The OFFICAL BLUESTONE TICKET BOX OFFICE
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https://www.ticketmaster.com/the-bluestone-tickets-columbus/venue/41852
The Matt Stell Concert with Special Guests Chris Bandi and Ray Fulcher originally scheduled for March 20, 2020 has been forced to reschedule. A new date will be announced in the coming months! Tickets for the original date will still be honored on the new date, so hang onto yours and stay tuned to our Facebook, Instagram, or website for that announcement. If you should choose to receive a refund instead of keeping your original ticket, please request one at the original point of purchase and you will receive that in approximately 14 business days.
Thank you for your patience and we look forward to seeing you at a show soon!
Matt Stell LIVE in Concert at The Bluestone on March 20th, 2020
Doors for the show will open at 7pm
Opening Artist: Chris Bandi and Ray Fulcher
Tickets are $15 in Advance and $20 day of show
Tickets on-sale Wednesday, November 20th at 10am
PURCHASE HERE
“I just try to be as real as possible,” says “Prayed for You” hit maker Matt Stell. “Just trying to tell some kind of truth is the hallmark of what I do.”
Coming from a true singer-songwriter like Stell, that’s not really an Earth-shattering statement. What makes it interesting, though, is the wealth of experience he has to pull from. A renaissance man in modern country, Stell is both an artist and an athlete, a soulful Southern vocalist and a worldly wayfarer. He’s a deep-thinking academic and a live-for-the-moment dreamer. And he’s a writer whose passion for the page is only equaled by his addiction to the stage.
Chase Rice (solo acoustic) @ Westland Mall Drive-In
Prime Social Group Presents…
Thursday, October 8, 2020 from 6:00 PM to 11:00 PM (EDT)
Columbus, OH
Chase Rice (solo acoustic) @ Westland Mall Drive-In
Prime Social Group Presents…
Thursday, October 8, 2020 from 6:00 PM to 11:00 PM (EDT)
Columbus, OH
Chase Rice first climbed charts as a co-writer of Florida Georgia Line’s monster hit “Cruise,” the historic 24-week No. 1 that perched atop the Billboard Hot Country Chart longer than any other song in the chart’s then-69-year history. In 2014, Rice broke through as an artist: Ignite the Night yielded Top 5 singles “Ready, Set, Roll” and “Gonna Wanna Tonight,” which he followed in 2017 with the acclaimed Lambs & Lions before ultimately earning his first No. 1 single as an artist, 2019’s two-week chart-topper “Eyes On You.”
Love and Theft
Stevie Monce and Christian Kaser
Live in concert July 9th, 2021
At The Bluestone Columbus, Ohio
Tickets on sale May 7th, 2021
VIP Meet and Greets available
Love and Theft at The Bluestone
A pop-country act built around the striking harmonies of Eric Gunderson and Stephen Barker Liles, Love and Theft came together in Nashville in 2006. Initially, vocalists and songwriters Gunderson, Liles, and Brian Bandas took turns singing leads, while the other two sang gorgeous backing harmonies. Versatile, bright-sounding, and with a clear sense of pop-country arrangement, Love and Theft‘s live shows brought them an enthusiastic fan base. After playing a showcase for ASCAP representatives, Love and Theft were offered a deal with the Disney-affiliated country label Lyric Street Records. Working with producers Jeff Coplan and Robert Ellis Orrall, the trio released its debut album, World Wide Open, on CarolWood Records (a Lyric Street affiliate) in mid-2009. The album’s first single, “Runaway,” peaked at number ten on the country singles chart, while the album also cracked the country Top Ten. However, Lyric Street and CarolWood were closed by Disney in April 2010, and the group went looking for a new label. Bandas left the band in 2011, and Gunderson and Liles continued on as a duo. The two-piece Love and Theft were signed to RCA Nashville later that same year. A single from the duo, “Angel Eyes,” was a major country hit, rising to number one on the C&W singles charts, while the subsequent album, simply called Love and Theft, went to number four on the country albums survey. However, Love and Theft had completed most of their third album when they fell into disputes with RCA Nashville, and they parted ways with the label. Launching their own Hate & Purchase Music, Love and Theft self-released Whiskey on My Breath in February 2015. The album’s title track rose to 31 on the country singles chart, and in 2016 the duo signed with Curb Records, which soon reissued Whiskey on My Breath.
Lanco Live in concert
ONLY $25
July 23, 2021
Doors at 7 PM
Tickets on sale May 7th, 2021
Country-rock band LANCO — which stands for Lancaster & Company — was formed in 2013 by namesake and frontman Brandon Lancaster. Hailing from Georgia, Tennessee, and Kentucky, the quintet members included drummer Tripp Howell, guitarist Eric Steedly, keyboardist Jared Hampton, and bassist Chandler Baldwin. Crafting feel-good country anthems tinged with classic rock and blues edges, LANCO got their start after a chance meeting between Lancaster and producer Jay Joyce (Eric Church, Little Big Town) Keith Urban concert. Joyce signed LANCO to his publishing company and produced their eponymous debut EP. The band signed with Sony Music Nashville imprint Arista Nashville in late 2015. Their second EP, Extended Play, was released in early 2016. It contained three of the same songs as their debut, exchanging “High” for newer track and lead single “Long Live Tonight,” a pop-infused country song with a Kings of Leon undercurrent. In 2017, their song “Greatest Love Story” was also featured as the theme for the Netflix series The Ranch, and this placement helped break the band, with the single reaching Billboard’s Hot Country Songs Top Ten. Hallelujah Nights, the band’s long-awaited full-length debut, appeared in January 2018. They returned the following year with the single “Rival.”
