The OFFICAL BLUESTONE TICKET BOX OFFICE
Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock. THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets
https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852
Pecos & the Rooftops
May 12, 2022 7 PM
at The Bluestone
Columbus, Ohio
BIO
Pecos & the Rooftops are a close knit group of friends from northeast Texas that came together while in college in Lubbock. The band is Pecos Hurley (Vocals/Acoustic Guitar), Brandon Jones (Rhythm Guitar), Zack Foster (Lead Guitar), Kalen Davis (Bass), and Kade Trentham (Drums). Their latest E.P. “Red Eye” released January 24, 2020.
Ian Munsick
with Ryan Charles
May 13, 2022 7 PM
at The Bluestone
Columbus, Ohio
ABOUT IAN MUNSICK
Breathing fresh Rocky Mountain air into the Nashville music scene, Ian Munsick is pioneering a new brand of country. The Wyoming-born singer / songwriter’s upbringing was a mix of working the ranch and working crowds. Under the tutelage of their fiddle-playing father, Munsick and his two older brothers grew up playing everything from bluegrass to The Beatles. Incorporating elements across genres, he has now begun to establish himself as a progressive artist with an old soul. Captivated by traditional lyrical truth and the modern soundscape, Munsick followed his ear to Music City.
In 2017 he released a self-titled EP, winning iHeartRadio’s Rocky Mountain Song of the Year for the rootsy “Horses Are Faster” and becoming the only artist who simultaneously qualified two tracks as finalists in the NSAI/CMT songwriting competition. Since then, Munsick has signed a major label record deal with Warner Music Nashville, earned more than 100 million global streams and been named one of Spotify’s inaugural Hot Country Artists to Watch. His debut album Coyote Cry features his mile-high tenor underscoring self-penned songs that conjure equal parts epic adventure and down-to-earth wisdom. The record marks the dawn of western pop-laced country, pulling a thread straight from Chris LeDoux through Post Malone. Munsick hit the road in the fall alongside labelmate Cody Johnson and his own sold-out, headlining dates. He wrapped the year with his Grand Ole Opry debut and is starting 2022 strong as a MusicRow Next Big Thing artist. Fans are finding that with Ian Munsick, western country is reborn.
About Ryan Charles
Western rapper Ryan Charles hails from the valley of Buffalo, WY. Similar to his hometown, once referred to as the most lawless town in America, Charles brings a style all his own — meshing the cowboy lifestyle with flow of 2000’s rap. A natural-born entertainer, Charles quickly became one of the most skilled freestyle rappers on the school bus, eventually making the move to Seattle, WA to pursue his music career more seriously. As an artist, Charles has released a few singles, including the jiggy buckaroo bop “Gettin’ Western” in 2020 and most recently, “Old Dirt Fancy” in 2021. Known for his signature fashion sense, light hearted twang and high-energy live shows, Charles continues to work on new music in Nashville, TN.
Paul Cauthen
May 19, 2022 7 PM
at The Bluestone
Columbus, Ohio
Want to get a bead on Paul Cauthen?
Good freakin’ luck — especially on his third album, COUNTRY COMING DOWN.
Suffice to say that the singer, songwriter and proud son of Tyler, Texas — steward of a rich, resonant, bass-leaning tenor dubbed Big Velvet — covers a lot of ground and embodies a lot of characters. He’ll tell you right off the bat that he’s “Country As Fuck,” throwing down a wad of “Fuck You Money” and heading into the night to “Cut a Rug.” His “Country Clubbin'” has as much to do with swinging as his swing. But a song or two later dude’s vowing to be loving his wife “Till the Day I Die” and, in COUNTRY COMING DOWN’s title track, dreams of living in “a cabin in the country, far away from the city lights” where “life is slow and easy.”
The fact that all of that exists within the same guy, who’s full of good humor, sharp wit and a heart as big as his home state is what makes Cauthen someone who’s easy, and exciting, to spend 10 songs with.
“Y’know, you got your bangers and you got your ballads,” Cauthen acknowledges. “You got your meaningful songs where you’re opening up more of your vulnerable side, and then you’re putting on a fucking show — all in one album. And it’s all honest, I’ll tell ya that. Everything on there is something I’ve felt or thought before.”
