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 The OFFICAL BLUESTONE TICKET BOX OFFICE

Get Tickets to The Bluestone and never miss your favorite artist again. Tickets From country and electronic to Indie Rock.  THE Bluestone brings quality entertainment to the stage every time. We’re working hard to bring you the best  concerts and special events in Columbus, Ohio. Keep an eye on our tickets and events calendar and check back often for concert updates. Just click on an event to purchase tickets

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Oct
4
Wed
TIESTO at The Bluestone @ The Bluestone
Oct 4 @ 8:00 pm

Prime Social Group Presents: TIESTO

The Clublife Collge Tour with special guest SLUSHII

at The Bluestone

Wednesday, October 4th

Ages 18+

Tickets on sale Friday, August 18 at 10am

  PURCHASE HERE

Nov
2
Thu
SIRIUSXM Presents: Highway Finds Tour ft: HIGH VALLEY @ The Bluestone
Nov 2 all-day
High Valley at The Bluestone

SIRIUSXM Presents High Valley at The Bluestone

XM Highway Finds Tour ft: HIGH VALLEY

http://www.highvalleymusic.com

on Thursday, November 2nd

Doors for the show will open at 7pm

Opening Artist: Adam Doleac

Tickets $15

Tickets will go on-sale Friday, September 8th at 10am

PURCHASE HERE

 RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  •  Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

High Valley keeps in line with traditional country sounds while they explore Americana, rock and pop influences in their major-label debut album, Dear Life. Tracks of inspiration, desires of the heart and their journey as musicians make up the record. The 11-track project experiments with a variety of beats and guitar picking that keep the music interesting while they share their pitch-perfect harmonies.

Production elements blend genres to create foot-tapping beats and melodies that replay through your head all day. High Valley make their own sound that will stand out on country radio while staying in touch with country roots that serve as each tune’s platform.

The Canadian country group’s lead single, “Make You Mine,” has the most interesting sound on the album. It sticks out among the rest and will draw intrigued listeners into explore what other stories the duo has to offer.

“Dear Life,” the title track, shares feelings about making choices while growing up. Its message will resonate with much of their audience and may be representative where they are in their own life. It follows similar patterns as surrounding tracks, including heavy drums that bring the song to life.

“The Only” and “She’s With Me” have comparable themes of adoration. Their obvious pop influences match the song’s tone with complimenting faster-tempo beats. The featured repetitive hooks just about guarantee them stuck in your head all day as you fight the urge to dance along.

Americana influence is heaviest in the No. 8 title, “I Be U Be.” The back-and forth nature of the song has hints of tribal elements as strong imagery describes an ideal love scenario. Just as many other included tracks, “I Be U Be” stays clear of electric guitar solos and focuses on percussion and diction, a factor that might become a signature in their career.

The closing track, “Young Forever” has a similar vibe that compares to Billy Currington’s “We Are Tonight.” The embrace-the-moment trend adds a brightness to the album that contributes to its already high-spirited qualities.

Emotional tracks intertwined with flirty fun songs lead to this diverse album. Dear Life is an exciting piece of art that serves as a solid platform for the bright career they have ahead of them.

http://www.soundslikenashville.com/reviews/album-review-high-valleys-dear-life/

Nov
17
Fri
David Nail LIVE Nov. 17 @ The Bluestone
Nov 17 @ 7:00 pm

 DAVID NAIL will be performing LIVE at The Bluestone

on Friday, November 17th, 2017

Doors for the show will open at 7pm

Opening Artist: Jimmie Allen

Tickets are $20 in advance and $25 day of show

Tickets will go on-sale Friday, August 18th at 10am

PURCHASE HERE

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RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  •  Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

ABOUT

During the making of his fourth MCA Nashville album, David Nail underwent a transformation – and so did his music. Fighter is the most vulnerable, personal record the Missouri native has ever made, and it signals the beginning of a new phase in his career.”

“Six months ago, people would ask me about the record and I would jokingly say ‘It’s my love-making record,’” Nail explains. “But what it meant to me then and what it means to me now are completely different. … Having been a father for about five months, it definitely changes the dynamic of things.”

Following the birth of he and wife Catherine’s long-hoped-for children (twins born in December 2015), the singer-songwriter found his world turned upside down. The mark he wanted to leave and things he wanted to say had changed, and despite an early version of Fighter being already finished, he decided to record four new songs, completely changing the project’s tone.

In short, Nail decided to get real in a way he never would have allowed himself before. Already known for powerful, emotionally-charged vocals, he took the same approach to choosing Fighter’s 11 tracks (seven of which were written or co-written by Nail himself), celebrating life’s victories but also exposing the knock-downs he’s endured – and it wasn’t always flattering.

“[I was] like, ‘Am I ready to sing this? Am I ready to tell this story?” Nail says. “[But] they come from a genuine place that you can kind of say, ‘Okay, I’ve said that. I’m at peace with that.’ I think that’s what this record is.”

Writing and singing in courageous personal detail, Nail confronted some of his deepest troubles, revealing the clarity he’s achieved about his hometown, the true struggle depression caused in his marriage, the answered-prayer of his children’s birth and the things he never told his own father.

Meanwhile, producer Frank Liddell (who also guided Nail’s first three albums, I’m About to Come Alive, The Sound of a Million Dreams and I’m a Fire) made sure Fighter’s musical tone was just as authentic, backing Nail’s volcanic vocals with a melting pot of Mississippi-delta sounds — a mix of classic-country balladry and sweaty Memphis soul, with touches of in-the-moment modernity sprinkled throughout.

“I grew up listening to all this music that my father listened to,” says Nail. “A lot of it was classic, huge songs and artists from the ‘60s and ‘70s – and even the ‘80s – so I think there’s always part of me that just falls toward that type of sound, rather than fighting it and trying to say ‘Whoa! No-no-no, we need to stay 2016.”

Big-name collaborations abound, with Nail inviting Vince Gill, Brothers Osborne, Lori McKenna and Logan Brill to help tell his story, as well as Bear and Bo Rinehart of NEEDTOBREATE.

“When I’m making a record I selfishly want to push my buttons so I try to approach it as my swan song, it could be the last piece of music I make. I want to fulfill some life goals in the process and one of my biggest influences in the word is Vince Gill so I’m thankful he said yes”

Brothers Osborne kick the project off in star-crossed revelry on “Good at Tonight,” McKenna joins “Home” to quietly uncover Nail’s love/hate relationship with his hometown, Gill adds stunning harmony vocals to the country-soul “I Won’t Let You Go” – a promise to David’s wife Catherine – and the Rineharts help close the album in tender admiration with “Old Man’s Symphony,” an overdue thank-you note to Nail’s dad.

Along the way, he toasts to the passion of youth in the upbeat hit “Night’s On Fire,” pledges romantic relief in the raw Chris Stapleton co-write “Ease Your Pain,” delivers a desperate double entendre in the indie-rocking “Lie With Me” and crafts a loving, rock-a-bye origin story for his new family in “Babies” – an instant classic.