Trey Lewis Live in concert August 7th, 2021
Only $15
At The Bluestone in Columbus, Ohio
Tickets only $15 at www.liveatthebluestone.com or Eventbrite
https://www.eventbrite.com/e/trey-lewis-tickets-158952389877
Trey Lewis Live at the Bluestone
“It just so happens that I put out a song about d–ks and buttf–ks, but I do have a hell of a story,” Trey Lewis professes — and he’s not kidding.
Lewis, a legit singer-songwriter, has a NSFW viral hit on his hands, but don’t mistake “D–ked Down in Dallas” for country music parody, or Lewis himself as a comedian who sings. The Birmingham, Ala., native — who has never even been to Texas and is the type of Southern guy who drops the occasional “Yes, ma’am” in conversation — makes his living as a bar singer, and he’s hoping that after you stop chuckling at those raunchy lyrics, you’ll stick around to hear what else he has to say.
Lewis recently celebrated his 33rd birthday and has been sober for 13-and-a-half years. At the age of 19, he was in and out of jail and psychiatric wards “and all kinds of stuff,” he says. He entered treatment, got both sober and the help he needed, and moved into a halfway house after finishing his program.
“My sponsor asked me what were my hopes and dreams,” Lewis recounts, “and I said, ‘I really don’t know.’ And he said, ‘That’s what we’ve gotta do, is get you hoping and dreaming again.'”
As a child, he “always wanted to be Garth Brooks.” He’d sing with his uncles, and both his mom (a karaoke aficionado) and grandfather (a harmonica player) enjoyed music, but Lewis was, he says, quite shy.
Read More: Trey Lewis’ Story Is So Much Deeper Than His NSFW TikTok Hit | https://tasteofcountry.com/who-is-trey-lewis/?utm_source=tsmclip&utm_medium=referral
Read More: Trey Lewis’ Story Is So Much Deeper Than His NSFW TikTok Hit | https://tasteofcountry.com/who-is-trey-lewis/?utm_source=tsmclip&utm_medium=referral
Drake White
The OPTIMYSTIC Tour
October 22, 2021
Doors 7 PM
The Bluestone
583 East Broad Street
Columbus, Ohio 43215
Drake White Live at The Bluestone October 22, 2021
To listen to Drake White’s music is to fully experience the soul and rhythm of his upbringing in the Appalachian foothills of Northeastern Alabama. The undeniable sound of his soulful voice has whipped concert audiences across the country into a frenzy as Drake and his band, The Big Fire, raise the roof and summon spirits to life on stage. It’s equal parts Baptist tent revival and amped-up southern rock festival. As you watch Drake crank the energy level up higher and higher throughout the night, you feel as if you’d walked in on a live gospel album backed up by all-stars from The Allman Brothers and Lynyrd Skynyrd. Of course, those acts hit musical pay dirt recording in Muscle Shoals, Alabama in the late ‘60s and ‘70s, a little over two hours west of Drake’s tiny hometown of Hokes Bluff.
The same fire that drives Drake to pour his entire being in to those performances also demands that he continue exploring and refining that country soul sound, which the world first heard on his debut album, 2016’s SPARK (Big Machine Label Group). In the spirit of propelling his music forward, Drake teamed up with a crew of Nashville’s most creative musicians, too, as he says, “Bridge that gap between Nashville and Muscle Shoals.” It’s at the crossroads of those two musical worlds that you’ll find Drake White’s new five-song EP, PIECES (BMLG Records). The new project is helmed by hit producer Busbee, best known in country circles for his work with Maren Morris and Keith Urban.
This ticket is a revocable license and may be taken up and admission refused upon refunding the purchase price appearing hereon and is grounds for seizure and cancellation without compensation. Holder of this ticket (“Holder”) voluntarily assumes all risks and danger incidental to the game or event for which this ticket is issued whether occurring prior to, during, or after same, including, but not limited to, contracting, and/or spreading the COVID-19 virus, and agrees that the organization, venue, presenter, agents, participants, or players are not responsible or liable for any injuries, sickness, or death resulting from such causes. Holder acknowledges that the COVID-19 pandemic remains a threat to individual and public health, COVID-19 is a highly contagious disease transmitted through human contact and respiratory droplets (including through the air and via common surfaces) and it is possible that Holder may contract COVID-19 while at the game or event for which this ticket is issued. Holder agrees by use of this ticket not to transmit or aid in transmitting any description, account, picture, or reproduction of the game or event to which this ticket is issued. Breach of the foregoing will automatically terminate this license. Holder agrees that the license comprised by this ticket may be removed and Holder may be ejected from the game or event for which this ticket is issued in the event that Holder violates any law, ordinance, or venue regulation. Holder grants permission to the organization sponsoring the game or event for which this ticket is issued to utilize Holder’s image or likeness in connection with any video or other transmission or reproduction of the event to which this ticket relates.