COUNTRY COMING DOWN has been in motion awhile, actually. The title track, one of several co-writes with good Nashville pal Aaron Raitiere, has been around since before Cauthen’s dark sophomore album ROOM 41. Its sense of campfire calm and “damn near off the map” idyll set a bar, for both music and lifestyle, that Cauthen aspired to, while the rest of the new album, recorded at Modern Electric Sound Recorders in Dallas with regular collaborators Beau Bedford (Texas Gentlemen) and Jason Burt (Medicine Man Revival), shows that Cauthen was able to get there without losing any of the playful “hot dog holly golly dagnabit” good-time spirit that rolls off his tongue like a tumbleweed in the west Texas panhandle.
As he promises in “Country As Fuck,” “I ain’t gotta sell my soul. If I want it then I grab it.”
“I’m having fun,” Cauthen says. “I’ve finally figured it out. I’m more settled and comfortable. I know I’m good at making records and great at entertaining. That’s my gift more than anything, to be able to get up there and deliver these songs to people.”
That gift is part of Cauthen’s DNA, of course, from a family deeply steeped in music. Texan on both sides, his paternal grandfather went to school with Hank Williams while his maternal grandpa, who worked with Buddy Holly and the Crickets during his youth, introduced Cauthen to singing. His grandmother taught him to play piano, while his grandfather and great uncle were the song leader and preacher, respectively, of the local Christian Church of Christ.
“Yeah, I had no choice, really” Cauthen says now. “(Music) is what I call my birddog trait; You don’t have to tell a birddog to jump in the river and grab the duck and bring it back to you. And you don’t have to tell me to get up on stage and perform. That’s what I’m supposed to do. My family enjoyed watching me perform when I was a kid; I would get up in front of everybody at Christmas with my guitar and play ‘Jackson’ with my grandmother. I learned my trade, y’know?”
Cauthen pursued that trade into young adulthood, showcasing at Cheatham Street Warehouse in San Marcos and forming the duo Sons of Fathers, whose early albums were produced by Lloyd Maines. After the group ran its course, Cauthen set off on his own in 2016, recording MY GOSPEL partly in Muscle Shoals, AL.; The album made Rolling Stone’s list of Top 40 Country Records that year. 2018’s HAVE MERCY EP began his association with Bedford and featured contributions by other members of the Texas Gentlemen, and also led to Cauthen’s Grand Ole Opry debut as a solo artist on June 22, 2018.
The critically acclaimed ROOM 41, meanwhile, chronicled and exorcised a rough period in Cauthen’s life, marked by a romantic breakup, substance abuse, depression and anxiety issues. “My growing years were like going to college,” Cauthen confesses. “I just got screwed so many times by so many different people on this whole freakin’ journey. I had this void I was trying to fill in my heart, with booze or any type of, just, abuse. I made every stupid mistake you can make in the business, and in life, in order to learn ’em all.
“I don’t feel that hurt anymore. I’ve changed.”
Marriage helped, he says. So did cleaning house and restructuring the business operation that surrounded him. That allowed Cauthen to plunge into COUNTRY COMING DOWN with a lighter heart and wicked humor — one that allowed him to find the profound meaning in a “schmoozie bougie brouhaha.”
If you want to know what that sounds like, tuck into the album’s sonic array, an austere, sinewy attack that puts Cauthen’s vocals dead center in the ride. “We’ve really unleashed Big Velvet in this situation, which I love,” he says. Nowhere is that more true than “Country As Fuck,” with a taut groove and loping gait tailor made for a 21st century honky tonk. Cauthen, Bedford and Burt play with that template throughout COUNTRY COMING DOWN, punctuating “Caught Me At a Good Time” with a sharp guitar solo, “High Heels” with a tasteful Wurlitzer break and the satiristic “Country Clubbin'” with a disco beat and chorus of female backing vocals.
But just when you buy in — and happily convert — to Cauthen’s brand of unapologetic hedonism, the soul comes out. “Till The Day I Die” smoothes his raw heart with the promise of true and lasting love, while the stock-taking “Roll On Over” takes a wistful look in his rearview mirror. And “Country Coming Down” realizes a dream of calm — although not exclusive of the next sojourn with “Champagne & a Limo.”