Then there’s the project’s title track, “Fighter,” a heartfelt ‘80s-country throwback ripped from Nail’s real life that holds his wife up as an unshakable supporter – even when he was at his worst.

“’Fighter’ is about as honest as I’ve ever been in a song,” Nail admits. “I mean, when you’re quoting your wife saying things that are not pleasant [about you], you know it was our story. … But it also, I think, tells the story of me.”

Nail and Catherine have had to fight their whole lives, he explains – for his career, for their marriage, to battle back inner demons and to conceive their beautiful kids – but their ultimate success in those battles has led them to a better place. And it also gave the album a mission.

Fighter is more than a bookmark in Nail’s life and career – it’s a period on the final sentence of a difficult chapter. Penned during dark times that have given way to a new sunrise, these are some of the most meaningful and personal songs he’s ever recorded. And now that they exist for all to hear, he can finally move on.

“I feel like I’ve told the main aspects of my career, and my life, up to this point,” he explains. “So I really think whatever we do in the future, we’ll be able to start just completely fresh. It’ll be a new story, a new part of my life.”

-Chris Parton

Dec
7
Thu
Whiskey Myers LIVE @ The Bluestone
Dec 7 @ 7:00 pm

Whiskey Myers

live at The Bluestone

Thursday, December 7th, 2017

Doors for the show will open at 7pm

Opening Artist: Goodbye June

Tickets are $15 in advance and $20 day of show

 Tickets On-Sale Friday, June 9th at 10am

PURCHASE HERE

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RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
    Loft Upper Tier: $200 (seats four people-no exceptions)

    Includes first bucket of Miller or Coors Light

  • Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

It would be an understatement to say that a lot has happened since Whiskey Myers was last in the recording studio. Over two whirlwind years, the gritty Texas band hit #1 on the iTunes Country Chart with their breakout third album ‘Early Morning Shakes,’ earned raves everywhere from Rolling Stone to USA Today, and toured the US and UK relentlessly, slaying massive festival crowds and sharing stages with Lynyrd Skynyrd, Hank Williams Jr., Jamey Johnson, and more along the way. You’d be forgiven, then, for expecting things to work a little differently this time around when the band reunited with acclaimed producer Dave Cobb for their stellar new album, ‘Mud.’ But as it turns out, success doesn’t change a Southern gentleman, and they don’t come any more Southern than Whiskey Myers.

Fueled by larger-than-life performances honed tight from countless nights on the road, ‘Mud’ finds the band scaling new heights of songwriting and musicianship, with searing guitars, soulful vocals, and indelible hooks. While their approach to the music and humble, hard-working attitudes may not have altered, there have been developments in the Whiskey Myers world, most notably with the arrival of new faces. For the recording sessions, the band’s five founding members—Cody Cannon on lead vocals and guitar, Cody Tate and John Jeffers on guitars, Gary Brown on bass, and Jeff Hogg on drums—fleshed out their sound with the addition of fiddler/keyboard player Jon Knudson and percussionist Tony Kent, who are both now full-time members. “They bring a great energy, and I think it’s really helped our sound and makes the band more versatile,” explains Cannon. “There’s less room onstage now, but sometimes a family grows.”

 

Dec
8
Fri
Wcol Winter Wonder Jam MICHAEL RAY @ The Bluestone
Dec 8 @ 8:00 pm

Wcol Winter Wonder Jam with

Michael Ray as part of his “Get To you Tour”

Special Guests: Love and Theft, Devin Dawson

Doors for the show will open at 8pm

Tickets just $30 in advance, $35 day of show

Tickets On-Sale November 6th at 10am

PURCHASE HERE

Michael_Ray_503x

Michael Ray Roach (born April 29, 1988), best known as Michael Ray, is an American country music singer and songwriter. He is signed to Warner Music Nashville, for which he has released his debut single, “Kiss You in the Morning“. The song has reached No. 1 on Country Airplay. Before this single’s release, Ray was mentored by John Rich of Big & Rich on the singing competition The Next: Fame Is at Your Doorstep, which he won. He and Rich co-wrote Big & Rich’s 2015 single, “Run Away with You“.[1]

In March 2017, it was reported that Ray would put his acting chops to the test when he revealed that he landed a guest role on CMT’s show, Nashville.[2]

Love and Theft is an American country music group founded by Stephen Barker Liles, Eric Gunderson, and Brian Bandas, all three of whom alternated as lead singers and acoustic guiarists. Signed to Lyric Street Records subsidiary Carolwood Records in 2009, Love and Theft made their chart debut in early 2009 with the single “Runaway,” which reached the Top 10 on Billboard Hot Country Songs. The band’s debut album, World Wide Open, was released on August 25, 2009.

In 2011, following the departure of Bandas, Love and Theft continued as a duo consisting of Gunderson and Liles. The duo moved to RCA Records Nashville that year and released the single “Angel Eyes“, which became their first number 1 single. It and the Top 40 singles “Runnin’ Out of Air” and “If You Ever Get Lonely” all appear on their second, self-titled album.

Devin Dawson is an American country music singer-songwriter.

Devin Dawson first became famous after filming a mashup of Taylor Swift songs, which gained popularity on YouTube.[2][3][4] His debut single “All on Me” is also his first hit song.[2] With the help of producer Jay Joyce, he signed to Warner Bros. Records in 2017.[5] Dawson’s “All on Me” has charted on the Hot Country Songs and Country Airplay charts.

Dawson has also toured with Tim McGraw and Faith Hill.[6]

Mar
3
Sat
Columbus Brewgrass Festival @ The Bluestone
Mar 3 @ 6:00 pm

Columbus Brewgrass Festival will take place at The Bluestone

March 2nd and March 3rd

Doors Open at 6pm

Ages 18+

Tickets On-Sale Now

PURCHASE HERE

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Jun
14
Thu
A Thousand Horses LIVE June, 14th @ The Bluestone
Jun 14 @ 7:00 pm

A Thousand Horses live at The Bluestone on June 14th, 2018!

*Opening Artist: Kendell Marvel and Cody Barnett

*Doors will OPEN at 7PM

*Tickets are $15 in advance and $20 day of show

Tickets On-Sale NOW!

ATH_11x17_1

America’s bona fide band of brothers A Thousand Horses deliver an authentic fusion of Southern rock and contemporary Country mixed with rowdy jams. Their 13-track project BRIDGES features working man’s anthem “Preachin’ to the Choir” along with seven acoustic tracks, six of which were recorded live in the U.K. at the famed Metropolis Studios. The group’s debut single “Smoke” made Country Aircheck history as the highest debut for a new artist and solidified the band (with at least three members) as the first this decade to score a #1 with their first single on the Billboard Country Airplay Chart. A Thousand Horses have landed multiple awards show nominations, most recently vying for the title of ACM New Vocal Duo or Group at the 52nd Annual ACM Awards. The band’s debut album, SOUTHERNALITY, blends Southern Rock and influential sounds of The Black Crowes and Rolling Stones’ Exile on Main Street era. The talented foursome soars with Michael Hobby on lead vocals as Bill Satcher and Zach Brown on guitar and Graham Deloach on bass round out their unique grooves. After opening for Country powerhouse Jason Aldean and a string of performances in the U.K. last fall, A Thousand Horses are currently headlining shows across the U.S. before kicking off their opening run on Kid Rock’s AMERICAN ROCK n ROLL TOUR 2018 in January. New music from the band is on the horizon, with details coming soon. For more information and tour dates, visit AThousandHorses.com.