Disco Donnie Presents and My Best Friends Party
Fright Night : Svdden Death . Must Die . Eazybaked – Saturday 10/30
**Tickets http://hive.co/l/frightnight1030 **
Featuring headliners :
https://www.facebook.com/suddendeath/
https://www.youtube.com/svddendeath
https://youtu.be/rcUB-A5k-Pc
https://soundcloud.com/mustdiemusic
https://www.youtube.com/user/MUSTDIEMUSIC
https://soundcloud.com/EAZYBAKEDBEATS
https://www.facebook.com/eazybakedbeats/
FREAKFEST
NOV. 26 2021 A MASSIVE 3 ACT MEGA PARTY
featuring:
ZOMBOY
LUCII
BRONDO
FREAKFEST 11/26 at THE BLUESTONE
featuring:
ZOMBOY
LUCII
BRONDO
Muscadine Bloodline
December 17, 2021
Doors 7 PM
Tickets $12
Muscadine Bloodline December 17, 2021
ABOUT MUSCADINE BLOODLINE Proudly independent and unapologetically Southern, country duo Muscadine Bloodline find their true voice on a new album, Dispatch to 16thAve. Charlie Muncaster and Gary Stanton grew up in Mobile, Alabama, but didn’t cross paths until they each started to pursue their musical dreams. In 2012, they forged a friendship when Stanton opened a show for Muncaster’s band at Soul Kitchen in Mobile. Since naming themselves Muscadine Bloodline in 2015, they have sold out shows across the South, opened concerts for hundreds of artists, and earned a standing ovation at their Grand Ole Opry debut in 2018. Their Southern roots carry over to their band name as well: Muscadine grapes grow in the South while Bloodline represents their heritage.Muscadine Bloodline Links: Website: https://muscadinebloodline.com/Instagram: https://www.instagram.com/muscadinebline/Twitter: https://twitter.com/MuscadineBLineFacebook: https://www.facebook.com/muscadinebloodlineYouTube: https://www.youtube.com/channel/UCFL3A6es7fNvRi56qbJuQsQ
This ticket is a revocable license and may be taken up and admission refused upon refunding the purchase price appearing hereon and is grounds for seizure and cancellation without compensation. Holder of this ticket (“Holder”) voluntarily assumes all risks and danger incidental to the game or event for which this ticket is issued whether occurring prior to, during, or after same, including, but not limited to, contracting, and/or spreading the COVID-19 virus, and agrees that the organization, venue, presenter, agents, participants, or players are not responsible or liable for any injuries, sickness, or death resulting from such causes. Holder acknowledges that the COVID-19 pandemic remains a threat to individual and public health, COVID-19 is a highly contagious disease transmitted through human contact and respiratory droplets (including through the air and via common surfaces) and it is possible that Holder may contract COVID-19 while at the game or event for which this ticket is issued. Holder agrees by use of this ticket not to transmit or aid in transmitting any description, account, picture, or reproduction of the game or event to which this ticket is issued. Breach of the foregoing will automatically terminate this license. Holder agrees that the license comprised by this ticket may be removed and Holder may be ejected from the game or event for which this ticket is issued in the event that Holder violates any law, ordinance, or venue regulation. Holder grants permission to the organization sponsoring the game or event for which this ticket is issued to utilize Holder’s image or likeness in connection with any video or other transmission or reproduction of the event to which this ticket relates.
PAPADOSIO NYE 2021/22
December 30 & 31, 2021 at The Bluestone
with Random Rab, Dizgo
583 E. Broad St. Columbus, OH 43215
Doors at 7:00PM, Show at 8:00PM
PAPADOSIO NYE 2021/22
December 30 & 31, 2021 at The Bluestone
with Random Rab, Dizgo
583 E. Broad St. Columbus, OH 43215
2. Please print off your barcoded ticket or have it ready on your phone screen to redeem at entry. Ticket purchasers will get a confirmation email sent to them automatically upon purchase. Contact support@cincyticket.com for assistance.
3. In the event that the event is either canceled or postponed, we will make every effort to contact every patron via e-mail, time permitting. While we regret the inconvenience caused by these circumstances, we cannot be held responsible for any cost or damage such postponement or cancellation may incur.
4. The holder of the ticket assumes all risks and dangers pertaining to the event for which the ticket is issued. The venue, the event organizers, and software providers can not be held responsible or liable for injuries, illness, loss, or damages incurred by patrons while attending these events.
5. Refunds on tickets purchased are only made for an event that has been canceled entirely. Times, dates, locations, performers, and event details are all subject to change. In all instances when a ticket is refunded, only the cost of the ticket is refunded, not the service fees or order processing fees.COVID-19 Waiver:
I acknowledge the contagious nature of the Coronavirus/COVID-19 and that the CDC and many other public health authorities still recommend practicing social distancing.I further acknowledge that the venue and all other parties involved have put in place preventative measures to reduce the spread of the Coronavirus/COVID-19.
I further acknowledge that the venue and all other parties involved can not guarantee that I will not become infected with the Coronavirus/Covid-19. I understand that the risk of becoming exposed to and/or infected by the coronavirus/COVID-19 may result from the actions, omissions, or negligence of myself and others, including, but not limited to, festival staff, and other festival concert patrons.
I voluntarily seek services provided by the venue and all other parties involved and acknowledge that I am increasing my risk of exposure to the Coronavirus/COVID-19.I acknowledge that I must comply with all set procedures to reduce the spread while attending the event.
I attest that:
* I am not experiencing any symptoms of illness such as cough, shortness of breath or difficulty breathing, fever, chills, repeated shaking with chills, muscle pain, headache, sore throat, or new loss of taste or smell.
* I have not traveled internationally within the last 14 days.
* I have not traveled to a highly impacted area within the United States of America in the last 14 days.
* I do not believe I have been exposed to someone with a suspected and/or confirmed case of the Coronavirus/COVID-19.