I’m always on a quest, sonically,” Cauthen explains. “I was wanting to go at this just serving the song, more, ‘What does this call for?’ rather than worrying about genre or sonic palette or any certain sound. I had a lot of these songs brewing for a long time, and we just let them grow on their own.”
His muse fully engaged, Cauthen is looking towards doing more of that in the future, with a few conceptual ideas up his sleeve about what he might do next. No matter what direction he takes, however, he won’t be abandoning that cabin in the hills or the “Country Clubbin'” life; Cauthen will just be adding more to the mix he’s stirred together.
“It’s just about looking at yourself in the mirror and knowing that what you’ve done to this day has been in good standing, with good morals and a good compass in life, driven the right way,” he says. “Legacy is all we have — that, and try to be a good person as well. If you get all that together, then you can do whatever the fuck you want and it’ll be alright.”
WCLT T-100 Presents
Aaron Lewis and the Stateliners
with Tyler Booth
North to Nashville & Bim Strawser
Live in Columbus Ohio
July 2, 2022 4 PM
Things to Know! July 2, 2022 The Bluestone Parking lot party
The gate opens at 4 PM music will start at 5 PM
THANK YOU FOR SUPPORTING OUR BUSINESS AND LIVE MUSIC!!
- PARKING IS AVAILABLE ALL AROUND THE VENUE. OUR PARKING IS BEING USED FOR THE SHOW BUT MANY LOTS WILL BE OPEN AROUND US.
- THE ENTRANCE TO THE SHOW IS ON THE WEST SIDE OF OUR LOT. PLEASE REVIEW THE MAP.
- ALL patrons must have a valid ticket to enter. We only guarantee tickets bought through our Eventbrite site. Tickets bought through 3rd party sites are not guaranteed.
- All patrons must receive a WRISTBAND to enter and stay on the grounds. DO NOT REMOVE YOUR WRISTBAND.
- Veterans and first responders that wish to view the concert from the VIP area must receive a VIP wristband when they enter. A valid I.D. will be required to show proof of service. We value our veterans and ask that the space is used for them and them only.
- All patrons that purchase alcohol must have a valid I.D. no exception
- Credit cards and debit cards will be accepted. NO ATM will be on site
- Lawn chairs are allowed but will be searched. Please remove them from any coverings when entering.
- The show is rain or shine and will only be stopped if lightning is close. If the show is stopped, We will make every effort to resume the show.
- The Bluestone will be open to all that have a wristband. We will have tables and chairs to relax and cool off! You are welcome to purchase alcoholic drinks inside the Bluestone and bring them to the concert area. Miller Lite, Coors Light, and Truly canned drinks will be available in the concert area. PLEASE DRINK RESPONSIBLY!
- We will not tolerate fighting of any kind! We are here to celebrate Independence Day and have fun. We have the right to remove any problems and we will do so without a refund. HAVE FUN AND PLEASE RESPECT YOUR NEIGHBORS!
- What can’t I bring to a show with me?
For the safety of both concert patrons and our staff, we do not allow the following items:- Oversized bags or backpacks of any kind
- Outside food, drink, bottles or cans
- Coolers or umbrellas
- Recording devices, go-pros, selfie sticks, drones, phone stabilizers
- Fireworks, candles, laser pointers, incendiary devices
- Inline skates, skateboards, bicycles, razer scooters, helmets
- Pets (exceptions for service dogs, etc…)
- Any form of weapon, including knives, tasers, mace or pepper spray
- Anything with spikes/studs on them (shoes, bracelets, rings, clothing)
- Strollers, car seats
- iPads and other tablets (with camera capabilities)
- Musical instruments and promotional materials (flyers, CDs, stickers)
- Inflatables, signs, banners
- Illegal drugs and drug paraphernalia
- Our show is a general admission standing room only EVENT, which means that there is no assigned seating if there’s seating at all.. If you require ADA-accessible seating for our show, a member of our Guest Services staff can help accommodate your needs when you arrive.
- Can I bring a camera, video camera, or recording device?
The camera policy is set by the artist. Generally, the rule is that no professional cameras or recording devices of any kind are allowed. Many artists will allow you to bring a disposable or small digital camera. If you have a question about the camera policy for the show, please contact us. - Does my child need a ticket to get in?