 

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Jun
21
Thu
Chris Janson LIVE June, 21st @ The Bluestone
Jun 21 @ 7:00 pm

Chris Janson LIVE at The Bluestone on Thursday, June 21st, 2018!

*Doors for the show will open at 7PM

*Tickets are $30 in advance and $35 day of show

Ticket On-Sale NOW! 

 

Chris Janson Approved Image

Warner Bros. Records/Warner Music Nashville country artist Chris Janson was born to entertain crowds. The electrifying multi-instrumentalist is known as much for his hit songwriting as his “infectious” (Billboard) performances, with Rolling Stone describing him as having “a mesmerizing stage presence that most arena-headlining artists would kill for.”

“Fix a Drink”, the lead single from his highly anticipated sophomore album Everybody, went Top 10 at country radio, though Janson is no stranger to the charts. In 2015, Chris Janson’s breakthrough No. 1 Platinum single “Buy Me A Boat” was the 7th bestselling country song of the year. The singer/songwriter has also penned multiple top-charting hits including “Truck Yeah” (Tim McGraw), “That’s How I’ll Always Be” (Tim McGraw), “I Love This Life” (LoCash), and over 25 additional hit songs recorded by a long list of established artists.

Chris Janson joined Sam Hunt on the road for the 15 in a 30 Tour and announced The EVERYBODY Tour with headlining dates through 2017. He has become a Grand Ole Opry regular, taking the legendary stage more than 150 times to date, and made numerous television appearances including The Tonight Show starring Jimmy Fallon, Late Night with Seth Meyers, CONAN, The Today Show, ACM Awards and ACCA Awards.

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Jun
29
Fri
Joe Diffie LIVE June, 29th @ The Bluestone
Jun 29 @ 7:00 pm

Joe Diffie LIVE at The Bluestone on June 29th, 2018

*Opening Artist: Dillon Carmichael and David Adam Byrnes

*Doors for the show will open at 7PM

*Tickets are $15 in advance and $20 day of show

Tickets On-Sale Now!

J_Diffie_11x web

Joe Diffie was regarded by many of his peers as one of the better vocalists in contemporary country, and lent his traditional sensibilities to humorous, rock-tinged novelties and plaintive ballads. Diffie was born in Tulsa, Oklahoma, in 1958 and grew up in a musical family, first performing in public at age four with his aunt’s country band. He played in a rock band during high school, and later moved on to a gospel quartet and, during college, a bluegrass band called the Special Edition. He worked on his songwriting and singing over the next few years while working in a foundry, and caught a break when his “Love on the Rocks” was recorded by Hank Thompson. When Randy Travis nearly recorded another of his songs, Diffie was convinced he had a shot in the business, and moved to Nashville in 1986. He took a job at the Gibson guitar plant while continuing to write songs, and became an in-demand demo singer as well. Holly Dunn’s 1989 recording of a Diffie collaboration, “There Goes My Heart Again,” proved a major hit, and Diffie found himself a hot commodity. He signed with Epic and released his debut album, A Thousand Winding Roads, in 1990. His first single, “Home,” went all the way to number one on the country charts, and “If the Devil Danced (In Empty Pockets)” duplicated that feat; meanwhile, two more singles from the album, “If You Want Me To” and “New Way (To Light Up an Old Flame),” reached number two.

Diffie became a regular hitmaker over the rest of the ’90s, and scored again with his sophomore LP, 1992’s Regular Joe; “Is It Cold in Here” and “Ships That Don’t Come In” both made the Top Five. Known primarily for his ballads at this point in his career, Diffie switched things up with 1993’s Honky Tonk Attitude, which emphasized his rambunctious, rocking side and sense of humor, and proved to be his biggest-selling album yet. The title track, “Prop Me Up Beside the Jukebox (If I Die),” and “John Deere Green” all went Top Five. Sticking with engaging humor as the selling point of his hugely popular follow-up, 1994’s Third Rock from the Sun, Diffie scored two number ones with the title track and “Pickup Man,” plus a Top Five hit in “So Help Me Girl.” 1995 brought a holiday album, Mr. Christmas, as well as a proper release in Life’s So Funny, which gave Diffie his fifth number one hit in “Bigger Than the Beatles.” 1997’s Twice Upon a Time saw his commercial momentum slipping a bit, and so Epic issued a Greatest Hits compilation the following year; its new song, “Texas Sized Heartache,” returned Diffie to the Top Five. 1999’s A Night to Remember was the most straight-ahead, traditional country record Diffie had yet recorded, and it gave him two Top Ten hits in the title cut and “It’s Always Somethin’.” He returned to his more established style for 2001’s In Another World, which found him transferred to Sony’s reactivated Monument subsidiary; its title track went Top Ten early the next year. Tougher Than Nails followed in 2004, then in 2010 Diffie returned to bluegrass for Homecoming: The Bluegrass Album, which was released by Rounder Records and was greeted by warm reviews.

Diffie had a bit of an unexpected revival in early 2013, when his name provided the chorus of Jason Aldean’s party-hearty hit “1994.” Later that year, Diffie set out on the road with fellow country singers Sammy Kershaw and Aaron Tippin on a tour called All in the Same Boat; the trio released an accompanying album of the same name in May. ~ Steve Huey, Rovi

 

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Aug
2
Thu
SOLD OUT – Drake White and The Big Fire LIVE August 2nd @ The Bluestone
Aug 2 @ 7:00 pm

Drake White and The Big Fire live at The Bluestone on August 2nd, 2018!