* I have not been diagnosed with Coronavirus/Covid-19 and have not yet been cleared as noncontagious by state or local public health authorities.
* I am following all CDC recommended guidelines as much as possible and limiting my exposure to the Coronavirus/COVID-19.
I hereby release and agree to hold the venue, the performing artists, the event promoters, and all other parties involved, harmless from, and waive on behalf of myself, my heirs, and any personal representatives any and all causes of action, claims, demands, damages, costs, expenses and compensation for damage or loss to myself and/or property that may be caused by any act, or failure to act of the event, or that may otherwise arise in any way in connection with any services received from the venue and all other parties involved. I understand that this release discharges the venue and all other parties involved from any liability or claim that I, my heirs, or any personal representatives may have against the festival with respect to any bodily injury, illness, death, medical treatment, or property damage that may arise from, or in connection to, any services received from the venue and all other parties. This liability waiver and release extend to the venue’s partners and employees. By checking this box, I agree that anyone who accompanies me to this event is also agreeing to this waiver.
This ticket is a revocable license and may be taken up and admission refused upon refunding the purchase price appearing hereon and is grounds for seizure and cancellation without compensation. Holder of this ticket (“Holder”) voluntarily assumes all risks and danger incidental to the game or event for which this ticket is issued whether occurring prior to, during, or after same, including, but not limited to, contracting, and/or spreading the COVID-19 virus, and agrees that the organization, venue, presenter, agents, participants, or players are not responsible or liable for any injuries, sickness, or death resulting from such causes. Holder acknowledges that the COVID-19 pandemic remains a threat to individual and public health, COVID-19 is a highly contagious disease transmitted through human contact and respiratory droplets (including through the air and via common surfaces) and it is possible that Holder may contract COVID-19 while at the game or event for which this ticket is issued. Holder agrees by use of this ticket not to transmit or aid in transmitting any description, account, picture, or reproduction of the game or event to which this ticket is issued. Breach of the foregoing will automatically terminate this license. Holder agrees that the license comprised by this ticket may be removed and Holder may be ejected from the game or event for which this ticket is issued in the event that Holder violates any law, ordinance, or venue regulation. Holder grants permission to the organization sponsoring the game or event for which this ticket is issued to utilize Holder’s image or likeness in connection with any video or other transmission or reproduction of the event to which this ticket relates.
Disco Donnie Presents and My Best Friends Party
March 10 2022 The Bluestone
Subtronics The Fractal Tour : w/ Boogie T . Level Up. G-Space and Smith 3/10/22 Columbus
Tickets 
Here > hive.co/l/subtronics0310
Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM
The Bluestone
Columbus, Ohio
https://www.ticketmaster.com/event/05005B5B9DE84DB9
WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.
Tickets on sale Friday, November 5th at 10 AM!
About Mammoth WVH
Official Website: www.mammothwvh.com
Official Facebook Page:www.facebook.com/MammothWVH
Official Twitter: www.twitter.com/MammothWVH @MammothWVH
Official Instagram: www.instagram.com/mammothwvh @mammothwvh
Official YouTube Channel:www.youtube.com/MammothWVH
First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.
“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”
His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.
It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”
In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.
Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.
In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”
“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”
About Dirty Honey
Official Website: https://www.dirtyhoney.com/
Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/
Official Twitter: https://twitter.com/dirtyhoneyband @DirtyHoneyBand
Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband
Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ
Top of the World Tour
LAUREN ALAINA
Presented by maurices
March 25, 2022 7 PM
at The Bluestone
Columbus, Ohio
Tickets $20
Artist Biography
Lauren Alaina | Sitting Pretty on Top of the World
Ten years into her Nashville career, Lauren Alaina is in the upper echelon of country music’s most authentic voices, beloved personalities, and open hearts. She’s earned a reputation as one of the genre’s most compelling storytellers by boldly incorporating her struggles and heartache into her critically acclaimed first two albums. Lauren’s third studio collection, Sitting Pretty on Top of the World, is an artful evolution of immaculately penned, unflinching reflections of the mountains and valleys on her journey.
Sitting Pretty on Top of the World opens with the telltale sound of a needle dropping down on a record, and with that, Lauren sets the tone for some of the most captivating music of her career. Lauren was inspired to lean into the tenets of classic country music for this project and on the albums lead track, “It Was Me,” she offers a timeless country ballad filled with heartsick self-reflection. Lauren’s voice emotionally soars through the aching, introspective lyrics: “It wasn’t you I didn’t love, it was me.”
“The other person isn’t always the bad guy,” Lauren concedes. “On ‘It Was Me,’ I’m taking full ownership of being in the wrong. It was really hard to admit that I was the one at fault and to realize that I didn’t love myself enough to allow someone else to love me.” But the vulnerable “It Was Me,” co-written with Hillary Lindsey, is a song Lauren considers to be one of the best she’s ever written.
Lauren takes pride in the exposed transparency of her songwriting on this project, and though most writing sessions took place via Zoom, Lauren was crafting verses and choruses alongside the likes of award-winning songwriters including Liz Rose, Lori McKenna, Hillary Lindsey, Emily Weisband, David Garcia, Jordan Reynolds, Ben Johnson and Kennedi Lykken. She co-wrote 14 of the album’s 15 songs, much of it inspired from recent life experiences including two impactful break-ups, the loss of her stepfather, and like much of the world, Lauren struggled with despondency as she adapted to life in the pandemic.