Yes. Everyone, regardless of age, must have a ticket unless otherwise posted. - What time is the show?
The time listed on your ticket is the time that the doors will open for the show. Live music will usually start about an hour after the doors open, but that’s always subject to change. Also, we don’t usually know the set times, that’s up to the bands to decide. 
Country Music’s Aaron Lewis comes to the parking lot of The Bluestone at 583 East Broad Street Columbus, Ohio July 2, 2022. Tickets for the events will go on sale Friday, February 4th at 10 AM. Aaron Lewis has played The Bluestone many times since 2012. This show is expected to sell out quickly like years before. The larger crowd, outdoors with food and brew. Come celebrate Independence day with Aaron Lewis and more artists to be announced. A day of fun, patriotism, and most of all Music!
Aaron Lewis grew up in Springfield, Vermont, listening to his grandparents’ country 8-tracks. Those roots inspired the multi-platinum frontman and founder of Staind to return to his origins and since has quietly made an impact on country music without flexing to let everyone know what a big deal he is. With a decade invested in a genre that’s seen him record with George Jones, Charlie Daniels, Vince Gill, Alison Krauss, Mickey Raphael, the Cox Family, Ben Haggard, Dan Tyminski, and producer Buddy Cannon, he has claimed two #1 Billboard Country Album debuts for his albums Town Line and Sinner. Lewis’ single “Am I The Only One,” debuted on Billboard’s #1 Hot Country Song,” only the time a debut has topped the chart since 1958. The hard-touring, workingman’s star’s latest album Frayed at Both Ends was released in January of 2022, his most personal and unplugged work.
Maddie & Tae October 14, 2022 7 PM
with SACHA
The Bluestone
Columbus, Ohio
Tickets purchased before postponed date are still valid.
Maddie & Tae‘s All Song No Static Tour presented by CMT Next Women of Country is headed to Columbus with special guests SACHA.
- Website: www.maddieandtae.com
- Facebook: https://www.facebook.com/maddieandtae
- Twitter: @MaddieandTae
- Instagram: @maddieandtae
- YouTube: https://www.youtube.com/user/MaddieandTae
About Maddie & Tae
Award-winning duo Maddie & Tae are drawing praise for their No. 1 debuting The Way It Feels album release with Rolling Stone saying the new music is “anchored around their stellar vocal pairings and some of the tightest harmonies on Music Row.” Together as longtime friends and music collaborators, Maddie Font and Taylor Kerr co-wrote 14 of the album’s 15 tracks including the Platinum-certified No. 1 country radio hit, “Die From A Broken Heart,” which Esquire calls “their finest moment yet.” The pair also co-wrote two brand new holiday songs to join a collection of classics for their first ever holiday project- We Need Christmas.
Maddie & Tae first broke out in 2013 with their brilliant counter to bro-country, the Platinum-selling smash, “Girl In A Country Song,” which took Country radio by storm, skyrocketing to the top of the charts and quickly going PLATINUM. The duo became only the third female duo in 70 years to top the Country Airplay charts, also earning trophies from the Country Music Academy and Radio Disney Music Awards along with multiple ACM, CMA and CMT Award nominations. Maddie & Tae have received widespread praise from Associated Press, Billboard, Entertainment Weekly, NPR, The Tennessean, The Washington Post, Glamour and others. The celebrated duo has toured with country music’s hottest stars including Carrie Underwood, Dierks Bentley, Brad Paisley and more.
About SACHA
Making a name for herself in the U.S. and Canada since the release of her EP The Best Thing in July 2020, SACHA is one of country music’s fastest rising stars. Becoming an iHeartRadio’s “Future Star” following the success of her latest single “Standards”, SACHA has since been named as a member of CMT’s Next Women Of Country 2021 class and earned her first GOLD single alongside The Reklaws with their viral hit track “What The Truck,” which was the the fastest-ever Canadian country song to go GOLD in the streaming era (under 16 weeks). She recently performed the track alongside The Reklaws to close out the national broadcast of the 2021 Canadian Country Music Awards.