*Opening Artist: Stevie Monce

*Doors for the show will open at 7PM

*Tickets are $15 in advance and $20 day of show

Tickets On-Sale Friday, May 11th at 10AM

PURCHASE TICKETS HERE

tickets The Bluestone - Columbus Ohio

 

 

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Born in Hokes Bluff, Alabama, country singer and songwriter Drake White’s mix of country, blues, funk, rock & roll, and reggae and his energetic, foot-stomping live shows eventually led him to Nashville and beyond. Growing up, he sang in the choir at his local church, and after getting a guitar at the age of 14 from a neighbor down the road who played bluegrass, he began writing and playing songs, continuing to do so while attending Gadsen State Community College and then Auburn University, earning a degree in building science even as he played in the local venues at night. After graduation, White took a job with a general contractor in Nashville, working by day and playing the song rounds at night, developing, with his band the Big Fire, a crackling and energetic stage presence that often found him freestyling lyrics in the middle of songs. He caught the eye of producer Jeremy Stover and was soon signed to MCA Nashville, turned his attention full-time to music, and released a debut single, “Simple Life,” on the label early in 2013. A year later, White signed with Big Machine affiliate Dot Records, resulting in a pair of 2015 singles, “It Feels Good” and “Livin’ the Dream.” In August 2016, Dot released White’s debut album, Spark. ~ Steve Leggett, Rovi

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Aug
10
Fri
Dillon Carmichael LIVE August, 10th @ The Bluestone
Aug 10 @ 7:00 pm

Dillon Carmichael LIVE at The Bluestone on August 10th, 2018!

*Opening Artist: TBA

*Doors for the show will open at 7PM

*Tickets are $15 in advance and $20 day of show

Tickets On-Sale July, 6th 2018 at 10AM!

tickets The Bluestone - Columbus Ohio

 

 

 

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REMEMBER WHEN COUNTRY SONGS USED TO SAY SOMETHING?

The lyrics of “Made To Be A Country Boy,” the debut single from Dillon Carmichael are ones that, while are simple, definitely have a lot of meaning. What is being a “Country Boy” to him? “It’s something that is in your heart and soul. It’s not something that’s not about material objects. It’s a way of life – not one that is any better than anybody else’s, but I think it’s all about being proud of where you come from – whether it be your city, state, or country.”

The heartfelt sentiments are ones that Carmichael knows all too well, as it describes his own hometown – in the heart of metropolitan Mercer County, Kentucky. “I grew up on the lake which was created as a hydro-electric energy plant in a town called Burgin, Kentucky. The population has grown over the years to a whopping one thousand.” The town – at the intersection of Kentucky State Routes 33 and 152 – lives up to his description. “It’s a lake town, and everyone there works at the power plant. The school is there all in one building – from kindergarten all the way to twelfth grade. There was a baseball team and a softball team, but not enough to field a football team,” he says with a smile.

Music was a part of his growing up experience, as his father and uncles performed in a Southern Gospel Quartet, and his mother also sang around the area. Her brothers – future Country superstars John Michael and Eddie Montgomery – also made a name for themselves performing around the Eastern Kentucky area, as well. Dillon says that as much as it was a part of his surroundings, it was sure to rub off on him. “I knew eventually that it was something I was going to want on my own at some point, and I fell in love with it too.”

In 2012, Dillon – who also cited Vern Gosdin, Waylon Jennings, and Merle Haggard as influences – decided to roll the dice, and haul himself and his belongings down Interstate 65 to move to Nashville. He says it took some getting used to.

“It was difficult being away from home at first. I had never been anywhere outside of my hometown,” he confessed, also admitting that the deep talent pool of Davidson County was a more than a little bit intimidating. “I jumped head-first into writing songs,” he recalled. “I didn’t dabble as much into the live show and being on stage as much as I did the writing at first. I think for my age group, I was always one step ahead of the writing, and one step behind in the performance game. That’s something that I was very overwhelmed by – was how good the singers and guitar players were. In a way, I still am. It’s just about doing the best that you can.”

Over time, he began to hone his writing skills, thanks to those who he collaborated with. “Co-writing was a big turning point for me. I got offered a publishing deal when I was seventeen. They started booking me with writers who already had success before. I started to learn with each appointment, and it changed everything for me. I began to see how they put their melodies together with the lyrics, and how they generated ideas.”

“Made To Be A Country Boy” is the first single from Dillon, and one that teamed him up with Grammy-winning producer Dave Cobb (Chris Stapleton, Strurgill Simpson). He says that Cobb allowed him to approach recording the old-fashioned way, which he prefers. “I prefer having a live band in the studio rather than bringing in just one instrument at a time to record a part. Sometimes, you’ll go back and you will hear something that might not be right the first time. Being in the studio is one of my favorite parts of the creative experience.

Cobb also steered the ship for Dillon’s debut full-length album, and there’s not a better producer anywhere. “Dave is great, and very authentic. He’s a musical genius. He understands so many different types of music, and is also such a great guitar player. It’s important for me to be working with people who are just good and authentic people. I think that translates into the music, as well.”

Another track from the album that Dillon Carmichael is excited for fans to hear is “It’s Simple,” which is a tribute to the little things in life – which all too often are the biggest. “I wrote that with three other guys who were from rural areas, and we were talking about how life was just so simple and how the people there like it. You go to work, come home, grill out with the family, and the lyrics are ‘Love is for making. Kids are for raising. Home is that place in your heart,’ and the concept is that no matter where you go, home is the place in your heart – which for me is always going to be Kentucky. It’s a story about the old man next door who tells you that life is simple, and you shouldn’t overthink it.”

With stardom just around the corner in 2018, just how does Dillon Carmichael quantify success? “The Opry is a big thing to me. That’s always been a goal of mine. I think that success is moving forward. I think that achieving your goals is something that is never ending. I’d like to have a number one on the charts, and, of course, sell a million records. I’d like to play Rupp Arena in Lexington, as well as the FFA National Convention. I grew up going to that, and I remember seeing acts like Craig Morgan play it.” At the end of the day, Dillon Carmichael says he just wants to aim for the stars – and keep aiming. “I think that the biggest mark of success to me, is just achieving your goals – and setting new ones. I don’t think that ever stops.”

 

Aug
23
Thu
Aaron Lewis LIVE August, 23rd @ The Bluestone
Aug 23 @ 7:00 pm

Aaron Lewis at The Bluestone Two Nights, BACK TO BACK!

*August 23rd, 2018 and August 24th, 2018 (SOLD OUT)

*Opening Artist: Travis Marvin

*Doors for the show will open at 7pm each night

*Tickets are $35 in advance and $40 day of show

(Ticket is only valid for admission for the date printed on the ticket)

Tickets are on-sale NOW!

PURCHASE THURSDAY, AUGUST 23rd TICKET HERE

tickets The Bluestone - Columbus Ohio

 

 

ALewis_SoldOut (1) copy

 

 

 

 

Lewis has been performing solo acoustic shows since he was 17 and still does today. He has written and performed many songs that have never been officially released such as “Angel”, “Something Like Me”, “Bonghits for Breakfast” (originally performed with J-CAT), and “Sleeping at the Wheel”.