The album’s title track “On Top of the World” delves into the dark reality behind polished facades. Writing the song with Jordan Reynolds and Sasha Sloan after the pandemic forced her to stay home for the first time in a decade, Lauren, in a heightened emotional state, revealed how she felt enveloped in loneliness and sadness.
“I’ve been on the road and touring for 10 years and having that taken away so suddenly felt like an abrupt stop to everything I’ve been working for, and that was a really scary thing for me,” she says, “but the whole world stopped for everybody, and I needed to find new ways to connect with people.”
Lauren applies that same honest vulnerability throughout the album from the harrowing ballad “What Do You Think Of?” featuring Danish Pop Star Lukas Graham, to the pensive flow of “I’m Not Sad Anymore,” to the beautiful simplicity of “Good Ole Boy” with its scaled back production that truly allows Lauren’s vocals to shine.
“This whole thing [album] is about loving yourself and being brave and being strong,” Lauren says. “I was faced with all these trials, and I hope people feel themselves in these songs. I think we all live the same stories with different characters. And maybe people realize new beginnings can be good.”
“Getting Good,” a duet with Trisha Yearwood, is the only song Lauren didn’t write on the album. Penned by Weisband, the song is a poignant truth-telling about choosing to be happy. Drawn to the concept, Lauren says, “Life is all about perspective, and you sometimes you have to shift your perspective.”
Lauren punctuates the lovelorn with the playful yet forthright “When the Party’s Over” and with the propulsive yet nostalgic “Run.” She also teamed up with Emily Weisband and the album’s producer Paul DiGiovanni to write the lighthearted, here-for-the-fun, rebound tune, “Getting Over Him,” featuring country star Jon Pardi. Lauren rounds out the album with the beautifully hopeful “Change My Mind,” which she co-wrote with Seth Ennis and Cameron Bedell.
Then with the familiar crackle of a vinyl record nearing its end, the album comes to a close. A journey from start to finish. Lauren explores life in these unique times and Sitting Pretty on Top of the World is the salve and the soundtrack for anyone traversing their own personal quest for hope and new beginnings.
Ian Munsick
with Ryan Charles
May 13, 2022 7 PM
at The Bluestone
Columbus, Ohio
ABOUT IAN MUNSICK
Breathing fresh Rocky Mountain air into the Nashville music scene, Ian Munsick is pioneering a new brand of country. The Wyoming-born singer / songwriter’s upbringing was a mix of working the ranch and working crowds. Under the tutelage of their fiddle-playing father, Munsick and his two older brothers grew up playing everything from bluegrass to The Beatles. Incorporating elements across genres, he has now begun to establish himself as a progressive artist with an old soul. Captivated by traditional lyrical truth and the modern soundscape, Munsick followed his ear to Music City.
In 2017 he released a self-titled EP, winning iHeartRadio’s Rocky Mountain Song of the Year for the rootsy “Horses Are Faster” and becoming the only artist who simultaneously qualified two tracks as finalists in the NSAI/CMT songwriting competition. Since then, Munsick has signed a major label record deal with Warner Music Nashville, earned more than 100 million global streams and been named one of Spotify’s inaugural Hot Country Artists to Watch. His debut album Coyote Cry features his mile-high tenor underscoring self-penned songs that conjure equal parts epic adventure and down-to-earth wisdom. The record marks the dawn of western pop-laced country, pulling a thread straight from Chris LeDoux through Post Malone. Munsick hit the road in the fall alongside labelmate Cody Johnson and his own sold-out, headlining dates. He wrapped the year with his Grand Ole Opry debut and is starting 2022 strong as a MusicRow Next Big Thing artist. Fans are finding that with Ian Munsick, western country is reborn.
About Ryan Charles
Western rapper Ryan Charles hails from the valley of Buffalo, WY. Similar to his hometown, once referred to as the most lawless town in America, Charles brings a style all his own — meshing the cowboy lifestyle with flow of 2000’s rap. A natural-born entertainer, Charles quickly became one of the most skilled freestyle rappers on the school bus, eventually making the move to Seattle, WA to pursue his music career more seriously. As an artist, Charles has released a few singles, including the jiggy buckaroo bop “Gettin’ Western” in 2020 and most recently, “Old Dirt Fancy” in 2021. Known for his signature fashion sense, light hearted twang and high-energy live shows, Charles continues to work on new music in Nashville, TN.
Paul Cauthen
May 19, 2022 7 PM
at The Bluestone
Columbus, Ohio
Want to get a bead on Paul Cauthen?
Good freakin’ luck — especially on his third album, COUNTRY COMING DOWN.
Suffice to say that the singer, songwriter and proud son of Tyler, Texas — steward of a rich, resonant, bass-leaning tenor dubbed Big Velvet — covers a lot of ground and embodies a lot of characters. He’ll tell you right off the bat that he’s “Country As Fuck,” throwing down a wad of “Fuck You Money” and heading into the night to “Cut a Rug.” His “Country Clubbin'” has as much to do with swinging as his swing. But a song or two later dude’s vowing to be loving his wife “Till the Day I Die” and, in COUNTRY COMING DOWN’s title track, dreams of living in “a cabin in the country, far away from the city lights” where “life is slow and easy.”
The fact that all of that exists within the same guy, who’s full of good humor, sharp wit and a heart as big as his home state is what makes Cauthen someone who’s easy, and exciting, to spend 10 songs with.
“Y’know, you got your bangers and you got your ballads,” Cauthen acknowledges. “You got your meaningful songs where you’re opening up more of your vulnerable side, and then you’re putting on a fucking show — all in one album. And it’s all honest, I’ll tell ya that. Everything on there is something I’ve felt or thought before.”