Featured in major television, print and online press including CMT, Music Row Magazine, American Songwriter, Rolling Stone Country, Billboard, The Boot, Hello! Magazine, US Weekly and Bustle, SACHA has also appeared on A-list editorial playlists (U.S. and Canadian) on Spotify, Apple & Amazon Music. Fans can catch her recent music videos on CMT, including “Cheers,” “Standards” and “What The Truck”. SACHA recently premiered her music video for “Pretty Please” in New York City with a takeover of the Paramount Times Square billboards and on CMT. The track can be found on SACHA’s sophomore EP WE DID, which is available everywhere now.
Cooper Alan
Cooped Up Fall Tour
w/ David J
November 3, 2022 8 PM
Doors Open 7 PM
at The Bluestone
Columbus, Ohio
About Cooper Alan
If you like country music and you’re on any social media app, you’ve probably seen Cooper Alan on your screen in the past two years. The country singer has independently built a fanbase of over 8.5 million followers and has earned over 80 million streams on his music. Originally from Winston Salem, NC, he spent his high school and college years playing bars, college campuses, and Honky Tonks all across the Carolinas. He and his band became the “go-to” for great music and a high-energy, all-night throw-down performance.
After graduation, Cooper packed up his guitar and moved to Nashville as fast as he could, where he had the incredible luck of meeting hit songwriter/producer Victoria Shaw who signed him within weeks to a publishing deal. He is fortunate and proud to have the opportunity to write songs with people like Rivers Rutherford, Seth Mosley, Matt Nolen, Skip Black, Kent Blazy, Desmond Child, Jeffrey Steele, and of course, Victoria Shaw.
Matt Stell
w/ George Birge
November 17, 2022 8 PM
Doors Open 7 PM
at The Bluestone
Columbus, Ohio
About Matt Stell:
THE COUNTRY MUSIC INDUSTRY HAS LONG BEEN FILLED WITH ITS SHARE OF CHARACTERS. FROM WILLIE TO HANK AND DOLLY TO WAYLON, EVERY LEGEND STARTS OUT AS JUST ANOTHER ARTIST THAT DOESN’T FIT EASILY INTO SOME PREDETERMINED BOX. AND AS HARD AS COUNTRY MUSIC MAY TRY TO FIT MATT STELL INTO ONE OF THOSE TRIED AND TRUE BOXES, IT’S DARN NEAR IMPOSSIBLE.
Heck, he’s 6’7.
But more so than the massive physique that helped Stell become a collegiate basketball standout, the Platinum certified singer has proven via the songs he sings and the shows he puts on that he is far too powerful of an artist to ever fit into some sort of singular category. In fact, to describe Stell in a few words would be a complete disservice to the man he is and the artist he looks to become as he releases his new EP Better Than That on October 16.
“If you cut a groove too deep, it’s hard to get out of it,” he remarks with a chuckle. “I’ve never wanted to be some one-dimensional artist, and with this new EP, I think I’m determined to show that there is much more to me than just a guy who can sing a love song.”
Indeed, the Arkansas native comes from a long line of self proclaimed badasses. He can spin a romantic verse as easy as he can rock out an anthem. He can overanalyze a word as easily as he can let the melody ride a lyrical wave. And yes, he gets as much enjoyment out of discovering a hook in the writing room as he does hooking a fish.
“When you step out into that river and the salmon are still swimming upstream like they have for thousands of years, it’s a real cathartic, therapeutic thing for me,” he says of a recent fishing trip to Alaska. “It’s a great reset.”
In everything he does, it’s evident that Stell is reflective and adventurous and funny and pretty damn smart. And if he’s being totally honest with himself, he’s never been one to love a love song.
Yep, you heard that right.
Granted, it was in fact a love song that catapulted Stell to country music success in 2019 via his massive hit “Prayed for You,” a life-changer of a song that spent two weeks at the number one spot. As the only debut single to top Billboard’s Country Airplay chart in 2019, and one of NSAI’s “10 Songs We Wish We’d Written,” the hit has gone on to rack up some impressive stats with over 270 million streams, his first RIAA Platinum certification and more than 20 million views of its official music video to date.
But there’s a catch.
“If the only thing you’ve heard is ‘Prayed for You,’ you would have a different idea of who I really am,” Stell explains. “Knowing that you are making music that means something to people is the ultimate compliment, but there is so much more to me.”