In July 2010, Lewis finished recording a country music EP entitled Town Line that was released March 1, 2011 on Stroudavarious Records. It features seven tracks including three versions of the first single “Country Boy” featuring George Jones, Charlie Daniels, and Chris Young, as well as the songs “Massachusetts”, “Vicious Circles”, “The Story Never Ends”, and a re-recording of “Tangled Up in You” originally from The Illusion of Progress.[5] Lewis said in a July 2011 interview that he was introduced to country music as a child by his grandfather, but his interest was recently rekindled when he toured with fellow rock turned occasional country singer Kid Rock.[6]

Lewis performing at the House of Blues in Cleveland in 2013

Lewis released his first full solo album, The Road, in November 2012. Its debut single, “Endless Summer”, has also made the country charts. Lewis wrote every song on the 10 track collection, except for “Granddaddy’s Gun” which was penned by Dallas Davidson, Rhett Akins and Bobby Pinson, marking the first time Lewis has recorded outside material for an album.[7] In an interview with Broadway’s Electric Barnyard, Lewis said he recorded “Granddaddy’s Gun” as both a compliment to a friend, and because he was pressed for time.[8]

Lewis wrote songs for his second solo album whilst touring in support of The Road, often performing the unreleased material in his live sets.[9][10] The album, dubbed Sinner, was mostly recorded in a single 18 hour session, with many tracks done in one take. Aaron’s daughter Zoe also provides guest vocals on one song.[11] It was released on September 16, 2016, with the lead single, “That Ain’t Country”, released on 17 June. Country artist Willie Nelson is featured on the album’s title track as well.

Oct
25
Thu
TRAUMA 2018 @ The Bluestone
Oct 25 @ 9:00 pm – Oct 28 @ 2:15 am

 

tickets The Bluestone - Columbus Ohio

Bluestone Ticket

 

 

 

 

 

TRAUMA Columbus 2018 3 days of FUN

Halloween Fetish Party 

Spend 3 unforgettable nights with us at The Bluestone!
TRAUMA 2018
October 25th – GAME NIGHT
October 26th – MONSTERS AND GODS
October 27th – TIME WARP
3 Nights. 3 Themes.
Costumes are mandatory.
Themes are optional.
Doors open each night at 9 PM and acts start promptly at 9 PM

For More info on all the preforemers for #TRAUMA2018 visit:
http://www.traumacolumbus.com/entertainment-2018/

Nov
17
Sat
Midland LIVE November, 17th @ The Bluestone
Nov 17 @ 7:00 pm

Midland LIVE at The Bluestone on Saturday, November 17, 2018!

*Opening Artist: Desure

*Doors for the show will open at 7PM

*Tickets are $20 in advance and $25 day of show

Ticket On-Sale July 13th, 2018 at 10AM

tickets The Bluestone - Columbus Ohio

 

 

 

Midland Plain Image

With all the chest-thumping going on in Nashville today, where bluster and swagger have replaced heart and soul, you half expect some of country music’s male stars to be sporting bruises. Which is what makes Midland, a trio of friends based in Dripping Springs, Texas, so undeniably refreshing. Made up of singer Mark Wystrach, lead guitarist Jess Carson and bass player Cameron Duddy, Midland is the embodiment of Seventies California country, all smooth Eagles harmonies and heart-on-your-sleeve lyrics. Their songs are intoxicating, sung with the twang of George Strait.

And it’s impossible to resist.

Now, after endearing themselves to fans with the hit radio single “Drinkin’ Problem” and a self-titled EP, Midland unveil their full-length debut, On the Rocks (Big Machine Records).

A collection of 13 tracks all written or co-written by Midland – the guys took their name from a Dwight Yoakam song – On the Rocks excels at setting a mood, transporting the listener to another place and time. It’s an album made for wide-open skies, endless deserts and wondering where the road is going to take you next.

“Drinkin’ Problem,” written with Shane McAnally and Josh Osborne, who produced the album with Dann Huff, reclaims the drinking song for classic country music, making it less about an endless party and more about self-medicating. “They call it a problem, I call it a solution / just sitting here with all my grand illusions,” sings Wystrach, evoking the best booze ballads of both Gary Stewart and Merle Haggard, two of the trio’s chief influences.

“Make a Little,” a rollicking ditty, is more optimistic, soaring with the brotherly harmonies of Wystrach, Duddy and Carson and a timely message: “There’s just not enough love in the world.” The rapid-fire lyrics embody the clever wordplay that is unique to country music – “we should make a little, generate a little / maybe even make the world a better place a little” – and also nod to Alabama, another country band that helped spark a revolution in the genre.

Midland hearken back to a time when an artist’s personal style – colorful suits, tailored denim and well-worn hats – dovetailed with the music. And they tip their hats to other groundbreaking artists throughout On the Rocks.

The kick-back and get-high ode “Altitude Adjustment” name-checks John Denver, the majestic “Nothin’ New Under the Neon” sounds like vintage Eddie Rabbit, and the glorious “At Least You Cried” channels Dwight Yoakam. By album’s end, the band 2 returns to the Eagles, recalling their famous intro to “Seven Bridges Road,” with the closing “Somewhere on the Wind.”

“On the Rocks is a confluence of our musical tastes and our reverence for classic country,” says Duddy, whose wife, photographer Harper Smith, shoots all of the group’s stylish photos.

“This record is truly a nod to the time period we are influenced by,” says Carson, a Pacific Northwest native, “and is an effort to bring that sound and that pageantry back to the forefront.”

“We write with a very visual storytelling approach. We paint that big picture and go to that place,” says Wystrach. “Where is this story going? Let’s paint it.”

“Electric Rodeo,” with its plaintive piano, sweeping strings and high-in-the-saddle chorus, is a prime example of the “picture” the band talks about creating. And “Check Cashin’ Country,” a solo composition by Carson, stands as the band’s true-life road diary: the tale of a country-rock band trying to find time to sleep as they hustle from gig to gig, barely making enough money to put gas in the tank. It’s the country equivalent of Seger’s “On the Road.”

Midland first came together at Duddy’s wedding in Jackson Hole, Wyoming, where the three members ended up jamming onstage at the rehearsal dinner.

“It was this serendipitous chain of events, and it was the best week ever,” says Wystrach, who, despite his hippie persona, was actually raised on an Arizona cattle ranch. “By the end, we knew the three of us had amazing chemistry.”

“Midland isn’t manufactured,” says Duddy, born in California. “We are three real friends who stumbled upon making music together.”

Whether they intended it or not, Midland are filling a void in country, with songs that run the gamut from lush Urban Cowboy anthems to loose campfire sing-alongs. Putting their own spin on a classic sound, they’re making something old relevant again.

“We are a band,” says Carson, declaratively. “That’s a big part of the spirit of what we do, that group experience and camaraderie.”

Says Wystrach, “We’ve poured our hearts and souls into writing and making these songs and are extremely proud of what we’ve been able to create.”

With On the Rocks, Midland have captured a sound decades in the making that is just right for today.

Dec
9
Thu
Steel Panther Live December 9, 2021 @ The Bluestone
Dec 9 @ 7:00 pm – 10:45 pm

Steel Panther Live December 9th, 2021 7 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B59EDEA422F

Steel Panther is headed to Columbus, OH to The Bluestone December 9, 2021.

Tickets on sale Friday, October 29 at 10 AM!