COUNTRY COMING DOWN has been in motion awhile, actually. The title track, one of several co-writes with good Nashville pal Aaron Raitiere, has been around since before Cauthen’s dark sophomore album ROOM 41. Its sense of campfire calm and “damn near off the map” idyll set a bar, for both music and lifestyle, that Cauthen aspired to, while the rest of the new album, recorded at Modern Electric Sound Recorders in Dallas with regular collaborators Beau Bedford (Texas Gentlemen) and Jason Burt (Medicine Man Revival), shows that Cauthen was able to get there without losing any of the playful “hot dog holly golly dagnabit” good-time spirit that rolls off his tongue like a tumbleweed in the west Texas panhandle.
As he promises in “Country As Fuck,” “I ain’t gotta sell my soul. If I want it then I grab it.”
“I’m having fun,” Cauthen says. “I’ve finally figured it out. I’m more settled and comfortable. I know I’m good at making records and great at entertaining. That’s my gift more than anything, to be able to get up there and deliver these songs to people.”
That gift is part of Cauthen’s DNA, of course, from a family deeply steeped in music. Texan on both sides, his paternal grandfather went to school with Hank Williams while his maternal grandpa, who worked with Buddy Holly and the Crickets during his youth, introduced Cauthen to singing. His grandmother taught him to play piano, while his grandfather and great uncle were the song leader and preacher, respectively, of the local Christian Church of Christ.
“Yeah, I had no choice, really” Cauthen says now. “(Music) is what I call my birddog trait; You don’t have to tell a birddog to jump in the river and grab the duck and bring it back to you. And you don’t have to tell me to get up on stage and perform. That’s what I’m supposed to do. My family enjoyed watching me perform when I was a kid; I would get up in front of everybody at Christmas with my guitar and play ‘Jackson’ with my grandmother. I learned my trade, y’know?”
Cauthen pursued that trade into young adulthood, showcasing at Cheatham Street Warehouse in San Marcos and forming the duo Sons of Fathers, whose early albums were produced by Lloyd Maines. After the group ran its course, Cauthen set off on his own in 2016, recording MY GOSPEL partly in Muscle Shoals, AL.; The album made Rolling Stone’s list of Top 40 Country Records that year. 2018’s HAVE MERCY EP began his association with Bedford and featured contributions by other members of the Texas Gentlemen, and also led to Cauthen’s Grand Ole Opry debut as a solo artist on June 22, 2018.
The critically acclaimed ROOM 41, meanwhile, chronicled and exorcised a rough period in Cauthen’s life, marked by a romantic breakup, substance abuse, depression and anxiety issues. “My growing years were like going to college,” Cauthen confesses. “I just got screwed so many times by so many different people on this whole freakin’ journey. I had this void I was trying to fill in my heart, with booze or any type of, just, abuse. I made every stupid mistake you can make in the business, and in life, in order to learn ’em all.
“I don’t feel that hurt anymore. I’ve changed.”
Marriage helped, he says. So did cleaning house and restructuring the business operation that surrounded him. That allowed Cauthen to plunge into COUNTRY COMING DOWN with a lighter heart and wicked humor — one that allowed him to find the profound meaning in a “schmoozie bougie brouhaha.”
If you want to know what that sounds like, tuck into the album’s sonic array, an austere, sinewy attack that puts Cauthen’s vocals dead center in the ride. “We’ve really unleashed Big Velvet in this situation, which I love,” he says. Nowhere is that more true than “Country As Fuck,” with a taut groove and loping gait tailor made for a 21st century honky tonk. Cauthen, Bedford and Burt play with that template throughout COUNTRY COMING DOWN, punctuating “Caught Me At a Good Time” with a sharp guitar solo, “High Heels” with a tasteful Wurlitzer break and the satiristic “Country Clubbin'” with a disco beat and chorus of female backing vocals.
But just when you buy in — and happily convert — to Cauthen’s brand of unapologetic hedonism, the soul comes out. “Till The Day I Die” smoothes his raw heart with the promise of true and lasting love, while the stock-taking “Roll On Over” takes a wistful look in his rearview mirror. And “Country Coming Down” realizes a dream of calm — although not exclusive of the next sojourn with “Champagne & a Limo.”
I’m always on a quest, sonically,” Cauthen explains. “I was wanting to go at this just serving the song, more, ‘What does this call for?’ rather than worrying about genre or sonic palette or any certain sound. I had a lot of these songs brewing for a long time, and we just let them grow on their own.”
His muse fully engaged, Cauthen is looking towards doing more of that in the future, with a few conceptual ideas up his sleeve about what he might do next. No matter what direction he takes, however, he won’t be abandoning that cabin in the hills or the “Country Clubbin'” life; Cauthen will just be adding more to the mix he’s stirred together.
“It’s just about looking at yourself in the mirror and knowing that what you’ve done to this day has been in good standing, with good morals and a good compass in life, driven the right way,” he says. “Legacy is all we have — that, and try to be a good person as well. If you get all that together, then you can do whatever the fuck you want and it’ll be alright.”
WCLT T-100 Presents
Aaron Lewis and the Stateliners
with Tyler Booth
North to Nashville & Bim Strawser
Live in Columbus Ohio
July 2, 2022 4 PM
Things to Know! July 2, 2022 The Bluestone Parking lot party
The gate opens at 4 PM music will start at 5 PM
THANK YOU FOR SUPPORTING OUR BUSINESS AND LIVE MUSIC!!