A few more of the many facets of Stell are currently on display via his current top 10 and rising single “Everywhere But On,” a song that Stell calls ‘autobiographical’ in the way that it tells the story of a man trying to escape the memories of a long lost love.
“Having two songs on the radio is an incredible thing, but what’s even more incredible is finding your own voice and your own identity,” he says.
Stell showcased a whole bunch of identities in another Better Than That EP standout – “If I Was a Bar.” At a time when some of his fellow artists were perfectly content in simply sitting down with their guitar and playing their songs during the pandemic that Stell lovingly refers to as a ‘damn biological hurricane,’ Stell and his rather relentless work ethic turned out a music video that had him playing thirteen different roles in the span of a 3-plus minute song.
“I threw every stitch of clothing I have ever owned into my truck for that video shoot,” laughs Stell of the somewhat restrictive project. “Sometimes creativity benefits from constraints.”
Yet, there were few constraints on Stell’s songwriting during the creation of the new Better Than That EP, which was co-produced by Stell alongside Ash Bowers. Via songs co-written by Stell such as “I Love You Too,” “Chase It Down” and the title track “Better Than That,” the listener can still hear Stell’s distinctive way of wrapping a lyric around a memory and the twist he can put on a phrase.
“Songwriting is a craft that can get better the more time you put into it,” remarks Stell, as he laments to himself about how much he hates clichés.
But for the first time in his still evolving career, Stell relied on outside writers on three of the eight tracks of the Better Than That EP in an effort to fill in the blanks of the overall project.
One of those cuts is “Sadie,” a melodic brain-buster of a song that offers ‘a sparse lyric but one in which every word means something.’ Another outside cut is “Look At Me Now,” perhaps one of the most earth-shattering love songs in recent memory. Yes, the guy who says love songs aren’t his thing just might make history with yet another love song.
But before Stell looks too far into the future, he finds his soul planted deeply in the present. He is praying for the day he can plug his amp back in and jump on the bus with his band and play these new songs for a live crowd.
This new chapter in his journey leaves Stell with a whole bunch more ammunition in the writing room and a unique vantage point to view the characters in his songs…and the character he might ultimately turn out to be.
LOVE AND THEFT
w/ North to Nashville
DECEMBER 2, 2022 8 PM
Doors at 7 PM
The Bluestone
583 East Broad Street
Columbus, Ohio
Love and Theft Live at The Bluestone in Columbus, Ohio, on December 2, 2022, at 7 PM Tickets are on sale now!
Love and Theft is an American country music duo consisting of vocalists Eric Gunderson and Stephen Barker Liles. They originally recorded as a trio with vocalist Brian Bandas; after he exited the band, Gunderson and Liles continued as a duo. Signed to Lyric Street Records subsidiary Carolwood Records in 2009, Love and Theft made their chart debut in early 2009 with the single “Runaway,” which reached the Top 10 on Billboard Hot Country Songs. The band’s debut album, World Wide Open, was released on August 25, 2009.
In 2011, following the departure of Bandas, Love and Theft continued as a duo consisting of Gunderson and Liles. The duo moved to RCA Records Nashville that year and released the single “Angel Eyes”, which became their first number 1 single. It and the Top 40 singles “Runnin’ Out of Air” and “If You Ever Get Lonely” all appear on their second, self-titled album. A third album, Whiskey on My Breath, followed in 2015.
Carter Winter Live January 21, 2023
January 21, 2023, at 8 PM
Doors Open 7 PM
Hometown native Carter Winter will headline our stage on January 21, 2023
With a rich baritone voice and a talent for crafting engaging lyrical stories, singer/songwriter Carter Winter is quickly becoming established as one of the most brilliant new singer/songwriters in country music.
His passion for touring the country and meeting fans has put him on stages coast to coast, where inspiration can strike at any time. The passion for each song he writes is what ultimately drives him to be even better, saying “each song is its own piece of art.”
“Higher on You,” Winter’s latest work of art, is a brand new song co-written with label mate Sam Grow and hit songwriter Taylor Phillips. The single’s artwork — a whimsical hand-drawn self-portrait — reveals yet another dimension of Winter’s artistry not as well known.