  • Website: http://www.steelpantherrocks.com/
  • Facebook: http://www.facebook.com/steelpanther
  • Twitter: http://www.twitter.com/Steel_Panther
  • Instagram: http://www.instagram.com/SteelPanther
  • YouTube: http://www.youtube.com/user/SteelPantherVEVO

About Steel Panther

For the uninitiated, Steel Panther was formed in 2000. Hailing from Los Angeles, the epicenter for rock n’ roll in all its debauchery and glamour, Steel Panther has established themselves as the world’s premier party band, melding hard rock virtuosity with parody and criminally good looks. Steel Panther is a global phenomenon with four full-length albums, touring across the world, platinum-level You Tube status and high-profile television appearances such as Jimmy Kimmel Live, Larry King Now, and FOX NFL Sunday.

Rolling Stone avowed, “There’s a reason Steel Panther have transcended their origins as a cover band playing the Sunset Strip,” while Metal Sucks declared, Steel Panther’s concept is genius…their songwriting is…preposterously snappy –and relatable.

Feb
25
Fri
Easton Corbin February 25, 2022 @ The Bluestone
Feb 25 @ 7:00 pm – 10:45 pm

Easton Corbin

February 25, 2022 7 PM

at The Bluestone

Columbus, Ohio

Bio:

Easton Corbin exudes country. His distinctive baritone has been gracing airwaves for the past decade as his chart topping debut single “A Little More Country Than That” established Corbin as a mainstay on the country charts. Billboard’s 2010 Top New Country Artist would go on to garner another No. 1 hit with the feel-good “Roll With It” as well as seven top 10 singles, further distinguishing himself from other male vocalists as a tried-and-true country traditionalist who weaves timeless story songs together while tipping his hat to the classic country artists who have come before him.

“That’s what I love and that’s what I do,” he says of his passion for traditional country music. “For me, it’s about keeping one foot in the traditional and one foot in the modern and marrying those two. I’m a country singer: That’s one of the things that I take pride in. I try to hone that craft and try to represent that.”

Though 2020 marked the 10th anniversary of “A Little More Country Than That” achieving No. 1 status, Corbin showed no signs of slowing down. With the release of his infectious single “Turn Up,” he launched a year of new releases, including tune “Didn’t Miss A Beat,” which he performed on NBC’s TODAY Show. November brought Corbin’s highly anticipated EP of the same title, which included a “wide array” of songs like “Old Lovers Don’t Make Good Friends” and “Back to Me.” He also partnered with past collaborator and global EDM star Lost Frequencies for new release “One More Night’.

As he continues on with this new chapter as an independent artist, Corbin says “A Little More Country Than That” still reflects who he is as an artist and where he sees his career going.

“That’s really how I grew up,” he says of his career-defining song. “‘A Little More Country Than That’ radiates with me and my band as well because that really is who I am. That’s where I came from, that’s what I am. It’s just as important now as it was then, because that’s the one that started it all for me. That’s definitely a staple of an Easton Corbin show. I think it also defines my audience and who they are.”

The Florida native was surrounded by music as a child. A Merle Haggard or Hank Williams record was always being spun at his grandparents’ house and a guitar was often lying around begging to be played. “My earliest memories are of me as a kid with a guitar, singing and playing along with the radio,” Corbin recalls. “I knew from an early age I wanted to be a country singer.”

After a decade in the spotlight, Corbin is more confident than ever. “I know what I want to say and what I don’t want to say, and I know what I would say and what I wouldn’t say,” he explains. “I think the new music highlights the fact that we’ve been honing these songs and trying to cut the best songs and writing the best songs we can. I think the Didn’t Miss A Beat project is a great representation of that.”

In the meantime, country fans can turn up a little Easton Corbin.

Mar
3
Thu
Jon Langston March 3, 2022 @ The Bluestone
Mar 3 @ 7:00 pm – 10:45 pm

Jon Langston

March 3, 2022 7 PM

at The Bluestone

Columbus, Ohio

Bio: Jon Langston grew up in Loganville, GA, listening to music by his heroes Alan Jackson and the Eagles. He played football, eventually earning a Division 1 college football scholarship. Jon always thought football would a part of his life, but after his sixth concussion left him blind for fifteen minutes, his football career ended abruptly. So, he picked up his guitar which he hadn’t touched since the eighth grade and re-taught himself how to play. Playing open mic nights and working on his songwriting eventually lead to the 2013 release of self-penned, “Forever Girl,” the first song he ever wrote. That release kicked off his music career which has culminated in sold out shows across the country and over 500 million career streams. Jon opened for Luke Bryan on his Farm Tour in 2017, which was a full circle moment having attended as a spectator of the Farm Tour only a few years before in Athens, GA. He was invited to perform on the tour again in 2018 and joined Luke in support of his Sunset Repeat Tour in 2019. Jon signed a publishing deal with Sony ATV, management with KP Entertainment, and is the first artist signed under Luke Bryan’s new Label 32 Bridge Entertainment with EMI Records Nashville. Jon released his highly-anticipated EP, Now You Know, featuring six original songs all written by Jon. Jon’s debut major label single, “When It Comes To Loving You” reached No. 1 on the all-genre iTunes Chart and his single “Now You Know reached the Top 30 on the radio charts. Jon released a pair of new songs, “Happy Ever After” and “Try Missing You,” both of which highlight Langston’s songwriting and his classic country influences.

COVID-19: The Bluestone does not require COVID Vaccinations to enter our venue. We follow all local guidelines and cleaning procedures. The current Columbus “Mask Mandate” for an indoor event does not apply to anyone who is “ACTIVELY EATING OR DRINKING.” We kindly ask that you enter the building with a mask on. You can keep it on or remove it as long as you are actively EATING OR DRINKING! This will be a full capacity show, and it is an “ENTER AT YOUR OWN RISK EVENT.”

Mar
18
Fri
Mammoth WVH & Dirty Honey Live March, 18 2022 @ The Bluestone
Mar 18 @ 6:30 pm – 11:45 pm

Mammoth WVH & Dirty Honey Live March 18th, 2022 6:30 PM

The Bluestone
Columbus, Ohio

https://www.ticketmaster.com/event/05005B5B9DE84DB9

WRKZ presents Mammoth WVH & Dirty Honey in Columbus, OH at The Bluestone March 18th, 2022.

Tickets on sale Friday, November 5th at 10 AM!

About Mammoth WVH

Official Website: www.mammothwvh.com

Official Facebook Page:www.facebook.com/MammothWVH

Official Twitter: www.twitter.com/MammothWVH @MammothWVH

Official Instagram: www.instagram.com/mammothwvh @mammothwvh

Official YouTube Channel:www.youtube.com/MammothWVH

First impressions last a lifetime. Wolfgang Van Halen has prepared a lifetime to make his first impression. The songwriter, vocalist, and multi-instrumentalist worked tirelessly towards the introduction of MAMMOTH [Explorer1], his self-titled 2021 debut album. Playing every instrument and singing each and every note, his music presents a personal and powerful perspective, balancing memorable hooks and tight technicality. As many times as audiences have experienced his talent alongside the likes of Tremonti,Clint Lowery, and of course, Van Halen, they meet Wolf as an individual for the very first time now.

