Concerts and Events in Columbus

Never miss your favorite artist again. From country and electronic to R&B and hip hop, the Bluestone brings quality entertainment to the stage. We’re working hard to bring you the best music and special events in Columbus, so keep an eye on our events calendar and check back often for updates. Just click on an event to purchase tickets.

Jun
23
Fri
Country Music’s Tony Jackson LIVE @ The Bluestone
Jun 23 @ 7:00 pm

Country Music’s Rising Star,

Tony Jackson will be performing LIVE at The Bluestone on Friday, June 23rd

Doors for the show will open at 7pm

Opening Artist: Wyatt McCubbin

Tickets are $10 in advance and $15 day of show

Tickets will go on-sale Friday, April 21st at 10am

PURCHASE HERE

Tony#1PRPhoto copyRESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  •  Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

    Is it premature to see Hall of Fame material in a guy who’s just releasing his first album?

 Not if that guy is Tony Jackson. To put it plainly, Jackson is one of the most gifted singers ever to grace country music. His video “The Grand Tour” ignited an unprecedented 10 million Facebook views and 200,000 shares in just over 3 short weeks!

The respect Jackson has already earned within the music community is evident throughout Tony Jackson, as the new album is titled.  It features songs and/or performances by Rock and Roll Hall of Fame members John Sebastian, Steve Cropper and Dr. John “Mac” Rebennack, Country Music Hall of Famers Vince Gill, Bill Anderson and Conway Twitty and Nashville Songwriters Hall of Fame luminary Norro Wilson.

But it is ease with which Jackson makes every song—even the familiar ones—distinctly his own that sets him apart.  Who else would dare to try and then succeed in bringing a fresh layer of emotional urgency to such a classic as George Jones’ “The Grand Tour” or Conway Twitty’s eternal “It’s Only Make Believe”?

On the first-time and lesser known songs, Jackson mints his own classics.  With its sweeping steel guitar flourishes and ambient barroom clatter, he transforms John Sebastian and Phil Galdston’s “Last Call” into the sweetest, most affectionate separation ballad imaginable.  With reverence and a twinkle in his eye, he enlists Sebastian and Vince Gill in revivifying (after 50 years) the Lovin’ Spoonful’s 1966 romp, “Nashville Cats.”  “When asked if we should recut the song,” Sebastian begins, “I said absolutely but we have to get Vince Gill, Paul Franklin and today’s real Nashville Cats in on the session and fortunately it was preserved on video,” he beams.

After capturing perfectly, the excitement of new love in Bill Anderson’s “I Didn’t Wake Up This Morning,” he moves on to a memory-stirring homage to Merle Haggard, Hank Williams Jr. and Willie Nelson in “They Lived It Up,” a lyrical scrapbook from Anderson and Bobby Tomberlin.

 Jackson shines as a keen-eyed songwriter in his own right with such memorable excursions as “Drink By Drink,” “Old Porch Swing” and “She’s Taking Me Home.”

 From start to finish, Tony Jackson stands out as a “discovery” album, the kind you listen to with such delight that you have to recommend it to friends.  And hundreds of thousands have done just that.

 Jackson is currently a headliner on the Old Dominion Barn Dance in Richmond, Virginia, and is almost certainly the only major bank executive ever to abandon a prominent IT job in finance at a Fortune 500 company to embark on a career in country music.  But he didn’t grow up a country fan.

The son of a Navy man, he led a base-to-base existence, at one point living with his family in Rota, Spain for three years.  His early musical background was sketchy at best.  “I sang ‘White Christmas’ in the Christmas play in the sixth grade,” he recalls.  ‘Everybody seemed to love it, but I was a wreck. My mother forced me to sing in the church choir, but I was kind of buried in the voices along with everybody else.”  This was basically his entire musical resume until ten or so years ago when a friend whose band had lost its lead singer asked Jackson to try out for the spot.  “I did,” he says, “and I was hooked after that.”

 Two weeks after graduating from high school, Jackson joined the Marines.  “I told my dad I was joining because I was sick of taking orders,” he says with a wry grin.  There was as much getting-ahead as gung-ho in Jackson’s enlistment.  “I was a computer and electronics geek as a teenager,” he says.  “When I talked to the recruiter, he told me the Marine Corps had just started a computer science school in Quantico, Virginia.  Fortunately, I scored high enough on the entrance exam to go to that school.” It was a smart move.  When he finished service, a prominent bank in Richmond snapped him up to work in its Information Technology division, initially assigning him the lowly chore of re-setting passwords.  “I was way overqualified,” he says, “so I got promoted fast.  I was a senior vice president by my early 30s.”

 It was while in the Marines that he first started paying serious attention to country music.      “My mother listened only to gospel,” he says.  “My dad was into jazz, hip hop, R&B, new jack swing—stuff like that.  But Armed Forces Radio played everything.  When I was living in Spain—when I was 10 to 13—Randy Travis came over there on a USO tour.  Some friends and I were out there early when they were setting up the stage, and we actually got to talk to him before we realized he was the guy who’d be performing later.  He was really cool to us. In the Marine Corps, when my friends and I played music for each other, we were all homesick.   So when you’d listen to these country songs that talked about family and home and heartbreak, it would really grab you.”

Jul
27
Thu
*Sold Out* AARON LEWIS 2nd show added July 27th @ The Bluestone
Jul 27 @ 7:00 pm

Aaron Lewis in Columbus, Ohio

*SOLD OUT* Aaron Lewis “Sinner Tour” at The Bluestone 

DUE TO POPULAR DEMAND, WE’VE ADDED A SECOND SHOW!

Opening Artist: Travis Marvin

Doors open at 7pm

Tickets are $35

THIS SHOW IS SOLD OUT

PURCHASE HERE

RESERVED LOFT TABLE SEATING

RESERVED TABLE PURCHASE DOES NOT INCLUDE ADMISSION TICKETS TO THE SHOW.  

Admission tickets must be purchased separately.

  • Loft Lower Tier: $250 (seats four people-no exceptions)
  • Prime view of stage!
  • Includes first bucket of Miller or Coors Light
  • Server
  • Exclusive Private Bar access
  • Loft Upper Tier: $200 (seats four people-no exceptions)
  • Includes first bucket of Miller or Coors Light
  •  Server
  • Private Bar Access
  • May be Obstruction in View

*All Reserved tables located in the loft area

ALL SALES ARE FINAL

Grammy nominated and multi-platinum artist, Aaron Lewis is set to release his sophomore solo album later this year on Big Machine Label Group’s DOT Records.

The former Staind front man first made his country debut in 2011 with certified gold single “Country Boy” followed by the release of his first full length solo album, The Road. “Country Boy” featured Charlie Daniels on fiddle and a booming verse from George Jones as well as Chris Young striking a balance between classic and modern country.

Lewis’ introspective, personal and relatable lyrics are proof that country music is about lifestyle and values, not necessarily where you were raised. And as Country Weekly exclaims “…make no mistake, he is a truck-drivin’, gun-totin’ country boy.” Lewis attributes country as something that has always inspired him. Growing up in rural Vermont the singer/songwriter spent summers with his WWII veteran grandfather hunting and fishing. During that time, he developed a love for the land, the woods, and the simple life, which still permeates everything he does.

And there was one specific soundtrack to those times. “I was raised on Country music,” Lewis says. “My grandfather listened to Merle Haggard, Hank Williams, Hank Jr., and all of the greats.”
And those influences are evident on stage in his new songs and in Staind hits he often performs such as “Outside,” “It’s Been Awhile,” and “So Far Away.”