“With every new song and project I create, I feel like I get closer to my sound and who I am as an artist,” commented Winter. “This song is such a good vibe, it’s different yet familiar and I’ve never been more excited for a single release!”
The song is the first new music released by Winter following his Average Joes Entertainment debut album, “Temptation,” released to critical acclaim in late 2018. Produced by Grammy award-winning producer, Chad Carlson, the album yielded the hit song and video, “Skylines,” which was added to rotation on CMT Music.
The Ohio native’s first EP, “Some Kind of Fire,” was released in 2015, and was followed by 2016’s “The Whiskey In Me.” Winter is currently writing and recording songs for his next album scheduled for release in late 2020.
Called “country music’s modern traditionalist,” Carter Winter connects with an audience through a fresh sound that like Carter himself, is surprisingly familiar, yet raw and honest. Winter has been influenced by living a life on the edge, but having the wherewithal to share life’s ups and downs through songs. As a creative talent, he has always been compelled to do what he does, even if there’s no fallback option. When it’s all said and done, the challenges are what makes the music stand out, on its own perch.
Eli Young Band
January 26, 2023 at 8 PM
Doors Open 7 PM
at The Bluestone
Columbus, Ohio
Artist Biography
by Mark Deming
Fusing a young man’s take on heartland rock with the tougher side of Texas country music and the cocky enthusiasm of alt-country firebrands, the Eli Young Band have become a potent draw in the Southwest on the strength of local airplay and extensive touring. The Eli Young Band’s story began when Mike Eli and James Young both enrolled at the University of North Texas and found themselves sharing a dorm room as freshmen. Both played guitar, and the two new friends started writing and singing songs together. Under the name Eli & Young, they began playing acoustic shows at local bars and coffee houses, and in time they expanded the band into a full electric quartet with the addition of fellow students Jon Jones on bass and Chris Thompson on drums, thus giving rise to the Eli Young Band.
The group became a potent local draw, and in 2003 opened a show for rising star Miranda Lambert. Producer Frank Liddell saw the show and was impressed enough to offer the band a deal with his independent label, Carnival Recording Co. The Eli Young Band’s debut album, Level, appeared in 2005, and the songs “That’s the Way” and “When It Rains” began scoring significant airplay in the Lone Star State. The Eli Young Band’s enthusiastic live show helped them draw a large and loyal audience in the Southwest, where they were able to fill 2,000-seat venues as a headliner, and they toured the country as an opener for the likes of Pat Green, Cross Canadian Ragweed, and Jack Ingram.
In 2006, the group’s live show was captured for posterity on the concert recording Live at the Jolly Fox, taped during a gig at a club in Huntsville, Texas. The Eli Young Band then landed a deal with the Universal-distributed Republic Records; a video for a new recording of “When It Rains” subsequently received extensive play on Country Music Television, and the group’s first album for Republic, Jet Black & Jealous, was released September 2008, with “When It Rains” and two other songs from the album, “Always the Love Songs” and “Radio Waves,” becoming Top 40 hits.
The follow-up album, Life at Best, delivered another hit, the Liz Rose– and Lee Brice-penned “Crazy Girl.” The album was well-received by fans and critics alike, and the following year the Eli Young Band were nominated for a host of awards, including a clutch of Academy of Country Music Awards where they took home the Song of the Year accolade for “Crazy Girl.” They were also up for Grammys for Best Duo/Group Performance and Best Country Song. They soon returned to the studio to record sessions for their fifth album, and in 2013 the fruits of their labor appeared in the shape of the “Drunk Last Night” single, which raced to number one in the U.S. Country Airplay chart. Building on this success, they headed out on tour before announcing that 10,000 Towns was set to be released in 2014; it was preceded by the second single “Dust.” An EP called Turn It On was released in the spring of 2015. For 2017’s Fingerprints, the Eli Young Band signed with the Big Machine subsidiary Valory; the record entered the Billboard country charts at 17.
In March 2019, Big Machine released the compilation This Is Eli Young Band: Greatest Hits.
Kolby Cooper
February 9, 2023 at 8 PM
Doors Open 7 PM
The Bluestone
Columbus, Ohio
About
KOLBY COOPER
Kolby Cooper lost his childhood and found his voice.