“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” he affirms. “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”

His father often played guitar against his mother’s pregnant belly, and Wolf absorbed those vibrations from the womb. At the age of 10, his Pop gave him a drum kit for his birthday. To this day, Wolf considers himself “a drummer before anything else.” As he developed as a musician, he learned how to play guitar in order to perform “316” —which his father penned for him —at a 6th-grade talent show.

It may come as a surprise, but outside of his father teaching him one drumbeat from an AC/DC song, Wolfgang taught himself every instrument. “My dad wasn’t the best teacher,” he laughs. “I would ask him to play something, and then he would just proceed to be Eddie Van Halen. He would look at me and say, ‘Do that.’ to which I would laugh and sarcastically reply, ‘Sure thing, no problem.’”

In the summer of 2006 when he was 15 years old, Wolf grabbed a bass and began noodling. While at the legendary 5150 Studios, his impromptu woodshedding inspired Eddie and Uncle Alex. Endless family jam sessions followed. By summer’s end, Wolfgang phoned David Lee Roth’s manager and by winter Roth showed up for rehearsal. They rocked “On Fire,” and “That’s how the 2007 tour began,” says Wolf.

Not only did Wolf canvas the world with Van Halen while in high school, but he also held down the low end on 2012’s A Different Kind of Truth—which debuted at #2 on the Billboard Top 200. When not on tour with Van Halen, he cut bass for Tremonti’s critically acclaimed Cauterize [2015] and Dust [2016] in addition to joining the band on the road. In 2019, Wolf handled drums and also played bass on half of the 10 songs for Clint Lowery’s solo debut, God Bless The Renegades.

In the midst of all this, at the beginning of 2015, Wolf broke ground on what would become MAMMOTH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC,Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. “I’ve been singing my whole life, but it wasn’t until MAMMOTH that I really found my voice. Elvis was great, and he helped me gain the confidence to become a lead vocalist.”

“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much. I’m so thankful that my father was able to listen to, and enjoy the music I made. I’m really proud of the work I’ve done and nothing made me happier than seeing how proud he was that I was continuing the family legacy.”

About Dirty Honey

Official Website: https://www.dirtyhoney.com/

Official Facebook Page: https://www.facebook.com/DirtyHoneyMusic/

Official Twitter:  https://twitter.com/dirtyhoneyband @DirtyHoneyBand

Official Instagram: https://www.instagram.com/dirtyhoneyband/@dirtyhoneyband

Official YouTube Channel: https://www.youtube.com/channel/UCsxtEOcwpVO9Rnw93Fuv2pQ

Some musicians take a while to build an audience and connect with fans. For the Los Angeles-based quartet Dirty Honey, success came right out of the gate. Released in March 2019, the band’s debut single, “When I’m Gone,” became the first song by an unsigned artist to reach No. 1 on Billboard’s Mainstream Rock chart. Their second single, “Rolling 7s,” went into the Top 5 and was still headed up when COVID changed everything. That same year, Dirty Honey opened for The Who, Guns ’N Roses, Slash, and Alter Bridge and was the “do-not-miss-band” at major rock festivals such as Welcome to Rockville, Rocklahoma, Louder Than Life, Heavy MTL, and Epicenter. On its first U.S. headline tour in January and February 2020, the band sold out every date.
When it came time to record its self-titled full-length debut album, the band—vocalist Marc LaBelle, guitarist John Notto, bassist Justin Smolian, and drummer Corey Coverstone—wasn’t about to mess with what was already working. Teaming up with producer Nick DiDia (Rage Against the Machine, Pearl Jam), who also produced the band’s 2019 self-titled EP, Dirty Honey again captured the lightning-in-a-bottle dynamics and energy of their live sound.
“As a guitarist, I’m always inspired by the everlasting pursuit of the perfect riff,” says Notto. “I also wanted to extend the artistic statement that we had already made. We weren’t looking to sound different, or prove our growth, necessarily. It was more about, ‘Oh, you thought that was good? Hold my beer.'”
“Because of the pandemic,” added drummer Coverstone, “we had a lot more time to write and prepare, which was great. It meant that we were able to workshop the songs a lot more, and I thinkit really made a difference.”
Dirty Honey’s album indeed builds on the band’s output to date, with airtight song writing that plays up their strengths: sexy, bluesy, nasty rock’n’roll, melodic hard rock, and soulful 70s blues-rock. On “The Wire,”LaBelle reaffirms his status as one of contemporary rock’s best vocalists, while “Another Last Time” is a raunchy, timeless ballad about a toxic relationship that you just can’t stop saying goodbye to. “Tied Up” and the album’s lead single “California Dreamin,’’ both feature smoking guitar solos bookended by massive riffs and hooks.
“‘California Dreaming’ was the last song we wrote,” said bassist Justin Smolian. “We finished it about two weeks before we recorded it, so the song was still so new, and we were trying out different things,so every take was a little different. But there was that one where we just captured it, and it was magic.”
Although each band member started playing music as kids—at the age of eight, Notto’s parents even bought him a red-and-white Stratocaster—each one brings eclectic influences to Dirty Honey’s sound. For example, drummer Coverstone has studied with jazz and L.A. session drummers but loves heavy metal; Notto grew up listening to ’70s funk and R&B as well as rock ‘n’ roll,and bassist Smolian has a bachelor of music in classical guitar and loves Tom Petty and The Beach Boys.
LaBelle meanwhile,takes cues from hissongwriting idols (to name a few, Robert Plant, Steven Tyler, Mick Jagger, Chris Robinson, and the late Chris Cornell) when coming up with lyrics. As a result, the songs on the Dirty Honey albumhint at life’s ebbs and flows—shattering heartbreak, romantic connection, intense soul-searching—while giving listeners space to draw their own conclusions.
“Sometimes,if you just let lyrics pass behind your ears, they sound like cool shit is being said,” LaBelle says. “And then once you dive in, you realize, ‘Oh, that’s really thoughtful.’ But it still doesn’t have a meaning that’s easy to pinpoint. There’s an overarching idea that is really cool, but it’s not necessarily on-the-nose.”
Although the Dirty Honey album may sound effortless, its genesis had a bumpy start. The day before the band members were due to fly to Australia to track the album, Los Angeles entered lockdown due to the COVID-19 pandemic, and traveling was off the table. However, Dirty Honey was still eager to work with DiDia, so they devised a Plan B: recording the full-length in a Los Angeles studio with one of DiDia’s long-time engineers, and the producer beamed into the proceedings via the magic of modern technology.
“He was able to listen to what we were laying down in real-time, through this app,” says LaBelle. It was like he was in the room with us. It was surprisingly seamless the way it all went down.”
Having to switch gears delayed the start of recording slightly, although this extra time ended up being a boon. Dirty Honey rented a rehearsal space and demoed the album’s songs in advance, meaning the tracks were in good shape when DiDia came onboard. Notto mixed and recorded these workshopped tracks himself, which helped him rediscover one of Dirty Honey’s biggest strengths: being well-rehearsed while not overpolishing their work.
“I’ve learned just a little bit more about what people might mean when they say, magic—you know, ‘This one has the magic,'” he says. “We would do two and three different demos of a song, so there would be a few versions. On a few occasions, the version that people kept going back to was the sloppiest, if you look at it from a performance standpoint.”
LaBelle agrees. “It’s just about getting the performance right and not thinking about it too much. I never like to be perfect in the studio. None of the stuff that I really liked as a kid was. I don’t really see myself getting away from that too much in the future just because I think you lose the soul if you do it too many times, if it’s too perfect.”
Notto also admits that the creative process isn’t necessarily always all fun and games. But for him and the rest of Dirty Honey, pushing through those tough times and coming out stronger on the other side is worth it. “When you finally come through on those moments, that’s where the real magiccomes in,” he says. “What makes all of our songs fun to play and listen to is we don’t allow ourselves to stop short of getting the best possible results out of each one of them.”