- PARKING IS AVAILABLE ALL AROUND THE VENUE. OUR PARKING IS BEING USED FOR THE SHOW BUT MANY LOTS WILL BE OPEN AROUND US.
- THE ENTRANCE TO THE SHOW IS ON THE WEST SIDE OF OUR LOT. PLEASE REVIEW THE MAP.
- ALL patrons must have a valid ticket to enter. We only guarantee tickets bought through our Eventbrite site. Tickets bought through 3rd party sites are not guaranteed.
- All patrons must receive a WRISTBAND to enter and stay on the grounds. DO NOT REMOVE YOUR WRISTBAND.
- Veterans and first responders that wish to view the concert from the VIP area must receive a VIP wristband when they enter. A valid I.D. will be required to show proof of service. We value our veterans and ask that the space is used for them and them only.
- All patrons that purchase alcohol must have a valid I.D. no exception
- Credit cards and debit cards will be accepted. NO ATM will be on site
- Lawn chairs are allowed but will be searched. Please remove them from any coverings when entering.
- The show is rain or shine and will only be stopped if lightning is close. If the show is stopped, We will make every effort to resume the show.
- The Bluestone will be open to all that have a wristband. We will have tables and chairs to relax and cool off! You are welcome to purchase alcoholic drinks inside the Bluestone and bring them to the concert area. Miller Lite, Coors Light, and Truly canned drinks will be available in the concert area. PLEASE DRINK RESPONSIBLY!
- We will not tolerate fighting of any kind! We are here to celebrate Independence Day and have fun. We have the right to remove any problems and we will do so without a refund. HAVE FUN AND PLEASE RESPECT YOUR NEIGHBORS!
- What can’t I bring to a show with me?
For the safety of both concert patrons and our staff, we do not allow the following items:- Oversized bags or backpacks of any kind
- Outside food, drink, bottles or cans
- Coolers or umbrellas
- Recording devices, go-pros, selfie sticks, drones, phone stabilizers
- Fireworks, candles, laser pointers, incendiary devices
- Inline skates, skateboards, bicycles, razer scooters, helmets
- Pets (exceptions for service dogs, etc…)
- Any form of weapon, including knives, tasers, mace or pepper spray
- Anything with spikes/studs on them (shoes, bracelets, rings, clothing)
- Strollers, car seats
- iPads and other tablets (with camera capabilities)
- Musical instruments and promotional materials (flyers, CDs, stickers)
- Inflatables, signs, banners
- Illegal drugs and drug paraphernalia
- Our show is a general admission standing room only EVENT, which means that there is no assigned seating if there’s seating at all.. If you require ADA-accessible seating for our show, a member of our Guest Services staff can help accommodate your needs when you arrive.
- Can I bring a camera, video camera, or recording device?
The camera policy is set by the artist. Generally, the rule is that no professional cameras or recording devices of any kind are allowed. Many artists will allow you to bring a disposable or small digital camera. If you have a question about the camera policy for the show, please contact us. - Does my child need a ticket to get in?
Yes. Everyone, regardless of age, must have a ticket unless otherwise posted. - What time is the show?
The time listed on your ticket is the time that the doors will open for the show. Live music will usually start about an hour after the doors open, but that’s always subject to change. Also, we don’t usually know the set times, that’s up to the bands to decide. 
Country Music’s Aaron Lewis comes to the parking lot of The Bluestone at 583 East Broad Street Columbus, Ohio July 2, 2022. Tickets for the events will go on sale Friday, February 4th at 10 AM. Aaron Lewis has played The Bluestone many times since 2012. This show is expected to sell out quickly like years before. The larger crowd, outdoors with food and brew. Come celebrate Independence day with Aaron Lewis and more artists to be announced. A day of fun, patriotism, and most of all Music!
Aaron Lewis grew up in Springfield, Vermont, listening to his grandparents’ country 8-tracks. Those roots inspired the multi-platinum frontman and founder of Staind to return to his origins and since has quietly made an impact on country music without flexing to let everyone know what a big deal he is. With a decade invested in a genre that’s seen him record with George Jones, Charlie Daniels, Vince Gill, Alison Krauss, Mickey Raphael, the Cox Family, Ben Haggard, Dan Tyminski, and producer Buddy Cannon, he has claimed two #1 Billboard Country Album debuts for his albums Town Line and Sinner. Lewis’ single “Am I The Only One,” debuted on Billboard’s #1 Hot Country Song,” only the time a debut has topped the chart since 1958. The hard-touring, workingman’s star’s latest album Frayed at Both Ends was released in January of 2022, his most personal and unplugged work.
Carter Winter Live January 21, 2023
January 21, 2023, at 8 PM
Doors Open 7 PM
Hometown native Carter Winter will headline our stage on January 21, 2023
With a rich baritone voice and a talent for crafting engaging lyrical stories, singer/songwriter Carter Winter is quickly becoming established as one of the most brilliant new singer/songwriters in country music.
His passion for touring the country and meeting fans has put him on stages coast to coast, where inspiration can strike at any time. The passion for each song he writes is what ultimately drives him to be even better, saying “each song is its own piece of art.”
“Higher on You,” Winter’s latest work of art, is a brand new song co-written with label mate Sam Grow and hit songwriter Taylor Phillips. The single’s artwork — a whimsical hand-drawn self-portrait — reveals yet another dimension of Winter’s artistry not as well known.