Cooper was 14 when cancer took his dad, and he channeled that painful loss into songwriting. He was 18 with the responsibility of a wife and baby on his shoulders when he used his high school graduation money to record an EP. And now, barely old enough to buy a round for the band, Cooper is pouring his signature blend of scorching break-up anthems and gut-wrenchingly relatable songs into a new record for BBR Music Group.
Far from the typical music industry inroads, Cooper has been riding the fast track from a small Texas town driven by necessity and inspired by his fathers working-class principles.
“Losing my dad and then becoming a dad made me think, “This just can’t be a fun thing. I mean, it’s fun – but it has to be a job too,” Cooper said with candor. “I have to work my ass off. I’m not Just trying to pay rent.”
In three short years, Cooper has accomplished what has eluded seasoned Nashville insiders amassing more than 110 million Spotify streams and playing numerous, sold-out show around the country, with thousands of fans singing along to his searing, wry lyries.
Drawn to his unrestrained, fresh sound, Cooper is earning early praise for his rough-hewn velvet vocals, layered over wailing electric guitar, and a buoyant Texas bottom-end. His new record is Country with clear influences from his Lonestar State roots. ‘The result “is authentic to me,” said the humble outlier. “I m older and understanding more about myself, and the music, and what I want to say. This is exactly what I set out to sound like.
At 22, he is coming into his own as a master storyteller and an angry advocate for the heartsick as he writes each of his songs from the deeply personal “Boy from Anderson County,” an autobiographical look at how love can propel a boy into becoming a better man, to “Good For You,” a sneering, steel-guitar slice of resentment, and the dreaded “its not you, it’s me pathos of
“Excuses, which was inspired by his guitar player’s sudden breakup.
Cooper is refreshingly kind and happy for someone who can readily tap into rage and angst. He embodies and moves confidently between contradictions from the defiant to the forlorn.
“People ask me, ‘Why do you write these breakup songs? You must have a bad past with exes.” he said laughing. “Ive been dating my wife since we were seniors in high school. I write from the perspective of what I see – a lot of tough relationships in a small town that I witnessed firsthand.
Winter Werkout
February 17-18, 2023
The Bluestone
Columbus, Ohio
Grateful Shred Industries, Relix and PHILM Present
Grateful Shred
February 28, 2023 at 7 PM
Doors Open 7 PM
The Bluestone
Columbus, Ohio
buy tickets
About
Grateful Shred / Bio 2023
After a meteoric rise from obscurity to a national touring band, Los Angeles-based Grateful Shred has made the most of its time in the spotlight. The lineup, featuring Dan Horne and Austin McCutchen alongside keyboardist Adam MacDougall woke the Grateful Dead cosmos with a unique laid-back harmony driven sound. The band literally went from playing the Shakedown Street vendor area prior to Dead and Company shows to touring the United States.
The moment that sent the band’s popularity soaring is the “Busted at the Bowl” video, a YouTube video that features Shred members starting an impromptu set in the parking lot of the Hollywood Bowl before a Dead and Company show in 2017. They don’t get too far before drawing so much attention that the police shut them down. Instantly creating Shred-cred, this was a bit of good fortune that doesn’t get past McCutchen. “We’ve been dealt some pretty good cards,” he states. “It’s been cool to roll with it and push forward and continually make stuff happen. Things have gone our way. Even that video happened magically. It was put together at the last minute, and boom!”
The thing is, Grateful Shred manage to channel that elusive Dead vibe: wide-open guitar tones, effortless three-part vocal harmonies, choogling beats, and yes, plenty of tripped out, Shredded solos. The look, the sound, the atmosphere. It’s uncanny. Far from being a historical re-enactment, Grateful Shred’s laissez faire vibe infuses the band with a gentle spirit, warmth, and (dare we say it) authenticity. From their killer merch game to their eminently watchable
YouTube channel, they’re clearly having a rad time and spreading the love. Strangely enough, in a world overflowing with wax museum nostalgia and Deadly sentimentalism, we need the Shred, now more than ever.
Grateful Shred is: Austine Beede, Dan Horne, Alex Koford, Zeph Ohora, Adam MacDougall, Austin McCutchen, John Lee Shannon