Mar
24
Thu
LANCO March 24, 2022 @ The Bluestone
Mar 24 @ 7:00 pm – 10:45 pm

LANCO

March 24, 2022 7 PM

at The Bluestone

Columbus, Ohio

Bio:

Multi-Platinum selling band LANCO continues to forge new territory after the roots-frontier explorers and live-performance junkies broke out with the 2x Platinum multi-week No. One hit “Greatest Love Story.” Creating a heartland rocker for a new generation, the band followed up with the Billboard Country Albums chart topper HALLELUJAH NIGHTS, marking the first Country group to earn a No. One debut in a decade. Additionally LANCO garnered another PLATINUM certified hit with “Born To Love You”, before the launch of their new anthemic HONKY-TONK HIPPIES EP, which was self-produced by the band, with each track penned by at least two members. The group traveled to the iconic Fame Studios in Muscle Shoals, AL to record the new music, absorbing its heart-pounding and soul-shaking influence. Now set to release five new tracks fit perfectly for the road. New music from the ACM “New Group of the Year” follows multiple nominations from the CMT, CMA, ACM, AMA and iHeartAwards, while Lancaster became the first member of a group to win NSAI’s  “Songwriter/Artist of the Year” award. As LANCO continues to “bring the full-band sound back to Country” (Newsday) the five-man band will build off their deep-rooted connection with fans on their headlining HONY-TONK HIPPIES TOUR.

Mar
25
Fri
Lauren Alaina’s TOP OF THE WORLD TOUR March 25, 2022 @ The Bluestone
Mar 25 @ 7:00 pm – 11:45 pm

Top of the World Tour

LAUREN ALAINA

Presented by maurices

March 25, 2022 7 PM

at The Bluestone

Columbus, Ohio

Tickets $20

Artist Biography

Lauren Alaina | Sitting Pretty on Top of the World

Ten years into her Nashville career, Lauren Alaina is in the upper echelon of country music’s most authentic voices, beloved personalities, and open hearts. She’s earned a reputation as one of the genre’s most compelling storytellers by boldly incorporating her struggles and heartache into her critically acclaimed first two albums. Lauren’s third studio collection, Sitting Pretty on Top of the World, is an artful evolution of immaculately penned, unflinching reflections of the mountains and valleys on her journey.

Sitting Pretty on Top of the World opens with the telltale sound of a needle dropping down on a record, and with that, Lauren sets the tone for some of the most captivating music of her career. Lauren was inspired to lean into the tenets of classic country music for this project and on the albums lead track, “It Was Me,” she offers a timeless country ballad filled with heartsick self-reflection. Lauren’s voice emotionally soars through the aching, introspective lyrics: “It wasn’t you I didn’t love, it was me.”

“The other person isn’t always the bad guy,” Lauren concedes. “On ‘It Was Me,’ I’m taking full ownership of being in the wrong. It was really hard to admit that I was the one at fault and to realize that I didn’t love myself enough to allow someone else to love me.” But the vulnerable “It Was Me,” co-written with Hillary Lindsey, is a song Lauren considers to be one of the best she’s ever written.

Lauren takes pride in the exposed transparency of her songwriting on this project, and though most writing sessions took place via Zoom, Lauren was crafting verses and choruses alongside the likes of award-winning songwriters including Liz Rose, Lori McKenna, Hillary Lindsey, Emily Weisband, David Garcia, Jordan Reynolds, Ben Johnson and Kennedi Lykken. She co-wrote 14 of the album’s 15 songs, much of it inspired from recent life experiences including two impactful break-ups, the loss of her stepfather, and like much of the world, Lauren struggled with despondency as she adapted to life in the pandemic.

The album’s title track “On Top of the World” delves into the dark reality behind polished facades. Writing the song with Jordan Reynolds and Sasha Sloan after the pandemic forced her to stay home for the first time in a decade, Lauren, in a heightened emotional state, revealed how she felt enveloped in loneliness and sadness.

“I’ve been on the road and touring for 10 years and having that taken away so suddenly felt like an abrupt stop to everything I’ve been working for, and that was a really scary thing for me,” she says, “but the whole world stopped for everybody, and I needed to find new ways to connect with people.”

Lauren applies that same honest vulnerability throughout the album from the harrowing ballad “What Do You Think Of?” featuring Danish Pop Star Lukas Graham, to the pensive flow of “I’m Not Sad Anymore,” to the beautiful simplicity of “Good Ole Boy” with its scaled back production that truly allows Lauren’s vocals to shine.

“This whole thing [album] is about loving yourself and being brave and being strong,” Lauren says. “I was faced with all these trials, and I hope people feel themselves in these songs. I think we all live the same stories with different characters. And maybe people realize new beginnings can be good.”

“Getting Good,” a duet with Trisha Yearwood, is the only song Lauren didn’t write on the album. Penned by Weisband, the song is a poignant truth-telling about choosing to be happy. Drawn to the concept, Lauren says, “Life is all about perspective, and you sometimes you have to shift your perspective.”

Lauren punctuates the lovelorn with the playful yet forthright “When the Party’s Over” and with the propulsive yet nostalgic “Run.”  She also teamed up with Emily Weisband and the album’s producer Paul DiGiovanni to write the lighthearted, here-for-the-fun, rebound tune, “Getting Over Him,” featuring country star Jon Pardi. Lauren rounds out the album with the beautifully hopeful “Change My Mind,” which she co-wrote with Seth Ennis and Cameron Bedell.

Then with the familiar crackle of a vinyl record nearing its end, the album comes to a close. A journey from start to finish. Lauren explores life in these unique times and Sitting Pretty on Top of the World is the salve and the soundtrack for anyone traversing their own personal quest for hope and new beginnings.