“With every new song and project I create, I feel like I get closer to my sound and who I am as an artist,” commented Winter. “This song is such a good vibe, it’s different yet familiar and I’ve never been more excited for a single release!”
The song is the first new music released by Winter following his Average Joes Entertainment debut album, “Temptation,” released to critical acclaim in late 2018. Produced by Grammy award-winning producer, Chad Carlson, the album yielded the hit song and video, “Skylines,” which was added to rotation on CMT Music.
The Ohio native’s first EP, “Some Kind of Fire,” was released in 2015, and was followed by 2016’s “The Whiskey In Me.” Winter is currently writing and recording songs for his next album scheduled for release in late 2020.
Called “country music’s modern traditionalist,” Carter Winter connects with an audience through a fresh sound that like Carter himself, is surprisingly familiar, yet raw and honest. Winter has been influenced by living a life on the edge, but having the wherewithal to share life’s ups and downs through songs. As a creative talent, he has always been compelled to do what he does, even if there’s no fallback option. When it’s all said and done, the challenges are what makes the music stand out, on its own perch.
Kolby Cooper
February 9, 2023 at 8 PM
Doors Open 7 PM
The Bluestone
Columbus, Ohio
About
KOLBY COOPER
Kolby Cooper lost his childhood and found his voice.
Cooper was 14 when cancer took his dad, and he channeled that painful loss into songwriting. He was 18 with the responsibility of a wife and baby on his shoulders when he used his high school graduation money to record an EP. And now, barely old enough to buy a round for the band, Cooper is pouring his signature blend of scorching break-up anthems and gut-wrenchingly relatable songs into a new record for BBR Music Group.
Far from the typical music industry inroads, Cooper has been riding the fast track from a small Texas town driven by necessity and inspired by his fathers working-class principles.
“Losing my dad and then becoming a dad made me think, “This just can’t be a fun thing. I mean, it’s fun – but it has to be a job too,” Cooper said with candor. “I have to work my ass off. I’m not Just trying to pay rent.”
In three short years, Cooper has accomplished what has eluded seasoned Nashville insiders amassing more than 110 million Spotify streams and playing numerous, sold-out show around the country, with thousands of fans singing along to his searing, wry lyries.
Drawn to his unrestrained, fresh sound, Cooper is earning early praise for his rough-hewn velvet vocals, layered over wailing electric guitar, and a buoyant Texas bottom-end. His new record is Country with clear influences from his Lonestar State roots. ‘The result “is authentic to me,” said the humble outlier. “I m older and understanding more about myself, and the music, and what I want to say. This is exactly what I set out to sound like.
At 22, he is coming into his own as a master storyteller and an angry advocate for the heartsick as he writes each of his songs from the deeply personal “Boy from Anderson County,” an autobiographical look at how love can propel a boy into becoming a better man, to “Good For You,” a sneering, steel-guitar slice of resentment, and the dreaded “its not you, it’s me pathos of
“Excuses, which was inspired by his guitar player’s sudden breakup.
Cooper is refreshingly kind and happy for someone who can readily tap into rage and angst. He embodies and moves confidently between contradictions from the defiant to the forlorn.
“People ask me, ‘Why do you write these breakup songs? You must have a bad past with exes.” he said laughing. “Ive been dating my wife since we were seniors in high school. I write from the perspective of what I see – a lot of tough relationships in a small town that I witnessed firsthand.
Winter Werkout
February 17-18, 2023
The Bluestone
Columbus, Ohio
Grateful Shred Industries, Relix and PHILM Present
Grateful Shred
February 28, 2023 at 7 PM
Doors Open 7 PM
The Bluestone
Columbus, Ohio
buy tickets
About
Grateful Shred / Bio 2023
After a meteoric rise from obscurity to a national touring band, Los Angeles-based Grateful Shred has made the most of its time in the spotlight. The lineup, featuring Dan Horne and Austin McCutchen alongside keyboardist Adam MacDougall woke the Grateful Dead cosmos with a unique laid-back harmony driven sound. The band literally went from playing the Shakedown Street vendor area prior to Dead and Company shows to touring the United States.
The moment that sent the band’s popularity soaring is the “Busted at the Bowl” video, a YouTube video that features Shred members starting an impromptu set in the parking lot of the Hollywood Bowl before a Dead and Company show in 2017. They don’t get too far before drawing so much attention that the police shut them down. Instantly creating Shred-cred, this was a bit of good fortune that doesn’t get past McCutchen. “We’ve been dealt some pretty good cards,” he states. “It’s been cool to roll with it and push forward and continually make stuff happen. Things have gone our way. Even that video happened magically. It was put together at the last minute, and boom!”
The thing is, Grateful Shred manage to channel that elusive Dead vibe: wide-open guitar tones, effortless three-part vocal harmonies, choogling beats, and yes, plenty of tripped out, Shredded solos. The look, the sound, the atmosphere. It’s uncanny. Far from being a historical re-enactment, Grateful Shred’s laissez faire vibe infuses the band with a gentle spirit, warmth, and (dare we say it) authenticity. From their killer merch game to their eminently watchable
YouTube channel, they’re clearly having a rad time and spreading the love. Strangely enough, in a world overflowing with wax museum nostalgia and Deadly sentimentalism, we need the Shred, now more than ever.
Grateful Shred is: Austine Beede, Dan Horne, Alex Koford, Zeph Ohora, Adam MacDougall, Austin McCutchen, John Lee Shannon
