Sodaro by fate – they had to assemble next to each other because their names were alphabetically side-by-side. Reese recalls a middle-school battle of the bands where neither he nor Sodaro was playing, but Reese declared that one day he was going to be “the best singer ever” and that Sodaro would play drums. It would take a few years, but after stints where both musicians duked it out playing in punk and alternative bands (“all of that crap,” Reese adds) they fulfilled Reese’s prophecy. The singer drafted Allard, whom he’d met randomly in the acoustic room at a Guitar Center when the two jammed on CCR’s “Born on the Bayou,” and Sodaro brought in his high-school friend Braccio to play bass. 

Before long, the quartet was jamming in Sodaro’s folks’ garage, annoying the neighbors and entertaining the local authorities. “Once on Halloween, we were rehearsing at 11 p.m. writing songs, and we faced Nick’s monitors out the window toward a canyon full of houses,” Allard recalls. “Then we saw this car at the front gate, and it’s the sheriff. He comes into the practice room and goes, ‘Hey guys, I hate to shut you down because it sounds really good, but we got a complaint from across the canyon that it was too loud.’ We still practice but not like that anymore.”

One of the first songs they played together was “Sleep Weep Stomp,” Enigma’s slow-burning, sludgy blues burner. It’s the style of music that Reese feels closest to. “I’m a blues singer, 100 percent,” he says. “That’s my everything.” The singer grew up on blues, jazz, and Fifties rock & roll. “When my dad showed me, Elvis, that was the end of it,” he says. “I needed to hear every artist that inspired Elvis and then the people who inspired them. Suddenly I had a record collection. It all felt natural: B.B. King made me want to scream my pain away. You hear all these people and you want to express all the things you love. I don’t care if people think it’s old or not current. It doesn’t matter to me.” By his own estimation, he didn’t hear anything “current” until he was 13 and borrowed his sister’s Discman only to hear the Strokes’ “Is This It”. Similarly, Allard was raised on classic rock. “My dad taught me my first song ever, ‘Sunshine of Your Love,’ by Cream,” he says. “I always went back to that kind of old blues-rock music. Even if I was into metal or hard rock, I always went back to the classics like B.B. King, Jimi Hendrix, Black Sabbath, and Led Zeppelin.”

These influences shine through on Enigma. “Killing the Messenger” begins with some crushing classic heavy-metal riffs before giving way to a boogieing verse riff where Sodaro and Braccio can bash out their rhythms freely while Reese yowls a tale about two warring kingdoms, and how an evil monarch tricks one of his most popular subjects into delivering a nasty message to the other kingdom only so he would be executed. Reese says the moral Is “life isn’t fair and it isn’t always a happy ending.” The beat-heavy “Mountain Man,” whose lyrics lambaste one of Reese’s former less-than-refined coworkers at a coffee shop, whom the singer says claimed he could “carve a knife out of the tree,” began with a guitar riff that was so forceful that the band couldn’t deny its power. “He had this little riff and we were laughing because it was so stupid-simple,” Reese says. “And it is. It’s our quote-unquote ‘dumbest song,’ but when we used it to open at the Viper Room, the audience response became one of our staple songs.”

The band is also able to channel more somber tones. The acoustic “Remember By” showcases thoughtful performances by both Allard and Reese, who wrote the song in tribute to a friend of his who had taken his own life. It came from a moment of pure inspiration. “I recorded us when we were fooling around, and it was perfect,” Reese says. “I pushed for us to record that song so hard. I said, ‘Please do it exactly like you did it. Please.’ That was me saying goodbye.”After they put out their Daisy EP in late 2015, it took the band about two years total to fine-tune and perfect Enigma. And while songwriting was a big chunk of that (the ominous riff for “Turning Blue” took them six months to perfect), they went through several passes of mixing and mastering it to get it to sound like it does. When Garay finally came aboard, they were able to establish the right mixture of nuance and directness. “It’s so much more animal,” Reese says, using the perfect adjective, to describe the way Enigma turned out. That “animal” sound has earned Joyous Wolf some notable gigs, including performances at L.A.’s famed Whisky a Go-Go, the Viper Room and the Regent Theater, where they recently opened for Eagles of Death Metal. Now they’re ready to move on to even bigger stages. “When we play a show, we go out and we kick ass,” Reese says, sounding confident. “We’re headhunters”. Headhunting on the road will now be even easier, with their upcoming record Enigma, an album that demonstrates what Reese calls Joyous Wolf’s “mojo.” – Kory Grow Rolling Stone Magazine 2017

Classless Act Bio

When they released their debut single “Give It To Me” in the summer of 2021, Classless Act were immediately praised for their ability to sound both fresh and timeless. Loudwire instantly added the song to their “Weekly Wire” Spotify playlist, identifying it as one of the top new releases of the summer. And other iconic outlets, like SPIN Magazine, were early to show support. It was a fitting public introduction to a band who embody what it means to be modern rock stars.

The band – consisting of members Derek Day (Vocals), Dane Pieper (Guitar), Griffin Tucker (Guitar), Franco Gravante (Bass), and Chuck McKissock (Drums) – initially formed in 2018 after connecting and bonding virtually by their love and passion of music. Now in Los Angeles, they’ve united on a mission to be the next great generation-defining act, drawing inspiration from classic rock acts of the 70’s and alt-rock groups from the 90’s. Their music echoes the hallmarks of previous generations – anthemic rhythms, shreddy guitars, soaring vocals – but punches its way into the future with clever arrangements, sharp musicianship, and proficient songwriting.

Already making noise in the industry, the band has been in the studio with world-class producers like Bob Rock, Michael Beinhorn and Joe Chiccarrelli, who have helped craft hits for the likes of The Red Hot Chili Peppers, Metallica, Soundgarden, and The White Stripes. The band recently landed a deal with Better Noise Music, Mediabase and Billboard’s #1 rock label for 2020. Their debut album is expected in 2022, when the band will be hitting the road with Mötley Crüe, Def Leppard, and more, on their Summer Stadium Tour.